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And he said to his sister’s parakeet: “Not fair, Polly, is it?”
The parakeet, who was used to him, came out of its open cage on to his shoulder and tweaked his ear.
“You don’t approve, do you?”
The green bird emitted a faint chattering sound and clutched its way on to his waistcoat. Adrian scratched its poll.
“Who’s going to scratch her poll? Poor Di
His sister’s voice startled him:
“I can’t have Di
“Em,” said Adrian, “did any of US worry about the others?”
“In large families you don’t. I was the nearest—gettin’ Lionel married, and now he’s a judge—depressin’. Dornford—have you seen him?”
“Never.”
“He’s got a face like a portrait. They say he won the long jump at Oxford. Is that any good?”
“It’s what you call desirable.”
“Very well made,” said Lady Mont. “I looked him over at Condaford.”
“My dear Em!”
“For Di
“Tell him not to.”
“Whenever I look out at Lippin’hall, he’s at it, takin’ the roller somewhere else. There’s the gong, and here’s Di
Sir Lawrence was at the sideboard in the dining-room, extracting a crumbled cork.
“Lafite ‘65. Goodness knows what it’ll be like. Decant it very gently, Blore. What do you say, Adrian, warm it a little or no?”
“I should say no, if it’s that age.”
“I agree.”
Di
“French art,” said Lady Mont.
“Ah!” said Sir Lawrence: “that reminds me, Em; some of old Forsyte’s pictures are going to be lent. Considering he died saving them, they owe it to him.”
Di
“Fleur’s father? Was he a nice man, Uncle?”
“Nice?” repeated Sir Lawrence: “It’s not the word. Straight, yes: careful, yes—too careful for these times. He got a picture on his head, you know, in the fire—poor old chap. He knew something about French art, though. This exhibition that’s coming would have pleased him.”
“There’ll be nothing in it to touch ‘The Birth of Venus,’” said Adrian.
Di
“That was divine,” she said.
Sir Lawrence cocked his eyebrow.
“I’ve often thought of going into the question: Why a nation ceases to be poetic. The old Italians—and look at them now!”
“Isn’t poetry an effervescence, Uncle? Doesn’t it mean youth, or at least enthusiasm?”
“The Italians were never young, and they’re enthusiastic enough now. When we were in Italy last May you should have seen the trouble they took over our passports.”
“Touchin’!” agreed Lady Mont.
“It’s only a question,” said Adrian, “of the means of expression. In the fourteenth century the Italians were expressing themselves in daggers and verse, in the fifteenth and sixteenth in poison, sculpture and painting, in the seventeenth in music, in the eighteenth in intrigue, in the nineteenth in rebellion, and in the twentieth their poetry is spelled in wireless and rules.”
“I did get so tired,” murmured Lady Mont, “of seein’ rules I couldn’t read.”
“You were fortunate, my dear; I could.”
“There’s one thing about the Italians,” continued Adrian; “century by century they throw up really great men of one sort or another. Is that climate, blood, or scenery, Lawrence?”
Sir Lawrence shrugged. “What do you think of the claret? Put your nose to it, Di
Adrian sipped and nodded.
“Absolutely prime!”
“Well, Di
“I’m sure it’s perfect, dear—wasted on me.”
“Old Forsyte would have appreciated this; he had wonderful sherry. Do you get the bouquet, Em?”
Lady Mont, who was holding her glass with her elbow on the table, moved her nostrils delicately.
“Such nonsense,” she murmured, “almost any flower beats it.”
The remark caused complete silence.
Di
“How are Boswell and Johnson, Auntie?”
“I was tellin’ Adrian: Boswell’s taken to rollin’ the stone terrace, and Johnson’s lost his wife—poor thing. He’s a different man. Whistles all the time. His tunes ought to be collected.”
“Survivals of old England?”
“No, modern—he just wanders.”
“Talking of survivals,” said Sir Lawrence, “did you ever read Ask Mamma, Di
“No; who wrote it?”
“Surtees. You should. It’s a corrective.”
“Of what, Uncle?”
“Modernity.”
Lady Mont lowered her glass; it was empty.
“So wise of them to be stoppin’ this picture exhibition at 1900. D’you remember, Lawrence—in Paris, all those wiggly things we saw, and so much yellow and light blue—scrolls and blobs and faces upside-down? Di
And when presently Blore brought the message—Would Miss Di
“It’s about Jerry Corven. Don’t encourage your Uncle—he thinks he can do good, but he can’t.”…
“Well, Di
Di
“Judging from what he said to me today, Uncle Lawrence, his mind’s made up. Either Clare must go back to him or he’ll try to divorce her.”
“How will your people feel about that?”
“Very badly.”
“You know there’s a young man hanging round?”
“Yes.”
“He hasn’t a bean.”
Di
“I know, but no beans when you’re out of bounds is serious. Corven might claim damages, he looks a vindictive sort of chap.”
“D’you really think he would? It’s very bad form, nowadays, isn’t it?”
“Form matters very little when a man’s monkey is up. I suppose you couldn’t get Clare to apply the closure to young Croom?”
“I’m afraid Clare will refuse to be dictated to about whom she sees. She thinks the break-up is entirely Jerry’s fault.”
“I,” said Sir Lawrence, emitting a slow puff, “am in favour of having Corven watched while he’s over here, and collecting a shot, if possible, to fire across his bows, but she doesn’t like the idea of that.”
“She believes in his career, and doesn’t want to spoil it. Besides, it’s so revolting.”
Sir Lawrence shrugged.
“What would you? The law’s the law. He belongs to Burton’s. Shall I waylay him there and appeal to him to leave her here quietly, and see if absence will make her heart grow fond again?”
Di
“It might be worth trying, but I don’t believe he’ll budge.”
“What line are you going to take yourself?”
“Back Clare in whatever she does or doesn’t do.”
Sir Lawrence nodded, having received the answer he expected.