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5
Wednesday was another unseasonably gorgeous day. Joey and I could fully appreciate this along with everyone else on the 405 South because the San Diego Freeway was moving us along at the speed of barges. Which gave me time to wrestle with the idea of A
“I wouldn’t say an unidentified pill and an empty coke vial constitute a druggie,” Joey said. “Not where I come from.”
“You come from Nebraska.”
“Exactly. The decadent Corn Belt. Hey, you’re getting a little obsessive, aren’t you, going to San Pedro at this hour? What happened to your day job, your mural deadline?”
“Their floors are still wet. And I wouldn’t have to go to San Pedro if people would answer their phones. Thanks for the ride, by the way.”
Joey opened a window. Her Irish setter hair whirled around the front seat, a victim of the Santa Ana winds. “Thanks for qualifying me for the carpool lane.” She was on a mission to sell her husband’s year-old BMW. “Not one person answered Elliot’s newspaper ad,” she said, “so now we deal with the dealers. Today, Long Beach. Tomorrow, City of Industry. Don’t marry a man who needs a new car every year; life’s too short.”
“Why doesn’t he just trade it in?” I asked.
“He says it’s worth more than they offered. We went through the same thing last year.”
“Why doesn’t he just lease?” I asked.
“Who can say? Why does he do anything? Why invest in a reality TV show?’
“Okay, why?”
Joey changed lanes. “I like to think Biological Clock is a money-laundering scheme and my husband is stowing large amounts of cash in a Swiss bank, preparing to buy me a small village in Italy for our third a
“And does this actually make you a producer, being married to an investor, or is that something Bing made up?”
“Both,” Joey said. “In one sense, there’s no limit to the number of producers on a show-it’s like ants at a picnic. You invest money or head the production company, you’re a producer; you find the writer or star or idea, you’re a producer; if you’re a big enough writer or star or director, you’re a producer, and maybe your agent and manager are too, along with your husband, girlfriend, maybe your mom. In the glory days, they all got screen credits. Now they have to fight each other for them.” Joey honked at a Ryder truck one lane over making a preliminary move to cut her off. “Anyhow, the real producer, in this case Bing, who hires the crew, does the budget, shows up on the set, that’s the lowest form of producer, which is why he resents me. I’m a producer-by-marriage, and also because I once made a lot of money by modeling and doing schlock TV, enabling my husband, who knows zip about show business, to invest that money in schlock TV. There’s a symmetry to all this.”
Eventually we found the car dealer, who made a lowball offer on Joey’s husband’s BMW, citing a scratch on the front fender the depth of a strand of hair. Joey argued that a jeweler’s loupe was required to see this, and heated words were exchanged before I dragged her away, to the western regional offices of Au Pairs par Excellence.
If there was a high-end section of San Pedro, this wasn’t it, a mile or two inland from the harbor. The storefront office was wedged between a Laundromat and a shoe-repair shop called the Leather Goddess. The office staff was a young woman behind a gray metal desk reading a copy of In Style magazine.
“Hi,” she said. “Are you guys the exterminator?”
My guess was, they didn’t get a lot of walk-in business. Desks, floor, and the top of the gray metal filing cabinet overflowed with boxes and stray papers. Novel filing system.
“No, we’re not exterminators,” I said. “I’ve called four or five times, but no one called back, so I came in person. I’m worried about one of your au pairs, A
“Um, want to come back this afternoon?” the receptionist asked. “Marty’ll be in then.”
“No,” Joey said with a big smile. “We want you to call Marty and ask him to come in now. Unless you’d like to be the agency spokesperson. I write for the L.A. Times, and by this afternoon my article will be on its way to tomorrow’s edition.”
“Wow.” Her eyes sparkled and she sat up straighter. “You sure you want us? We’re just a branch office. Maybe you want to call main headquarters in New York-”
“No,” I said. “We don’t want to call anyone. We want Marty.”
She nodded. “Okay, I’ll do an SOS on his pager.”
I marveled at Joey’s improvisational ability. Joey calls it lying, but that’s because she’s modest. We sat on folding chairs along the wall, watching the receptionist page Marty, then return to her magazine. After a moment, she got up and looked through the glass door, staring at something. “I have a new car,” she said.
“Congratulations,” I said. Joey asked what kind it was.
“Honda Element. Orange. I hate parking it here. Those Laundromat people next door are really careless, they park too close and they bang it with their laundry baskets.”
The phone rang. Oddly enough, she didn’t answer it. The three of us stared at the message machine as a nasal voice expressed interest in an unspecified position and informed us she’d just had her teeth done and needed the extra money, which was the reason she’d decided to call. The receptionist replayed it several times, jotting notes on a “While You Were Out” notepad. Ten minutes later, a dirty white Mustang with a bad paint job pulled up. A man got out and peered at us through the glass doorway. He checked the soles of his shoes, the way you do when you suspect bubblegum or something worse, then walked in. The receptionist jumped up and handed him the “While You Were Out” message. He glanced at it and told her to take an early lunch. He was thirty or thirty-five, slim, in khakis and a button-down shirt, with slicked-back hair. A prominent Adam’s apple reminded me of the marbled reed frog, Hyperolius marmoratus. Because of my mural, most things these days reminded me of frogs.
When the receptionist was gone, he smiled at us. “Temp,” he said. “My girl’s out on maternity leave. I’m Marty Otis. How can I help you ladies?”
I didn’t have to look at Joey to know her reaction to “my girl” and “you ladies,” but Marty seemed oblivious, so I went through my “worried about A
I started to speak, but Joey jumped in. “We work together.”
“Marty,” I said, “we’re wondering if you’ve filed a police report on A
He leaned back, folding his hands. “Let’s put this in context, shall we?”
“So that’s a no?” I asked.
“You need to understand teenage girls. Off the record? Opportunists. They come here with some kind of work ethic, because that’s how it is for them back home. Then they see their American counterparts, and in three months, they’re as reliable as rock stars.”
“They don’t come from Mars,” I said. “It’s not like there’s no sex, drugs, rock and roll in Europe.”
Marty shook his head. “These are working-class types, slated for factory jobs until they get married and produce kids of their own. They’re from backwater towns. If they were more sophisticated, they’d be in college, not coming to change diapers for minimum wage.”