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The bard wore dusty and torn leather breeches and a halter, both shiny with age. Swinging a hoe with strength and care, Storm was covered with a glistening sheen of sweat, and stray leaves stuck to her here and there. She waved and, laying down the long hookhoe, hastened toward them, wiping her hands on her thighs. “Well met!” she called happily as she came.

“I’m going to hate leaving this place/’ Shandril said in a small, husky voice. Narm squeezed her hand and nodded.

“I am, too,” he said, “but we can come back when we are stronger. We will come back.”

Shandril turned to look at him, surprised at the iron in his tone. She was smiling in agreement as Storm reached them. The pleasant smell of the bard’s sweat-like warm bread, sprinkled with spices-hung around her. Narm and Shandril both stared.

Storm smiled. “Am I purple, perhaps? Grotesque?”

Narm caught himself, and said, “My pardon, please, lady. We did not mean to stare.”

“None needed, Narm. And no ‘lady’, please. we’re friends. Come in and share sweetwater, then let us talk. Few enough come to see me.”

On the way to the house, she said to Shandril, “So what is so strange about me?”

Shandril giggled. “Such muscles” she said admiringly, turning to point at the bard’s flat, ta

“It’s just me,” she said lightly, leading them through a stout wooden door that swung open before she touched it, into cool dimness within. “Sit here by the east window and tell me what brings you here on such a fine morning. Most seek Storm in fouler weather/’

“Urrhh… as bad as Elminster? Narm said in response. She handed him a long, curving horn of blown and worked glass, in the shape of a bird. He held it gingerly, in awe. “It’s real glass!”

“Aye… from Theymarsh in the south, where such things are common. It breaks easily,” the bard said, filling another. Shandril held hers apprehensively, too. One of the guards backed away when offered one.

“Ah, no, lady,” he said awkwardly. “Just a cup, if you have one. I’d feel dark the rest of my days if I broke such as that.” Shandril murmured in agreement. The bard smiled at them all, hands on hips, and then turned and spoke softly to the guardsmen.

“We must be alone, these two and I, to talk. Bide you here, if you will. The beer is in that cask over there; it is not good to drink more sweetwater so soon. Bread, garlic butter, and sausage is at hand in the cold-pantry. Come with speed if you hear my horn.” She took down a silver horn from where it hung on a beam near her head, and turned to Narm and Shandril.

“Drink up,” she urged simply. “There is much to talk about.” She went to the back of her kitchen and swung open a little arched door there, into the sunlight. “Follow the path into the trees, and you shall find me.” Then she was gone.

The visitors from the tower looked around at the low-ceilinged kitchen, the dark wooden beams, and hanging herbs. It was cozy and friendly, but ordinary, not the wild showplace of art and lore one might expect in the home of a bard. A small lap harp rested half-hidden in the shadows on a shelf near the pantry door. Narm almost dropped his glass when suddenly, and all alone, it began to play.

They stared at it as the strings plucked themselves. One of the men-at-arms half rose from his seat with an oath, clapping hand to blade, but a veteran turned on him. “Peace, Berost! It is art, aye, but no art to harm you, or any of us.” The harp played an unfamiliar tune that rose and fell gently, and then climbed and died away to a last high, almost chiming cluster of notes.

“Sounds elven,” Narm said quietly.

“Let us ask,” Shandril said, standing her empty glass carefully upon the table. “I’m done.” Narm drained his with a last tilting swallow and set it down with care beside hers.





They nodded to their guards, went out the little door, and found themselves on a path that twisted down a little ravine, around herbs and beneath overhanging trees. Down they followed it, to emerge at last by a little stream amid the trees that widened into a pool.

Storm stood beside it in a robe, hair wet. She was still damp from bathing, and as they came, she sat upon a rock and beckoned them to two other rocks at the pool’s edge. Close by her head, the silver horn hung from a branch.

“Come and sit,” she said, “and bathe, if you would… or just dabble your toes in the water. It is soothing.” She turned serious eyes upon them, and said, “Now tell me, if you will, what it is that hangs upon your hearts.”

“The harp that played by itself,” Narm asked i

“Aye, a tune of the Elven Court that Merith taught me. Is that all that troubles your mind?” she teased, shaking water from her silver hair.

“Lady,” Shandril said hesitantly, “we think we would like to join the Harpers. We have heard only good of those who harp from all whom we respect. Yet we have heard only little. Before we set foot on a new road that we may follow most of our lives-and that may well lead us to life’s end sooner than not- we would know more from you of what it is to be a Harper. If your offer still stands. Well, does it-?”

Storm held up her hand. “Hold, hold! No more queries until we’ve seen these clear between us. I shall try to be brief.” She drew up her bare feet beneath her on the rock, and looked at the woods all around. Then she nodded, as if reaching a decision, and held out a hand to them.

“A Harper is one of a company of those with similar interests-men, and elves, and half-elves. Most bards and many rangers in the North are Harpers. More women than men are Harpers. We have no ranks, only varying degrees of personal influence. Our badge is a silver moon and a silver harp, upon a black or royal blue field. Many female mages, and most druids, are our allies, and we are generally accounted ‘good.’

“A Harper is one who tolerates many faiths and deeds, but works against warfare, slavery, and wanton destruction of the plants and creatures of the land. We oppose those who would build empires by the sword or spilled blood, or work art heedless of the consequences.

“We see the arts and lore of fallen Myth Dra

“We work against, and must often fight, the Zhentarim; the Cult of the Dragon-who plunder the lore and art of the Realms to enrich their revered dracoliches; the slavers of Thay; those who plunder and willfully destroy tombs and libraries everywhere; and those who would overturn the peace and unleash fire and sword across the land to raise their own thrones.

“We guard folk against these, when we can. We also guard books and their lore, precious instruments and their music, and art and its good works. All these things serve hands and hearts yet unborn, those who will come after us.

“We seek to keep kingdoms small, and busy with trade and the problem of their people. Any ruler who grows too strong and seeks to take knowledge and power from others is a threat. More precious knowledge is risked when his empire falls, as fall it must.

“Only in tavern-tales are humans wholly evil or shiningly good. We do what we can for all, and stand in the way of all who threaten knowledge. Who are we to decide who shall know or not know lore?

“The gods have given us the freedom and the power to strive among ourselves. They have not laid down a strict order that compels each of us to do exactly thus and so. Who knows better than the gods what knowledge is good or bad, and who shall have it?”

Narm regarded her thoughtfully. “Does that mean, good lady, intending no disrespect,” he asked quietly, “that there should be no secrets, and that wild six-year-olds should be tutored in the destroying spells, because knowledge should be denied to none?”