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Nick wasn't superstitious. Even so he regarded it as a favorable omen when he saw the program book of the convention. In big bold letters on the cover was the name of the convention. It should have been Pekcon, fan slang for Pek(in) Con (vention). But it had come out Pekcor.

Later, Nick admitted that he'd interpreted the signs and portents wrongly. Had he ever!

At first, things went as well as anyone could ask for. The fans practically kissed his feet, and the regard of his peers was very evident. Some even paid for the drinks, instead of leaving him, as usual, to sweat while he settled a staggering bill.

Ashlar should have been happy. Instead, she complained that she couldn't spend the rest of her life attending conventions just to have a good sex life.

Nick got to talking with an eighteen-year-old fan with long blonde hair, a pixie face, huge adoring eyes, boobs that floated ahead of her like hot-air balloons, and legs like Marlene Dietrich's. Her last name was Barkis, she was willing, and he was overcome by temptation. They went to her room, and the sexual-Richter scale hit

8.6 and was on its way to record 9.6 when Ashlar began beating at the door and screaming at him to open it. Later, he found out that a writer's wife had seen him and Barkis entering her room. She had raced around the hotel until she found Ashlar, who hadn't wasted any time getting the hotel dick and three wives as witnesses.

All the way to Peoria, Ashlar didn't stop yelling or crying. Once there, she swiftly packed and took a taxi to her mother's house. She didn't stay there long, since she had been so angry that she'd forgotten her mother had recently gone to a nursing home. Unfazed, she moved into an expensive hotel and sent her bills through her lawyer to Nick.

Each day he got a long letter from her -- each deflating. Throwing them unread into the wastepaper basket didn't work. He was too curious, he had to open them and see what new invectives and unsavory descriptions she had come up with. So, after long thought, he sold the house and moved from Illinois to New Jersey. Only his agent had his forwarding address, and Nick told him to return all letters from his wife to her.

"Mark them: Uninterested." But he knew that she would find him some day. Three months passed without a letter from her. Things went as well as could be expected in this world where hardly anybody really gave a damn how you were doing. He did find a young fan, "Moomah" Smith, who was eager to spend a night with him when he got good mail, good notices, and good royalties.

And then, one morning as he was drinking coffee just before tackling the typewriter, the phone rang. His agent's new secretary, one he didn't know, was calling. Her employer was in Europe (cavorting around on his ten percent, Nick thought), but she had good news for him. Sharper & Rake, really big hardcover publishers, had just bought an outline for a novel, A Sanitary Brightly Illuminated Planet, and they were going to give him a huge advance. Furthermore, Sharper & Rake intended to go all out in an advertising and publicity campaign. The first letter was from a member of the committee which handled the Pulsar Award. This was given once a year by SWOT, the Science-Fiction Writers of Terra. Nick belonged to this, although its chief benefit was that he could deduct the membership dues from his income tax. However, one of his stories, Hot Nights on Venus, had been nominated for the Pulsar. And now, and now -- the monster felt as if it were the Queen Mary heading for port with a stiff wind behind it -- he had won it!

"Under no circumstances must you tell anyone about this," the committee member had written. "The awards won't be given until two months from now. We're informing you of this to make sure that you'll be at the a

Nick read the second letter. It was from Lex Fiddler, the foremost American mainstream critic. Fiddler informed him that he had nominated Nick's Novel, A Farewell to Mars, for the highest honor for writing in the country. This was the MOOLA, the Michael Oberst Literary Award, established fifty years before by a St. Louis brewer. If Nick won it, he would get $50,000, he would be famous, his book would be a best seller, and an offer from Hollywood was a sure thing even if it didn't get the award.

Nick opened the third letter.





Whooping with joy, he whirled around and around, the end of his mighty walloper knocking over vases and flipping ash trays from tables. He stopped dancing then because he was so dizzy. Leaning on a table for support, gazing at the ever- expanding thing, he groaned, "I've got to get Moomah here. Only... I hope she doesn't faint when she sees it."

It was Nick who fainted, not Moomah. The blood spurted from his head, driving downward as his heart constricted in a final massive endeavor to supply what the ego demanded. His blood abandoned the upper part of his body as if the gargantuan paw of King Kong had squeezed it.

Had Nick been conscious, his terror would have halted the process, reversed it, and put the brobdingnagian in its normal state, limp as an unbaked pizza. But his brain was emptied of blood, and he was aware of nothing as he toppled forward, was held for a moment from going over by the giant member, the end of which was rammed into the carpet, and then he pole-vaulted forward, his grayish slack face striking the floor.

He lay on his side while the pythonish member, driven by the unconscious, expanded. It swelled as a balloon swells while ascending into the ever-thi

The mailwoman was just climbing into her Jeep when she heard the blast. She whirled, and she screamed as she saw the flying glass and the smoke pouring out from the shattered windows.

The police found it easy to pinpoint the source of the explosion. The cause was beyond them. They shook their heads and said that this was just one of those mysteries of life.

The police did find out that the third letter, the one from the Swedish Embassy in Washington, D.C., was a fake. Whoever had sent it was unknown and likely to remain so. Why would anybody write Nick Adams, Jr., a science-fiction author, to inform him that he had won the Nobel Prize for Literature?

More investigation disclosed that the letters from the Pulsar Award committee and Lex Fiddler were also fakes. So was the call from his agent's secretary telling him that Sharper & Rake was giving him a huge advance. This was eventually traced to Mrs. Adams, but by then she was in Europe and there to stay. Besides, the police could not charge her with anything except a practical joke.

Ashlar is living in Spain today. Sometimes, for no reason that her friends can determine, she smiles in a strange way. Is it a smile of regret or triumph?

Did she write those letters and make that phone call because she knew what they'd do to her husband? Of course, she couldn't have known how much they would do to him; she underestimated the power of ego and the limits of flesh.

Or did she try to bolster his pride, make him feel good, because she still loved him and so was doing her best to make him inflated with happiness for at least a day?

It would be nice to think so.