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"Fucking for victory?"

" It makes a great deal more sense than killing for it."

"I've really got to think about this."

He tried to disentangle himself from her, but they were too complicatedly entwined. Her legs tightened around him as if she was trying to calm his fears with her physical presence. Her voice again took on the hypnotic quality.

She crooned in his ear. "Don't think, Joe Gibson, just be. You are safe here for tonight. Don't think, just be. You are safe in my arms."

The scent was closing in on him and he did feel safe in her arms. He was also growing inside her again. Again she crooned to him.

"Let it go, Joe. Slowly let it go. You're safe. Nothing can hurt you. Slowly let it go."

Joe was letting it go. His mind was floating away, and his body was at long last taking over. The little spasms of pleasure started again.

"Go with it, Joe. Just let it happen."

Her breath was hot against his ear. His legs were so firm around her that he seemed to be melting into her.

"Slowly, Joe. So slowly. Soooo slowly."

The whisper was deep in her throat.

"So good, Joe. Sooo gooood!"

Her pelvis had started to gradually rotate.

"Slowly, Joe. Sooo slowly."

Now he could feel it. He could feel himself growing and expanding. He could feel the power flowing around him.

"That feels so good."

"Slowly."

"That feels so right."

"So slowly."

They seemed to be rising together.

"Oh, God, that feels good."

"Sooo slowly."

Neither of them was moving a muscle, and yet there was sweat ru

"Oh, God, that feels good."

"Soooo slowly!"

The smell of them was combining with the jungle reek.

"Oh, God, that feels so good."

"Sooo…"

"Oh, God!"

Their sighs and whispers blended together, breath mingling.

"Slowly!"

"Feels good."

"So good!"

"Too good!"





"Slow!"

Somehow, he could feel the two other bodies in the pyramid downstairs. He could feel them also joining.

"Oh, God!"

"Oh!"

"God!"

"Oh!"

"God!"

"OH!"

"Slow!"

"Oooohl"

"OOOOOOOOH!"

And, at that moment, deep inside the house and deep in the real world from which they were trying so hard to detach themselves, there was a fearful pounding on the front door.

The White Room

"IT'S ALL A matter of playing their game." Joe Gibson regarded the man blearily. "Game? What game?" The drugs made it so goddamn hard to focus on anything. He knew that the man's name was John West.

"You have to let them believe that they're curing you, that's the only way you'll ever get out of here."

A new i

Gibson slowly nodded. The shot that they always gave him just before the patient interaction period made everything seem as if it were taking place underwater. "It sounds like the old-time Soviets."

"Things don't ever change. If you don't fit, you're crazy."

"I think they put me here because I didn't fit." He had been going to the interaction periods for over a week- once again, the calculations were a little uncertain-before John West had spoken to him. When West had wheeled himself over, pointed to the TV and muttered, "This is a fucking silly show for grown men to spend their time watching," it was the very first contact that Gibson had experienced with anyone in the clinic who wasn't staff. After that first observation, West had extended a shaking hand. "The name's West. John West."

Gibson had shaken the hand, glad of any contact that didn't come with a white coat and a professional smile. It was hard to tell what any given patient might have been on the outside. You had to read beyond the slack jaws, the vacant eyes, the hollow cheeks, and the uncoordinated movements. All these were a product of the relentless medication. When reading the faces, Gibson knew that he also had to remember that he was in as bad shape as anyone else. A certain residual strength was detectable in West's face, and, although his muscle tone was long gone, traces of what could have been an athletic physique still remained. Gibson suspected that West might well himself have been one of the ones who'd been incarcerated in the clinic because they either knew too much or thought that they knew too much. In all their conversations, West refused to say anything about his own background, although, from his claimed knowledge of the world, his travels seemed to have been extensive and exotic. They certainly would have fitted the profile for a heavy-hitting executive or a spook who later fell from grace.

He may have been reticent about his own past, but that didn't stop him closely questioning Gibson about his.

"So how do you figure you don't fit? What did you do?"

"It's like I told Kooning: I got involved with Necrom and this whole multidimensional thing, and I kept crossing from one dimension to another until, when I finally managed to get back home again, home wasn't home anymore. A lot of little things had changed. TV shows had different names, there were songs that I'd never heard of that were supposed to be classics, people were still alive who'd died in my world, the world I'd left. The worst part was that I didn't exist at all. All trace of me had vanished. How d'you like that for not fitting in. Kind of absolute, huh?"

Gibson found that the medication allowed him to tell the story with complete detachment. West, who'd been holding a Diet Sprite u

After the first sip, he stopped and regarded the can with the look of one betrayed. "Damn thing's warm."

"You've been holding it for all of the period."

West carefully placed the can on the floor. His face showed a sad amusement, as though at how far he'd managed to fall. Then he straightened up and turned his attention back to Gibson. "And before that, in your world, you were a washed-up rock star?"

"That would be the blunt way of putting it."

"And there's no trace of you."

"Nothing. Me, the band, all erased, no magazine articles, no recordings, zip. That's the worst part. It's not only me that's gone, it's my work, too."