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‘You’re busy,’ I said. Which didn’t exactly hit the mark I was aiming at.

They had broken apart by now and Serena was straightening herself up. Her body language told so clearly that she was longing to ask both of us, Lucy and me, not to say anything, but of course she felt the request would be demeaning. ‘We won’t say anything,’ I said.

‘I don’t care if you do,’ she replied with immense relief.

Damian, meanwhile, was carrying on with his usual insouciance. ‘I’ll see you later on.’ He gave Serena a swift hug and wiped the lipstick off his mouth with a handkerchief, which he replaced in his pocket. Without a word to us he slipped through the curtain and was gone.

The sound of an O. C. Smith record, which was much in demand that summer, Hickory Holler’s Tramp, suddenly filled the space, making an odd cultural contrast with all those severed heads and murderers and the luckless victim swinging on her hook, but the three of us still stood there. Until there was a noise and the unwelcome face of Andrew Summersby poked round the curtain. ‘There you are,’ he said, ignoring us, ‘I’ve been looking everywhere.’ He took in our grotesque, waxen companion. ‘Ooh er.’ He laughed. ‘Someone’s going to wake up with indigestion.’ And he gave the figure a push, as if she were in a child’s swing. The hideous thing moved slowly back and forth at the end of its rope.

‘Let’s dance,’ said Lucy, and without another word to Serena we left her to the noble dullard, and made our way to a dark little dance floor in the shadow of a guillotine, on to which a French aristocrat in a jacket of cheap-looking wrinkled velveteen, was being strapped by two burly revolutionaries. From a draped alcove to one side the entire Royal Family of France looked on serenely.

‘Are you all right?’ To my bewilderment, Lucy appeared to be on the edge of tears. I couldn’t imagine why.

She was irritated by the enquiry. ‘Of course I am,’ she said sharply, bobbing fiercely in time to the music for a bit. Then she looked up at me apologetically. ‘Don’t mind me,’ she said. ‘I had some bad news just as I was leaving home and it suddenly came back.’ I looked suitably solicitous. ‘An aunt of mine, my mother’s sister. She’s got cancer.’ This was quite clever of her, I can see now. At the time I am writing of, the English had just about begun to move on from referring to cancer as ‘a long illness bravely borne,’ but there was still something dread in the word, still something, if not exactly shameful, at least to be avoided at all costs. In those days the diagnosis was generally considered a death sentence, and when one heard of people taking treatments one almost despised them for not being able to face the truth, although I suppose logic tells us some of them must have survived, mustn’t they? Anyway, the point is it wasn’t at all like today, when you really do have a reasonable shot, if not quite as reasonable in every case as non-medicos tend to assume. For Lucy to say the word at all was bound to distract me. Still, looking back, I admit I am slightly embarrassed that I completely believed her explanation.

‘I am sorry,’ I said. ‘But there are all sorts of things they can do now.’ One mouthed these clichés at the time, they were as routine as ‘How do you do?’ but one never thought they contained a grain of truth. She gave a routine nod and we danced on.

For some reason, an i

I gather people wandering throughout the waxworks were summoned by a kind of ta

The events that followed a little while later seemed to start almost as a rumour, a sense of strangeness spreading through the gathering, before anyone was aware of the source. I recall that I was dancing with Mi