The Shining

54. Tony

(Da

(Da

Darkness and hallways. He was wandering through darkness and hallways that were like those which lay within the body of the hotel but were somehow different. The silkpapered walls stretched up and up, and even when he craned his neck, Da

And somewhere, Tony was calling him.

(Da

There was a pounding noise, one be knew well, and hoarse shouts, faint with distance. He could not make out word for word, but he knew the text well enough by now. He had heard it before, in dreams and awake.

He paused, a little boy not yet three years out of diapers, and tried to decide where he was, where he might be. There was fear, but it was a fear he could live with. He had been afraid every day for two months now, to a degree that ranged from dull disquiet to outright, mind-bending terror. This he could live with. But he wanted to know why Tony had come, why he was making the sound of his name in this hall that was neither a part of real things nor of the dreamland where Tony sometimes showed him things. Why, where-

“Da

Far down the giant hallway, almost as tiny as Da

“Where am I?” he called softly to Tony.

“Sleeping,” Tony said. “Sleeping in your mommy and daddy's bedroom.” There was sadness in Tony's voice.

“Da

“No!”

He cried it out in a distant grief, a terror that seemed damped by these dreamy, dreary surroundings. Nonetheless, death images came to him: dead frog plastered to the turnpike like a grisly stamp; Daddy's broken watch lying on top of a box of junk to be thrown out; gravestones with a dead person under every one; dead jay by the telephone pole; the cold junk Mommy scraped off the plates and down the dark maw of the garbage disposal.

Yet he could not equate these simple symbols with the shifting complex reality of his mother; she satisfied his childish definition of eternity. She had been when he was not. She would continue to be when he was not again. He could accept the possibility of his own death, he had dealt with that since the encounter in Room 217.

But not hers.

Not Daddy's.

Not ever.

He began to struggle, and the darkness and the hallway began to waver. Tony's form became chimerical, indistinct.

“Don't!” Tony called. “Don't, Da

“She's not going to be dead! She's not!”

“Then you have to help her. Da

“You're Tony. You're not me. I want my mommy… I want my mommy… “

“I didn't bring you here, Da

“No-”

“You've always known,” Tony continued, and he began to walk closer. For the first time, Tony began to walk closer. “You're deep down in yourself in a place where nothing comes through. We're alone here for a little while, Da

“It…” Da

(You brought yourself. Because you knew.)

“Oh Tony, is it my daddy?” Da

Tony didn't answer. But Da

But it was not his daddy.

It was not his daddy.

“I've got to help them!” he cried.

And now Tony stood directly in front of him, and looking at Tony was like looking into a magic mirror and seeing himself in ten years, the eyes widely spaced and very dark, the chin firm, the mouth handsomely molded. The hair was light blond like his mother's, and yet the stamp on his features was that of his father, as if Tony-as if the Daniel Anthony Torrance that would someday be-was a halfling caught between father and son, a ghost of both, a fusion.

“You have to try to help,” Tony said. “But your father… be's with the hotel now, Da

Tony walked past him, into the shadows,

“Wait!” Da

“He's close now,” Tony said, still walking away. “You'll have to run… hide… keep away from him. Keep away.”

“Tony, I can'tl”

“But you've already started,” Tony said. “You will remember what your father forgot.”

He was gone.

And from somewhere near his father's voice came, coldly wheedling: “Da

Da

Behind him, the thing's temper broke through the shambling charade of normality.

“Come here, you little shitl Right nowl”

Down a long hall, panting and gasping. Around a corner. Up a flight of stairs. And as he went, the walls that had been so high and remote began to come down; the rug which had only been a blur beneath his feet took on the familiar black and blue pattern, sinuously woven together; the doors became numbered again and behind them the parties that were all one went on and on, populated by generations of guests. The air seemed to be shimmering around him, the blows of the mallet against the walls echoing and re-echoing. He seemed to be bursting through some thin placental womb from sleep to

the rug outside the Presidential Suite on the third floor; lying near him in a bloody heap were the bodies of two men dressed in suits and narrow ties. They had been taken out by shotgun blasts and now they began to stir in front of him and get up.

He drew in breath to scream but didn't.

(!! FALSE FACES!! NOT REAL!!)

They faded before his ga ze like old photographs and were gone.

But below him, the faint sound of the mallet against the walls went on and on, drifting up through the elevator shaft and the stairwell. The controlling force of the Overlook, in the shape of his father, blundering around on the first floor.

A door opened with a thin screeing sound behind him.

A decayed woman in a rotten silk gown pranced out, her yellowed and splitting fingers dressed with verdigris-caked rings. Heavy-bodied wasps crawled sluggishly over her face.

“Come in,” she whispered to him, gri

“False face!” he hissed. “Not real!” She drew back from him in alarm, and in the act of drawing back she faded and was gone.

“Where are you?” it screamed, but the voice was still only in his head. He could still hear the thing that was wearing Jack's face down on the first floor… and something else.