The Whisperers

The Collector made a telephone call to his lawyer. He wanted to know where Parker was. His lawyer, an ancient man who disdained computers and cell phones and most of the significant technical i

Bucksport was an hour away.

The Collector began to drive.

30

Herod stood by his car and gazed upon the Rojas warehouse. Lights burned on both floors, and he could see figures moving behind glass on the lower level. There were vehicles parked in the front lot: Rojas Brothers trucks, a couple of cars, and a white SUV.

Herod needed his medication, and in serious doses. The pain had grown worse as the day proceeded, and now he wanted all of this to be over with so that he could rest for a while.

There came a prickling at the base of his neck. At first, he barely noticed it against the shrillness of his agony; it was like trying to pick out a melody from the cacophony of an orchestra tuning its instruments. The wound on his mouth throbbed in the warm night air, and the insects were feeding on him.

I reek of decay, he thought. Were I to lie down and wait for death to take my breath, they would plant their eggs in my flesh before I passed over. There might even be some relief in it. He imagined the maggots emerging from the eggs and feasting on his tumors, consuming the rotting tissue and leaving the rest to regenerate, except that there was no good flesh left, and so they would devour him entirely. He might have embraced such an end, once upon a time, for at least it would have been faster, and more natural, than the ma

And the box. The Captain had shown him the box. But by then it was already missing, and so the search had commenced.

The tingling continued. He rubbed at his neck, expecting to feel a blood-gorged creature pop beneath his fingers, but there was nothing. An open field lay between Herod and the warehouse. At its closest border was a pool of standing water, cloudy with bugs. Herod drew closer to it, until he could stare at his reflection: his own, and that of another. Behind him stood a tall scarecrow in a black suit, wearing a black top hat with a busted crown on its head. Its face was a sack in which two eyeholes had been crudely cut, and it had no mouth. The scarecrow was unsupported. There was no wooden cross upon which it might rest.

The Captain had returned.

Vernon and Pritchard lay on a slight rise, their position concealed by briars and low-hanging branches. They had a clear line of sight to the houses adjoining the Rojas warehouse. Both were entirely still; even up close, they seemed barely to be breathing. Pritchard’s right eye was close to the night sight of the M40. The rifle was accurate up to a thousand yards, and Pritchard was barely eight hundred yards distant from the targets. Beside him, Vernon tracked doors and windows through an ATN Night Spirit monocular.

Vernon and Pritchard were elite Marine scout snipers, or HOGs in the language of their trade: hunters of gunmen. They were veterans of the sniper battles in Baghdad, a largely hidden conflict that had escalated after the loss of two Marine sniper teams, a total of ten men lost to the hajis. They had played cat and mouse games with the near mythical ‘Juba,’ an anonymous sniper variously believed to be a Chechen, or even a collective name for a cell of snipers, armed with Iraqi-produced Tabuk rifles, a Kalashnikov variant. Juba was disciplined, waiting for soldiers to stand up in, or dismount from, vehicles, looking for the gaps in the body armor, never firing more than one shot before melting away. Vernon and Pritchard differed on whether or not Juba was one man, or many. Pritchard, the better shot of the two, inclined to the former view, based on Juba’s preference for shots in the three-hundred-yard range, and his disinclination to fire more than once, even when baited. Vernon disagreed on the basis that, while the Tabuk was reliable up to about nine hundred yards, it was best at three hundred, so the Juba snipers using Tabuks were limited by their equipment. Vernon had also attributed kills using Dragunovs and an Izhmash.22 to Juba, suggesting multiple snipers, kills that Pritchard preferred to discount. In the end, both men had been targeted by Juba, whether one or many. Like their fellow soldiers, they had become adept at ‘cutting squares’: zig-zagging, ducking, moving back and forth, and bobbing their heads in order to provide a more difficult target to hit. Pritchard called it the ‘Battlefield Boogie,’ Vernon the ‘Jihad Jitterbug.’ What was odd was that neither man could dance to save his life on a regular dance floor, but threatened by an expert killer they had moved like Gene Kelly and Fred Astaire.

Vernon and Pritchard had known the four men from Echo Company who had died in Ramadi in 2004. Three of them had been shot in the head, a fourth virtually torn apart by bullets. In addition, one Marine’s throat had been slit. The attack had happened in broad daylight, within eight hundred yards of the command post. Later they learned that a four-man ‘hit’ team had probably been responsible, and that the Marines had been targeted for some time, but the killings had marked the begi

But by then they had already met Tobias, and they had been present on the night that the warehouse was raided. They were Team 1, covering the southern approaches. Twizell and Greenham were Team 2, covering the north. Nobody had questioned the purpose of the mission: it was in the nature of sniper units that they pla

Pritchard had left the military shortly after Vernon was shipped home, which was how he and Vernon now came to be lying in the undergrowth, ready to kill Mexicans instead of hajis. Both men were quiet, patient, reclusive, as individuals of their calling needed to be. They were without remorse. When asked if he experienced regret at the lives that he took, Pritchard would reply that all he ever felt was the recoil. This was not entirely true: killing gave him a rush that was better than sex, yet he was also a moral and courageous man who believed that his vocation was noble, and he was intelligent enough to recognize the tension implicit in the desire to take lives in a moral fashion while simultaneously experiencing pleasure in the performance of the act.