Tremor of Intent

This boy said: 'It was Yost who was the real expert. He was an expert mechanic. But the Yost method of inking soon became obsolete. What,' he coldly asked Hillier, 'was the Yost method of inking?'

I used to know,' said Hillier. 'I've been in this game a long time. One forgets. I look to the future.' He'd said that already.

'Yost used an inked pad instead of a ribbon,' said Alan sternly. Others looked sternly at Hillier too. 'It's my opinion,' said Alan, 'that you know nothing about typewriters. You're an impostor.'

'Look here,' bullied Hillier, 'I'm not having this, you know.' The god whom Hillier took to be Mr Theodorescu laughed in a gale that seemed to shake the bar. He said, in a voice like a sixteen-foot organ-stop: 'Apologise to the gentleman, boy. Because he does not wish to disclose his knowledge to you does not mean that he has no knowledge. Ask him questions of less purely academic interest. About the development of Chinese typewriters, for instance.'

'Five thousand four hundred ideographic type faces,' said Hillier with relief. 'A three-grouped cylinder. Forty-three keys.'

'I say he knows nothing about typewriters,' said Alan staunchly. 'I says he's an impostor. I shouldn't be surprised if he was a spy.'

Hillier, like a violinist confidently down-bowing in with the rest of the section, started to laugh. But nobody else laughed. Hillier was playing from the wrong score.

'Where's your father?' cried Mr Theodorescu. 'If I were your father I would take you over my knee and spank you hard and then make you apologise to this gentleman. Abjectly.'

'He's over there,' said Alan. 'He wouldn't do anything.' At a table just by the Fitzroy Street entrance a dim swollen man was being adjured, by a frizz-haired woman much his junior, to down that and have another.

'Well, then,' said Mr Theodorescu, veering round massively as by silent hydraulic machinery, 'let me apologise on the boy's behalf.' He shone his great lamps on Hillier. 'We know him, you see. You, I think, have just joined us. In a sense, he is all our responsibility. I believe he is sincerely sorry, Mr-'

'Jagger.'

'Mr Jagger. Theodorescu myself, though I am not Rumanian. This is Miss Devi, my secretary.'

'I regret to say,' said Hillier, 'that we have already met. It was very unfortunate. I feel like apologising, but it was not really my fault.' It had not been Actaeon's fault.

'I always forget about the locking of bathroom doors,' said Miss Devi. 'It comes of having my own private suite on land. But we are surely above these foolish taboos.'

'I hope so,' said Hillier.

'Typewriters, typewriters,' crooned Theodorescu. 'I have always felt that our house should have a distinctive typeface, very large, a sort of variant of the old black-letter. Would it be possible to write in Roman and Arabic letters on the one instrument?' he asked Hillier.

'The difficulty there would be to arrange things so that one could type from both left to right and right to left. Not insuperable. It would be cheaper to use two typewriters, though.'

'Very interesting,' said Theodorescu, searching Hillier's face, it seemed, with one eye, two eyes not being necessary. Alan Walters was now standing alone at the bar, sulking over a new tomato-juice which Hillier this time hoped contained vodka, a large one.

'He knows nothing about it,' he mumbled. It was recognised that he had been a rude boy; the grown-ups had turned their backs on him. 'Yost and Soule,' he muttered to his red glass. 'He knows nothing about them. Silly old Jagger is a Yost Soule, a lost soul, ha ha ha.' Hillier didn't like the sound of that. But Theodorescu was large enough to be able to be kind to the lad, saying: 'We have not yet seen your beautiful sister this evening. Is she still in her cabin?'

'She's a Yost Soule, like Jagger here. She reads about sex all the time, but she knows nothing about it. Just like Jagger.'

'You may have tested Mr Jagger on the history of the typewriter,' said Theodorescu urbanely, 'but you have not tested him on sex. Nor,' he added hurriedly, seeing Alan open his mouth on a deep breath, 'are you going to.'

'Jagger is a sexless spy,' said the boy. Hillier reminded himself that he was not here to be a gentleman, above such matters as impertinent and precocious brats. He went close to the not over-clean left ear of Alan and said to it, 'Look. Any more nonsense from you, you bloody young horror, and I'll repeatedly jam a very pointed shoe up your arse.'

'Up my arse, eh?' said Alan very clearly. There were conventionally shocked looks at Hillier. At that moment a white-coated steward, evidently Goanese, entered with a carillon tuned to a minor arpeggio. He walked through the Soho pub like a visitor from a neighbouring TV stageset, striking briskly the opening right-hand bars of Beethoven's 'Moonlight' Sonata.

'Ah, di

'You had a large tea,' said Miss Devi.

'I have a large frame.'

Millier remembered that he had asked for a place at Miss Devi's table, which also would mean Theodorescu's. He was not sure now whether it had really been a good idea. Sooner or later Theodorescu's sheer weight, aided by Master Walters's shrill attrition from another point, however distant, in the dining-saloon, would bruise and chip the Jagger disguise. Besides, he knew he had made himself uglier than he really was, and he couldn't help wanting to be handsome for Miss Devi. Foolish taboos, eh? That's what she'd said.

3

'You think it good, the cuisine?' asked Theodorescu. The dining-saloon was very far from being like that fried-egg-on-horsesteak restaurant that, in Hillier's post-war London days, had stood just across the street from the Fitzroy. Conditioned air purred through the champagne light and, only a little louder, stringed instruments played slow and digestive music from a gallery above the gilded entrance. The musicians all seemed very old, servants of the Line near retirement, but they made a virtue of the slow finger movements that arthritis imposed on them: Richard Rodgers became noble, processional. The appointments of the dining-saloon were superb, the chairs accommodating the biggest bottom in comfort, the linen of the finest Dunfermline damask. Theodorescu's table was by a soft-lit aquarium; in this, fantastic fish-haired, armoured, haloed, spined, whiptailed – gravely visiting castles, grottos and gazebos, ever and anon delivered wide-mouthed silent reports to the human eaters. There were just Theodorescu, Miss Devi and Hillier at the table. The Walters family, Hillier was mainly glad to see, were seated well beyond a protective barrier of well-fleshed and rather loud-talking tycoons and their ladies. Mainly but not wholly glad: Miss Walters seemed to look very delightful in a shift dress of flame velvet with a long heavy gold medallion necklace. She was reading at table, and that was wrong, but her brother sulked and her father and stepmother ate silently and solidly, Mrs Walters urging further helpings on her dim but gulous husband.

So far Hillier had joined Theodorescu in a dish of lobster medallions in a sauce cardinale. The lobster had, so the chief steward had informed them, been poached in white wine and a court-bouillon made with the shells, then set alight in warm pernod. The saloon was full of silent waiters, many Goanese, some British (one, Wriste's winger-pal, had come up to whisper 'Ta for the Gui

'I think,' said Theodorescu, 'you and I will now have some red mullet and artichoke hearts. The man who was sitting in that place before you was not a good trencherman. I tend to feel embarrassed when my table companions eat very much less than I: I am made to feel greedy.' Hillier looked at Miss Devi's deft and busy long red talons. She was eating a large and various curry with many side-dishes; it should, if she ate it all, last her till about midnight. 'I think we had better stay with this champagne, don't you?' said Theodorescu. It was a 1953 Bollinger; they were already near the end of this first bottle. 'Harmless enough, not in the least spectacular, but I take wine to be a kind of necessary bread, it must not intrude too much into the meal. Wine-worshipping is the most vulgar of idolatries.'