The Missing

Tim Gautreaux

The Missing

Copyright © 2009 by Tim Gautreaux

For my father,

Minos Lee Gautreaux,

who taught me to love children and steamboats

Acknowledgements

I’d like to thank Southeastern Louisiana University for their continued support of my writing; my agent, Peter Matson of Sterling-Lord Literistic, for his encouragement and expert management; my family, especially my wife, Winborne, for all her help and her careful reading of the manuscript; Tom Piazza, for his helpful writing on the world of jazz; The S &D Reflector, published by the sons and daughters of pioneer rivermen, a bottomless vault of information on inland waterways during the age of steam; the stories and research of Captain Fred Way; the wonderful Internet resource Red Hot Jazz Archive; and I am grateful for two books in particular, Moonlite at Eight Thirty by Alan Bates and Clarke Hawley and Jazz on the River by William Ke

Chapter One

SAM SIMONEAUX leaned against the ship’s rail, holding on in the snarling wind as his lieutenant struggled toward him through the spray, grabbing latches, guy wires, valve handles.

“Pretty bad belowdecks,” the lieutenant cried out against the blow.

“That’s a fact. Stinks too bad to eat.”

“I noticed you have a bit of an accent. Where are you from?”

Sam felt sorry for him. The lieutenant was trying to be popular with his men, but none of them could imagine such a white-blond beanpole from a farm in Indiana leading anyone into battle. “I don’t think I have an accent. But you do.”

The lieutenant gave him a startled look. “Me?”

“Yeah. Where I was raised in south Louisiana, nobody talks like you.”

The lieutenant smiled. “Everybody’s got an accent, then.”

Sam looked at the spray ru

“Yeah, sure. My family moved down from Canada about twenty years ago.”

“I was raised on a farm but figured I could do better,” Sam yelled. “The lady down the road from us had a piano and she taught it to me. Moved to New Orleans when I was sixteen to be close to the music.”

The lieutenant bent into the next blast of wind. “I’m with you there. I can’t throw bales far enough to farm.”

“How many days till we get to France?”

“The colonel says three more, the captain, two, the pilot, four.”

Sam nodded. “Nobody knows what’s goin’ on, like usual.”

“Well, it’s a big war,” the lieutenant said. They watched a huge swell climb the side of the rusty ship and engulf a machine-gun crew hunkered down below them in a makeshift nest of sandbags, the deluge flushing men out on deck, where they slid on their bellies in the foam.

The next few days were a lurching penance of bad ocean, flint-topped rollers breaking against the bows and spray blowing by the portholes like broken glass. Inside the ship, Sam slept among the thousands of complaining, groaning, and heaving men, but spent his waking hours at the rails, sometimes with his friend Melvin Robicheaux, a tough little fellow from outside of Baton Rouge. On November 11, 1918, their steamer escaped the mountainous Atlantic and landed at Saint-Nazaire, where the wharves were jammed with people cheering, some dancing together, others ru

Robicheaux pointed down over the rusty side of the ship. “How come everybody’s dancin’? They all got a bottle of wine. You think they glad to see us?”

Tugboats and dock locomotives were blowing their whistles through a hanging gauze of coal smoke. As he watched the celebration, Sam felt happy that he’d shown up with his rifle. The French looked like desperate people ecstatic about an approaching rescue. However, as the tugboats whistled and pushed the ship against the dock, he sensed the festival wasn’t for this boatload of soldiers but for some more important event. Hardly anybody was waving at the ship.

Four thousand troops unloaded onto the dock, and when all the men were lined up under the freight sheds and out of the wind, a colonel climbed onto a pile of ammunition crates and a

Many cheered, but a portion of the young recruits seemed disappointed that they wouldn’t get to shoot at anybody. The weapons hanging on them, the ammunition stacked around in wooden crates, the ca

Robicheaux poked him in the back with the tip of his bayonet scabbard. “This like that time you tried workin’ at Stein’s?”

“What?”

“Stein, the shoe man.”

“Oh. I guess so.” He had tried for two weeks to get a job at Stein’s Shoe Emporium on Canal Street, but the morning after the old man had finally decided to take him on, Sam showed up for work only to find a wreath on the door and a typed note a

He stood in his ranks for an hour feeling awkward and u

That night he was sure he would freeze to death. Robicheaux, his tent mate, lay on his cot talking nonstop.

“Hey, Simoneaux, I’m thinkin’ of a warm fire, me. Hot potatoes in each pocket. How about you?”

“I’m thinkin’ about those recruiting posters. They made joining up look like a good idea,” he said glumly.

“I liked the one with the Hun molesting them Belgian women.”

Sam raised his head from his cot and looked at him. “You liked it?”

“I mean it made me mad. Made me want to come over and help ’em out.”

“You wanted to make them Belgian women grateful, huh?”

“You bet.”

Sam covered his head. “Sometimes I think about the music. I was sales clerk at Gruenwald’s when I joined up, and we got in all this sheet music full of sunshine, like ‘Over There,’ ‘Somewhere in France Is Daddy,’ ‘Keep Your Head Down, Fritzie Boy.’”

Robicheaux sniffed. “You didn’t think you’d need to keep your head down between your legs to keep your ears from freezin’ off.”

“So far,” Sam said dreamily, “it’s not a happy song.” At home, the war had seemed a colorful musical production, a gay fox-trot in the key of C, but the voyage on the Alex Denkman changed all that. The Denkman was a round-bottom, coal-burning nausea machine, its hull so fouled with giant streamers of rust that the government decided painting a camouflage pattern on it was u