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Forty-second Street just ahead was busy, noisy; we could hear the endless clatter of iron-tired wheels over cobble paving, and two cops stood out in the street directing traffic. One was short, the other tall, but both had great protruding stomachs bellying the blue cloth of their long uniform coats. Our tracks curved east onto Forty-second Street, and the tall cop beside the tracks glanced toward our car, then took off his helmet and peered into it.

We drew abreast of him, starting to take the curve, and when he was directly beside our window I leaned across Julia's lap to peer down into his helmet and see what he was looking at. I don't think I've ever been more astonished. There, jammed down into the deep crown of his felt helmet, lay my face looking up at me. Beside it lay Julia's — our police photographs again, mounted on heavy cardboard — and now I understood why Byrnes's photographer had actually run from the little basement room with his plates. From that moment on, as fast as he could work, our photographs were being duplicated. And as we'd jogged block after block uptown in the carriage, as we'd stood listening to Carmody, to Byrnes, to Thompson, these photos were being rushed to very possibly every cop on duty in the city — the warning to look for us already out while we were still in custody.

Now in the instant of our passing, the cop on Forty-second Street looked up from the helmet in his hand. And I knew too late that for an hour or more he'd been checking our photographed images with the faces of all the pedestrians crossing before him and of the passengers in each car passing his post; there was probably a promotion for the man who got us. Our eyes met and, a foot from mine, I saw his widen in startled recognition and — this astonished me — in sudden sharp fear. What he'd been told about how dangerous I was, I didn't know, but — we were a car length past him now — I heard the urgency in his voice as he turned and shouted at the other cop. He answered — I couldn't make out what he said — and they both began to run down the middle of the street after us.

They were twenty yards behind, and they didn't gain — ru

Except that there was nothing fu

Directly before Grand Central Station, high over the center of the street, stood the little wooden gabled building of an El station, stairs leading up to it from each side of Forty-second Street. It was a spur line apparently, leading to the main line of the Third Avenue El, I supposed, and I had only one vague plan, if it could be called even that. There were four flights of steps leading up to that station, two on each side of the street, and the station stood directly at the end of the spur-line track. Any one of the four flights could be reached through the station, and if we ran up one of those flights we had an exactly even chance — two cops, each coming up one flight of steps after us — of ru

It was all I could think of, and standing on the platform, I murmured, "Jump off and run when I do," and Julia smiled and nodded as though at a casual remark of mine. I was watching the driver, I saw his mittened hands draw back on the reins, felt my body lean slightly forward as the car began to slow; then I nudged Julia, and we jumped off and ran hard. Down the center of the street alongside the horse, then cutting before him, ducking between two wagons, one of them piled high with barrels, up onto the sidewalk, and then pounding up the stairs two at a time, Julia in the lead and ru





People coming down paid us no particular attention, merely stepping aside to let us pass, and I realized that people ru

We walked quickly out onto the platform, and passing the engine, I turned to look back toward the head of the stairs we'd come up, and saw the helmet rising into view, then the cop's face, and saw his head turn and catch sight of us. Then Julia and I ran along the platform toward the stairs at its opposite end, and as we passed the car, I heard the conductor slam the waist-high metal gate of its open platform. The tiny steam engine behind the car tootled, and I turned to see its miniature drive-shaft move; then the car was rolling past us and Julia moaned — we could have been on it!

But it was too late now. Chuff-chuff, chuff-chuff — the engine, moving backward behind the car on this return run down the single track, was picking up speed, the conductor at the back of the car slamming the back-platform gate closed, and the second cop's helmet rose into sight at the head of the stairs we were racing toward. They'd outguessed us. I swung around, and the other cop, belly jouncing, a hand holding his helmet on, was ru

I've never really been one of the people who think fast in an emergency. I think fast enough, that is, but usually what I think of is the wrong thing to do. This time, hardly thinking at all, I did precisely the right thing. Both cops ru

Across the little engine cab from me, the engineer, leaning out his window to stare down the track ahead, had neither seen nor heard me jump on, over the rattle and rapid huff of his engine. Standing there in the engine's open doorway, I was completely oriented; I knew I was directly above the center of Forty-second Street, moving east just past Grand Central Station. The sketch — just below — is one I've made showing our train just after leaving Grand Central Station and the El platform. Third Avenue, toward which we are moving, is off to the right, and that's Forty-second Street below our train.