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Well, there’s no doubt about it – television arts documentary is a fast and furious world. No sooner were we dry and dressed again than the doorbell rang and there was Lavinia on the step, a code-locked briefcase in her hand and a gratified grin on her wide face. ‘Not celebrating?’ she asked. ‘No, Lav, we just finished,’ said Ros, ‘But we can give you a drink instead.’ ‘It’s Francis I’ve come for,’ said Lavinia, ‘Francis, listen, I’ve put out a contract on your life, okay?’ ‘What do you mean?’ I asked. ‘This is it,’ she said, taking a long and legal-seeming document from her bag, headed with the distinctive, indeed weird, logo of Nada Productions, ‘Just sign at the bottom, please.’ ‘What’s this?’ I asked. ‘Just a sort of paper thing that assigns us the rights in your glorious treatment, darling,’ said Lavinia, ‘I just wanted to do the right thing and regularize your position. You do like a regular position, don’t you?’

‘I don’t know, I haven’t been in one for ages,’ I said, ‘I’d better talk to my agent.’ ‘Does he have an agent?’ Lavinia asked Ros, ‘Isn’t he too young?’ ‘No, he doesn’t,’ said Ros, ‘I’ll be your agent, Francis. Sign it.’ ‘Shouldn’t I get a law­yer to check it out?’ I asked. ‘Listen to him,’ said Lavinia, scratching her way into a bottle of wine, ‘This is a cracked-up out-of-work journo who lives off women and he’s just been offered the best TV deal in town.’ ‘Have I really?’ I asked. ‘Take a look, darling,’ said Lavinia, ‘You see? Researcher credit. Writer credit. Presenter credit. Three credits on one programme.’ ‘And the money?’ I asked. ‘That’s credit too,’ said Lavinia, ‘If we ever make this thing, and remember, TV is a very tricky world, you’ll get yours, dearie. Especially after Ros and I have got ours. Sign it, Francis.’ I looked at Ros. ‘Sign it,’ she said, ‘Everyone signs for Lavinia,’ I looked at Lavinia, bigger and bolder and rounder than ever. I signed it.

That’s terrific,’ said Lavinia, shoving the contract into her briefcase and then taking from it a plastic wallet, ‘Now you need this.’ ‘What is it?’ I asked. ‘It’s an air ticket, darling,’ said Lavinia, ‘Austrian Airlines, economy class, check in seven o’clock tomorrow morning, Terminal Two, Heathrow, flight to Vie

‘How do we know there are any secrets?’ I asked. ‘Because it says so in your treatment, darling,’ said Lavinia, ‘That’s why they bought it. The Mystery of Doctor Criminale.’ ‘I only meant he seemed a bit of a mystery to me,’ I said. ‘Let me quote one bit, darling, if I can find it,’ said Lavinia, putting on glasses and opening my document, ‘It struck me forcibly. “Criminale has evidently led a life of contradictions and obscurities, of blanks and deceptions, of fragments and evasions, slippages and,” what’s this word here, darling?’ ‘Aporias,’ I said. ‘What’s that?’ asked Lavinia, ‘Is he sick or something?’ ‘No, what it means is that there are gaps,’ I said, ‘To me, the reader, his presence is obscure, his sign is occluded. He’s hard to read and interpret.’ Lavinia stared at me. ‘What do you mean, hard to read?’ she asked. ‘I mean, he’s an incomplete text, difficult to deconstruct, yet for that reason requiring to be deconstructed,’ I said.

‘That’s what you mean by the Mystery of Criminale?’ asked Lavinia, ‘Thank God they didn’t read the damned thing. Now look, Francis, we have to have a better mystery. That’s what they paid for, that’s what they’ll get. I want political deceptions. I want sexual betrayals, financial frauds, that kind of thing.’ ‘I don’t know there are any,’ I said. ‘There’d better be,’ said Lavinia, ‘I want some.’ ‘Where from?’ I asked. ‘Find out from Codicil,’ said Lavinia. ‘Why would Professor Codicil tell me anything like that?’ I asked, ‘He calls Criminale the greatest contemporary philosopher, the leader of modern thought.’ ‘Darling, he’ll tell,’ said Lavinia, ‘They all tell. Just make him think you want him to be in the programme. Then he’ll tell you anything.’

‘Do you mean he won’t be on the programme?’ I asked. ‘I don’t know, till we’ve checked him properly,’ said Lavinia, ‘He may not speak good English.’ ‘You could use subtitles,’ I said. ‘He may not even be telegenic,’ said Lavinia, ‘You can subtitle words, but you try subtitling his face. No, just go there, talk to him, probe him, find an angle, get a story. And then you’d better get him to tell you where you can find Criminale.’ ‘You want me to go after Criminale too?’ I asked. ‘Maybe, if the budget runs to it,’ said Lavinia, ‘It’s very tight, don’t forget. And we have to shape the programme first. So find out where he is, and then check back here with Ros.’ ‘With me?’ asked Ros, ‘I thought I was going to Vie

‘That bitch, that bloody bitch,’ said Ros, ‘I just spent two nights in her bed and now she does this to me. Upstairs, Francis. If I’m not coming on this recce with you, I want you to have something to remember me by.’ ‘Honestly, Ros, I’ve got lots to remember you by,’ I said, ‘And if I’m going away for a few days I ought to go back to my flat and pack some things.’ ‘No you don’t,’ said Ros, ‘You can buy what you need at the airport in the morning. There are plenty of shops in the concourse.’ ‘I always wondered what they were for,’ I said, ‘After all, not many people arrive naked at an airport.’ ‘You’re learning a lot, aren’t you, Francis?’ asked Ros, ‘Come on, if this is our last night together for a bit we don’t want to waste time. Is there any more of the Frascati left?’ ‘No, there isn’t, Ros,’ I said very wearily, ‘There’s only orange-juice.’ ‘All right,’ said Ros, ‘Let’s try that.’

So that night before I set off for Vie

At that time, not so long ago, I was i