Virtual Light

One of the Sharmar Group’s research initiatives centered around the possibility of isolating mutant strains of HIV. Arguing that viruses obey the laws of natural selection, several Sharman biologists had proposed that the HIV virus, in its then-current genetic format, was excessively lethal. Allowed to range unchecked, argued the Sharman team, a virus demonstrating 100 percent lethality must eventually bring about the extinction of the host organism. (Other Sharman researchers countered by citing the long incubation period as contributing to the suivival of the host population.) As the BBC writers were careful to make clear, the idea of locating nonpathogenic strains of HIV, with a view of overpowering and neutralizing lethal strains, had been put forward almost a decade earlier, though the ‘ethical’ implications of experimentation with human subjects had impeded research. The core observation cf the Sharman researchers dated from this earlier work: The virus wishes to survive, and ca

Yamazaki watched as Kutnik, played by a young British actress, recalled, from a patio in Rio, her first meeting with Shapely. “I’d been struck by the fact that his T-cell count that day was over 1,200, and that his responses to the questio

Yamazaki cut the set off. Dr. Kutnik would arrange Shapely’s release from prison as an AIDS research volunteer under Federal law. The Sharman Group’s project would be hindered by fundamentalist Christians objecting to the injection of ‘HIV-tainted’ blood into the systems of terminally ill AIDS patients. As the project foundered, Kutnik would uncover clinical data suggesting that unprotected sex with Shapely had apparently reversed the symptoms of several of her patients. There would be Kutnik’s impassioned resignation, the flight to Brazil with the baffled Shapely, lavish funding against a backdrop of impending civil war, and what could only be described as an extremely pragmatic climate for research.

But it was such a sad story.

Better to sit here by candlelight, elbows on the edge of Ski

He kept saying he was from Te

But he’d hung this right off Bryant, so she told him left on Folsom, because if the assholes were coming, she figured she wanted the Haight, best place she knew to get lost, and that was definitely what she intended to do, earliest opportunity. And this Ford was just like the one Mr. Matthews drove, ran the holding facility up in Beaverton. And she’d tried to stab somebody with a screwdriver. She’d never done anything like that in her life before. And she’d wrecked that black guy’s computer, the one with the haircut. And this bracelet on her left wrist, the other half flipping around, open, on three links of chain– He reached over and grabbed the loose cuff. Did something to it without taking his eyes off the street. He let go. Now it was locked shut.

“Why’d you do that?”

“So you don’t snag it on something, wind up cuffed to the door-handle or a street sign—”

“Take it off.”

“No key.”

She rattled it at him. “Take it off.”

“Stick it up the sleeve of your jacket. Those are Beretta cuffs. Real good cuffs.” He sounded like he was sort of happy to have something to talk about, and his driving had evened out. Brown eyes. Not old; twenties, maybe. Cheap clothes like K-Mart stuff, all wet. Light brown hair cut too short but not short enough. She watched a muscle in his jaw work, like he was chewing gum, but he wasn’t.

25. Without a paddle

Where we going?” she asked him.

“Fuck if I know” he said, gu

“Who are you?”

He glanced over at her. “Rydell. Berry Rydell.”

“Barry?”

“Berry. Like straw. Like dingle. Hey, this a big fucking Street, lights and everything—”

“Right.”

“So where should I—”

“Right!”

“Okay” he said, and hung it. “Why?”

“The Haight. Lots of people up late, cops don’t like to go there…”

“Ditch this car there?”

“Turn your back on it two seconds, it’s history.”

“They got ATM’s there?”

“Uh-uh.”

“Well, here’s one…” Up over a curb, hunks of crazed safety-glass falling out of the frame where the back window had been. She hadn’t even noticed that.

He dug a soggy-looking wallet out of his back pocket and started pulling cards out of it. Three of them. “I have to try to get some cash” he said. He looked at her. “You wa

Then he got out, walked over to the ATM, and started feeding it cards. She sat there, watching it emerge from its armor, the way they do, shy and cautious, its cameras coming out, too, to monitor the transaction. He stood there, drumming his fingers on the side, his mouth like he was whistling but he wasn’t making any noise. She looked down at the case and the phone and wondered why she didn’t just jump out and run, like he said.

Finally he came back, thumb-counting a fold of bills, stuck it down in his front jeans pocket, and got in He sailed the first of his cards out the open window at the ATM, which was pulling back into its shell like a crab. “Don’t know how they cancelled that one so quick, after you put that thing through Freddie’s laptop.” Flicked another. Then the last one. They lay in front of the ATM as its lexan shield came trundling down, their little holograms winding up in the machine’s halogen floods.

“Somebody’ll get those” she said.

“Hope so” he said, “hope they get ’em and go to Mars.” Then he did something in reverse with all four wheels and the Ford sort of jumped up and backward, into the street, some other car swerving past them all brakes and horn and the driver’s mouth a black O, and the part of her that was still a messenger sort of liked it. All the times they’d cut her off. “Shit” he said, jamming the gear-thing around until he got what he needed and they took off.