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In an interview with Yang Qingqing, a beauty expert and cult figure amongst Shanghai women, I sought to understand the profusion of white models and the total absence of models with darker skin.
Chinese culture is very open. We can accept things from outside. When we look at a foreigner we will be more tolerant of their beauty. But if they are Chinese we will be more critical. Maybe distance generates an appreciation of beauty, that’s why we like Western features. [372]
Despite my best efforts, she refused to be drawn on why this apparent ope
In Hong Kong, Taiwan and the mainland, Chinese girls like white skin products. They think white is beautiful. People have a dream and it is about the West. We are yellow, but we don’t want to be. For Max Factor, Lancôme and the rest, every season it is the same colour — white. It is very boring. We try and sell them a new colour each season, but they just want white. Asians like white skin. For seventy years — the period of make-up — the choice has always been the same — white. Because of the shape of the Chinese face — a small nose, high cheek bones, narrow eyes and absence of facial hair — skin is more important to the Chinese than to Westerners. [373]
There is a huge demand for such whitening products amongst Chinese, Japanese and Korean women and they dominate cosmetic advertising on television and in the press. [374] It is estimated that the Japanese market for whitening products was worth $5.6 billion in 2001, with China (the fastest growing market) valued at $1.3 billion. Much of the advertising aimed at Asian women by Western cosmetic companies uses images and narratives with implicit references to the aesthetic ‘inferiority’ of the ‘dark’ and ‘yellow’ skin tones of Asian women. [375] It is not unusual to see Chinese and Japanese women smothered in white foundation cream and looking — to Western eyes — somewhat ghostly. The racial subtext of all this is clear: black is repel lant, yellow is undesirable and white is good. The desire for whiteness takes other forms. On a su
The Japanese have long sought to distinguish themselves from other races in East Asia, especially the Chinese. In manga comics and animation films, the Japanese portray themselves in a highly Westernized ma
The Western form — above all, skin colour, the defining signifier, but also other Caucasian features such as fair hair, large eyes and height — has had a profound and enduring impact on East Asian societies over the last two hundred years. It is something that is rarely commented upon and yet it is more pervasive, more psychologically far-reaching, and more fundamental in terms of identity, than most questions normally discussed in this context. For a Japanese to look in the mirror and wish to see a white person, or to emphasize those features which resemble those of a Caucasian — not easy given the profound physical differences between the two — is a powerful statement of self-image, of how a person feels about him or herself, of their sense of place in the world. It is not uncommon for the Japanese to feel physically inadequate in comparison with Westerners, complementing the sense of national inferiority and insecurity discussed in Chapter 3. The Chinese harbour similar emotions about their physical appearance, but this is less common than amongst the Japanese.
It would be wrong to regard the predilection in East Asia for whiteness, however, as simply a product of Western influence. The desire to be white also has powerful indigenous roots. For both the Japanese and Chinese, whiteness has long carried a powerful class co
[372] Interview with Yang Qingqing, Shanghai, April 1999.
[373] Interview with Mei Ling, Taipei, March 1999.
[374] ‘What Price Glamour? A Hard Lesson in Asia ’, International Herald Tribune, 2 May 2006.
[375] Amina Mire, ‘Giving You a Radiant White Skin “Because You Are Worth It”: The Emerging Discourse and Practice of Skin-whitening’, unpublished abstract for PhD, University of Toronto, 2004, p. 16.
[376] Ibid., for a fascinating account of the racial subtext of the whitening cosmetic industry, and the central role of East Asia. Also, Amina Mire, ‘Pigmenta tion and Empire: The Emerging Skin-whitening Industry’, A CounterPunch Special Report, 28 July 2005, pp. 6–8. Umbrellas carried by women as protection from the sun remain a peculiar and distinctive Chinese and Japanese preoccupation.
[377] Felipe Fernandez-Armesto, Mille
[378] John G. Russell, ‘Race and Reflexivity: The Black Other in Contemporary Japanese Mass Culture’, in Treat, ed., Contemporary Japan and Popular Culture, pp. 17–19, 29–32; also Leo Ching, ‘Yellow Skin, White Mask: Race, Class and Identification in Japanese Cultural Discourse’, in Chen Kuan-Hsing, ed., Trajectories: Inter-Asia Cultural Studies (London: Routledge, 1998), pp. 65–86.
[379] Interview with Mei Ling, Taipei, March 1999.