Silk

She had sprinkled salt and rosemary, nutmeg and mace, above the fire.

“I’m going to puke,” Walter said, his rolling, seasick voice and, “No,” she’d said firmly, “Not yet. Hang on as long as you can.” And he had, but that hadn’t been much longer. “Please,” he’d whispered, sweat on all their faces, slack eyes, sweat on their naked bodies, and she’d only nodded. He’d crawled quickly away and emptied his stomach somewhere in the maze she’d drawn. Byron had gone next, before Walter had even finished his loud retching; and Robin last; had waited so long that she’d only made it three or four feet away from the fire before she’d thrown up the pulpy stew of chewed peyote, bile, and Perrier, the half-digested meal Spyder had cooked for her, and sat coughing, staring through watering eyes at the candle she’d drowned in vomit.

One at a time, they’d gone back to sit around the scrape in the earth and the Sterno, and Robin had taken Walter’s hand on her right, Byron’s on her left, held on tight, little-girl-on-a-carnival-ride grip. And Byron had taken Walter’s hand, and the warmth that had settled over her, peace inside and deeper peace than she’d ever known or imagined. And then she’d begun to speak, knowing that it was time, had clutched at the strict words she’d laid out as scrupulously as the designs drawn on the floor, the candles, the pinches of spice and salt. But the world was raveling, taking itself apart, and the words had run from her like scurrying black beetles. She’d squeezed their hands harder, so terrified and so completely beyond fear that she’d thought she would never be afraid again.

Later, she had remembered that Byron had begun to cry, joy and sadness, and that the wings of the angels that rose from the candle flames blazed and trailed razor night, obsidian shards that sliced her eyes, that cut her lips.

And that when the dry and whispering things had begun to dig themselves from the earthen walls-claws like Walter’s spade and the scrambling legs that glistened and drew blood from the shimmering air-she’d finally closed her eyes.

And the sound of thunder, and Spyder laughing, far away.

7.

In the world above, Spyder had come out of her room and stared for a long time at the trapdoor, silently watching its paper cut edges and the tarnished brass handle, handle borrowed from a chifforobe drawer, bolted there by her father after the old pine hand grip had broken off years and years and years before. No sound rose up through the floor, no evidence that anyone was down there, no proof that they’d left her behind. She wiped at her dry eyes and walked over to stand directly on top of the trapdoor; the wood had sagged slightly beneath her weight.

She went without you, her father chattered in her ear, from inside her ear. You see that, don’t you? They all went without you, and here you thought you were the big magic…

“Shut up,” she’d whispered, whispered the way she had learned to whisper so no one else would hear, so no one would ask, Who you talkin’ to, Spyder? Who you think you’re talkin’ to? And she’d chewed at her upper lip, toying with a ragged bit of skin.

Did you think they couldn’t do this without you, Lila? Did you think that little green-haired whore of yours wasn’t wicked enough to do this witchy shit on her own?

“Shut up,” and her teeth had ground through flesh, salty, warm blood in her mouth like chocolate melting on her tongue.

They don’t need you.

“Shut up!” and she covered her ears with both hands, useless, knowing that his voice wasn’t getting in that way.

“You don’t know, you don’t know shit!”

She’s taking them away from you, Lila. I know that.

“SHUT UP!” and then she’d thrown herself hard against a wall, so hard that the plaster had dented and cracked. “SHUT UP, SHUT UP, SHUT UP!”

Dull smack of her shoulder against the wall, again and again, meat-thud tattoo, and the cracks had spread like the patterns on her arms until she’d punched a hole through and plaster dust had silted to the floor like flour snow. Dark smear of herself down the wounded white wall. And she’d known he wasn’t wrong. That her father had eyes to see through the lies she told herself, the lies that Robin had been telling her.

Spyder had gone to the kitchen and found a claw hammer and the pickle jar full of different-sized nails beneath the sink, two-pe

When she’d finished, Spyder pushed and dragged the big steamer trunk from her mother’s room, great-grandmother heirloom, had used it to cover the smashed and crooked nail heads, the basement door, passage down to all her hells. And then she’d climbed on top, had crouched there, predator’s huddle, and through her mouth, her father had howled his Armageddon songs.

When Spyder woke up, curled next to the trunk, there’d been watery light, dawning shades of gray and ivory, shining from the dining room and through the little window at the other end of the hall. She did not remember having fallen asleep, ached everywhere at once, and when she sat up her back and neck and shoulders had hurt so badly that she’d had to lie right back down.

There was no one but herself inside her head, and she’d lain still and thankfully alone, her cheek pressed against the cool, smooth wood, wax and varnish, left ear against the floor. And at first, the scritching sounds had meant nothing to her, the faint sobbing like lost children, another part of the house and nothing more; she’d listened, squinting as the light through the dirty window had brightened toward morning.

And then, “Spyder?” But the voice was too small and broken to have been real, to have been anything but an echo of an echo of something she’d forgotten.

“Spyder, please…”

The sun had seeped into the hall and, by slow degrees, the night washed back over her: that they had all gone down to the basement without her, Robin and the peyote and her idiot ceremony; that the voices had come, her father’s jibes and eager barbs, her father’s paranoia and zealot’s fear.

“Please…please, Spyder.”

She sat up, ignoring the pain, the tilting dizziness it tried to force on her, and stared at the trunk, the banged and dented edges of the trapdoor and stray nails scattered everywhere like vicious pick-up sticks. Something under the floor thumped twice and was quiet.

“Robin?” and her throat hurt, strep raw; she tried to swallow, but her mouth had gone cottony and dry.

No sound from beneath the trunk, beneath the basement door nailed shut, no sound anywhere but her heart and a mockingbird squawking loudly in borrowed voices somewhere outside.

She’d tried to wrestle the trunk aside, but there was no strength at all in her right arm, dislocated bones and sickening pain, the black threat of unconsciousness, and so she’d had to use her feet to push it out of the way. But then there were the nails, dozens of them, and she’d looked around desperately for the hammer, had finally found it hiding on the other side of the trunk.

“I’m opening it,” she croaked, over and over again, protective mantra against what she’d done. “I’m opening it.”

A lot of the heads were sunk too deep for the claw end of the hammer to get at, pocked, circular wounds in the floor where she’d buried them. With her good hand, Spyder pulled and wrenched loose the ones she could reach, nail after bent and crooked nail squeaking free of the wood. When she finished at least half the nails were still firmly, smugly, in place; she tugged at the chifforobe handle, and the boards creaked and buckled, made pirate-ship sounds, and she was able to get her hand under one corner of the trapdoor, able to force it open a few inches and see the blackness beneath.