Light in August

“Get up onto your feet.”

It does not last long. Byron knew that it was not going to. But he did not hesitate. He just crept up until he could see the other, where he stopped, looking at the crouching and unwarned figure. ‘You’re bigger than me,’ Byron thought. ‘But I don’t care. You’ve had every other advantage of me. And I don’t care about that neither. You’ve done throwed away twice inside of nine months what I ain’t had in thirty-five years. And now I’m going to get the hell beat out of me and I don’t care about that, neither.’

It does not last long. Brown, whirling, takes advantage of his astonishment even. He did not believe that any man, catching his enemy sitting, would give him a chance to get on his feet, even if the enemy were not the larger of the two. He would not have done it himself. And the fact that the smaller man did do it when he would not have, was worse than insult: it was ridicule. So he fought with even a more savage fury than he would have if Byron had sprung upon his back without warning: with the blind and desperate valor of a starved and cornered rat he fought.

It lasted less than two minutes. Then Byron was lying quietly among the broken and trampled undergrowth, bleeding quietly about the face, hearing the underbrush crashing on, ceasing, fading into silence. Then he is alone. He feels no particular pain now, but better than that, he feels no haste, no urgency, to do anything or go anywhere. He just lies bleeding and quiet, knowing that after a while will be time enough to reenter the world and time.

He does not, even wonder where Brown has gone. He does not have to think about Brown now. Again his mind is filled with still shapes like discarded and fragmentary toys of childhood piled indiscriminate and gathering quiet dust in a forgotten closet—Brown. Lena Grove. Hightower. Byron Bunch—all like small objects which had never been alive, which he had played with in childhood and then broken and forgot. He is lying so when he hears the train whistle for a crossing a half mile away.

This rouses him; this is the world and time too. He sits up, slowly, tentatively. ‘Anyway, I ain’t broke anything,’ he thinks. ‘I mean, he ain’t broke anything that belongs to me.’ It is getting late: it is time now, with distance, moving, in it. ‘Yes. I’ll have to be moving. I’ll have to get on so I can find me something else to meddle with.’ The train is coming nearer. Already the stroke of the engine has shortened and become heavier as it begins to feel the grade; presently he can see the smoke. He seeks in his pocket for a handkerchief. He has none, so he tears the tail from his shirt and dabs at his face gingerly, listening to the short, blasting reports of the locomotive exhaust just over the grade. He moves to the edge of the undergrowth, where he can see the track. The engine is in sight now, almost headon to him beneath the spaced, heavy blasts of black smoke. It has an effect of terrific nomotion. Yet it does move, creeping terrifically up and over the crest of the grade. Standing now in the fringe of bushes he watches the engine approach and pass him, laboring, crawling, with the rapt and boylike absorption (and perhaps yearning) of his country raising. It passes; his eye moves on, watching the cars as they in turn crawl up and over the crest, when for the second time that afternoon he sees a man materialise apparently out of air, in the act of ru

Even then he does not realise what Brown is about. He has progressed too far into peace and solitude to wonder. He just stands there and watches Brown run to the train, stooping, fleeing, and grasp the iron ladder at the end of a car and leap upward and vanish from sight as though sucked into a vacuum. The train is begi

It is too huge and fast for distance and time; hence no path to be retraced, leading the mule for a good way before he remembers to get on it and ride. It is as though he has already and long since outstripped himself, already waiting at the cabin until he can catch up and enter. And then I will stand there and I will … He tries it again: Then I will stand there and I will … But he can get no further than that. He is in the road again now, approaching a wagon homeward bound from town. It is about six o’clock. He does not give up, however. Even if I can’t seem to get any further than that: when I will open the door and come in and stand there. And then I will. Look at her. Look as her. Look at her – The voice speaks again:

“—excitement, I reckon.”

“What?” Byron says. The wagon has halted. He is right beside it, the mule stopped too. On the wagon seat the man speaks again, in his flat, complaining voice:

“Durn the luck. Just when I had to get started for home. I’m already late.”

“Excitement?” Byron says. “What excitement?”

The man is looking at him. “From your face, a man would say you had been in some excitement yourself.”

“I fell down,” Byron says. “What excitement in town this evening?”

“I thought maybe you hadn’t heard. About an hour ago. That nigger, Christmas. They killed him.”

Chapter 19

About the suppertables on that Monday night, what the town wondered was not so much how Christmas had escaped but why when free, he had taken refuge in the place which he did, where he must have known he would be certainly run to earth, and why when that occurred he neither surrendered nor resisted. It was as though he had set out and made his plans to passively commit suicide.

There were many reasons, opinions, as to why he had fled to Hightower’s house at the last. “Like to like,” the easy, the immediate, ones said, remembering the old tales about the minister. Some believed it to have been sheer chance; others said that the man had shown wisdom, since he would not have been suspected of being in the minister’s house at all if someone had not seen him run across the back yard and run into the kitchen.

Gavin Stevens though had a different theory. He is the District Attorney, a Harvard graduate, a Phi Beta Kappa: a tall, loosejointed man with a constant cob pipe, with an untidy mop of irongray hair, wearing always loose and un pressed dark gray clothes. His family is old in Jefferson; his ancestors owned slaves there and his grandfather knew (and also hated, and publicly congratulated Colonel Sartoris when they died) Miss Burden’s grandfather and brother. He has an easy quiet way with country people, with the voters and the juries; he can be seen now and then squatting among the overalls on the porches of country stores for a whole summer afternoon, talking to them in their own idiom about nothing at all.

On this Monday night there descended from the nine o’clock southbound train a college professor from the neighboring State University, a schoolmate of Stevens’ at Harvard, come to spend a few days of the vacation with his friend. When he descended from the train he saw his friend at once. He believed that Stevens had come down to meet him until he saw that Stevens was engaged with a queerlooking old couple whom he was putting on the train. Looking at them, the professor saw a little, dirty old man with a short goat’s beard who seemed to be in a state like catalepsy, and an old woman who must have been his wife—a dumpy creature with a face like dough beneath a nodding and soiled white plume, shapeless in a silk dress of an outmoded shape and in color regal and moribund. For an instant the professor paused in a sort of astonished interest, watching Stevens putting into the woman’s hand, as into the hand of a child, two railroad tickets; moving again and approaching and still unseen by his friend, he overheard Stevens’ final words as the flagman helped the old people into the vestibule: “Yes, yes,” Stevens was saying, in a tone soothing and recapitulant; “he’ll be on the train tomorrow morning. I’ll see to it. All you’ll have to do is to arrange for the funeral, the cemetery. You take Granddad on home and put him to bed. I’ll see that the boy is on the train in the morning.”