Light in August

Hightower read a great deal. That is, Byron had examined with a kind of musing and respectful consternation the books which lined the study walls: books of religion and history and science of whose very existence Byron had never heard. One day about four years ago a negro man came ru

‘But it was just too close to that other business,’ Byron thought, ‘even despite the fifteen years between them.’ Because within two days there were those who said that the child was Hightower’s and that he had let it die deliberately. But Byron believed that even the ones who said this did not believe it. He believed that the town had had the habit of saying things about the disgraced minister which they did not believe themselves for too long a time to break themselves of it. ‘Because always,’ he thinks, ‘when anything gets to be a habit, it also manages to get a right good distance away from truth and fact.’ And he remembers one evening when he and Hightower were talking together and Hightower said: “They are good people. They must believe what they must believe, especially as it was I who was at one time both master and servant of their believing. And so it is not for me to outrage their believing nor for Byron Bunch to say that they are wrong. Because all that any man can hope for is to be permitted to live quietly among his fellows.” That was soon after Byron had heard the story, shortly after the evening visits to Hightower’s study began and Byron still wondered why the other remained in Jefferson, almost within sight of, and within hearing of, the church which had disowned and expelled him. One evening Byron asked him.

“Why do you spend your Saturday afternoons working at the mill while other men are taking pleasure down town?” Hightower said.

“I don’t know,” Byron said. “I reckon that’s just my life.”

“And I reckon this is just my life, too,” the other said. ‘But I know now why it is,’ Byron thinks. ‘It is because a fellow is more afraid of the trouble he might have than he ever is of the trouble he’s already got. He’ll cling to trouble he’s used to before he’ll risk a change. Yes. A man will talk about how he’d like to escape from living folks. But it’s the dead folks that do him the damage. It’s the dead ones that lay quiet in one place and don’t try to hold him, that he can’t escape from.’

They have thundered past now and crashed silently on into the dusk; night has fully come. Yet he still sits at the study window, the room still dark behind him. The street lamp at the corner flickers and glares, so that the bitten shadows of the unwinded maples seem to toss faintly upon the August darkness. From a distance, quite faint though quite clear, he can hear the sonorous waves of massed voices from the church: a sound at once austere and rich, abject and proud, swelling and falling in the quiet summer darkness like a harmonic tide.

Then he sees a man approaching along the street. On a week night he would have recognised the figure, the shape, the carriage and gait. But on Sunday evening, and with the echo of the phantom hooves still crashing soundlessly in the duskfilled study, he watches quietly the puny, unhorsed figure moving with that precarious and meretricious cleverness of animals balanced on their hinder legs; that cleverness of which the man animal is so fatuously proud and which constantly betrays him by means of natural laws like gravity and ice, and by the very extraneous objects which he has himself invented, like motor cars and furniture in the dark, and the very refuse of his own eating left upon floor or pavement; and he thinks quietly how right the ancients were in making the horse an attribute and symbol of warriors and kings, when he sees the man in the street pass the low sign and turn into his gate and approach the house. He sits forward then, watching the man come up the dark walk toward the dark door; he hears the man stumble heavily at the dark bottom step. “Byron Bunch,” he says. “In town on Sunday night. Byron Bunch in town on Sunday.”

Chapter 4

They sit facing one another across the desk. The study is lighted now, by a greenshaded reading lamp sitting upon the desk. Hightower sits behind it, in an ancient swivel chair, Byron in a straight chair opposite. Both their faces are just without the direct downward pool of light from the shaded lamp. Through the open window the sound of singing from the distant church comes. Byron talks in a flat, level voice.

“It was a strange thing. I thought that if there ever was a place where a man would be where the chance to do harm could not have found him, it would have been out there at the mill on a Saturday evening. And with the house burning too, right in my face, you might say. It was like all the time I was eating di

“It must have been a strange thing that could keep Byron Bunch in Jefferson over Sunday,” Hightower says. “But she was looking for him. And you helped her to find him. Wasn’t what you did what she wanted, what she had come all the way from Alabama to find?”

“I reckon I told her, all right. I reckon it ain’t any question about that. With her watching me, sitting there, swolebellied, watching me with them eyes that a man could not have lied to if he had wanted. And me blabbing on, with that smoke right yonder in plain sight like it was put there to warn me, to make me watch my mouth only I never had the sense to see it.”

“Oh,” Hightower says. “The house that burned yesterday. But I don’t see any co

“That old Burden house,” Byron says. He looks at the other. They look at one another. Hightower is a tall man, and he was thin once. But he is not thin now. His skin is the color of flour sacking and his upper body in shape is like a loosely filled sack falling from his gaunt shoulders of its own weight, upon his lap. Then Byron says, “You ain’t heard yet.” The other watches him. He says in a musing tone: “That would be for me to do too. To tell on two days to two folks something they ain’t going to want to hear and that they hadn’t ought to have to hear at all.”