The Difference Engine

Mallory watched, with tepid interest, as Fraser, leaping through the wreckage with a spidery agility, approached the fallen anarchist with his pistol drawn. He handcuffed Swing, then lifted him limply over one shoulder.

Mallory's eyes smarted. Smoke from the flaming warehouse was gathering under the wreckage of its roof. He looked down, blinking, to see Tom lowering a limping Brian to the floor.

The two joined Fraser, who beckoned sharply. Mallory smiled, descended, followed. The three then fled through the whipping, thickening fires, with Mallory strolling after them.

Catastrophe had knocked Swing's fortress open in a geyser of shattered brick dominos. Mallory, blissful, the nails of his broken shoe-heel grating, walked into a London reborn.

Into a tempest of cleansing rain.

On April 12, 1908, at the age of eighty-three, Edward Mallory died at his house in Cambridge. The exact circumstances of his death are obscured, steps having apparently been taken to preserve the proprieties incumbent on the decease of a former President of the Royal Society. The notes of Dr. George Sandys, Lord Mallory's friend and personal physician, indicate that the great savant died of a cerebral hemorrhage. Sandys also noted, apparently for purposes of his own, that the deceased had seemingly taken to his death-bed while wearing a patent set of elasticated underwear, socks with braces, and fully laced leather dress-shoes.

The doctor, a thorough man, also noted an item discovered beneath the deceased's flowing white beard. About the great man's neck, on a fine steel chain, was strung an antique lady's signet-ring which bore the crest of the Byron family and the motto CREDE BYRON. The doctor's ciphered note is the only known evidence of this apparent bequest, possibly a token of appreciation. Very probably, Sandys confiscated the ring, though a thorough catalogue of Sandys' possessions, made after his own death in 1940, makes no mention of it.

There is no mention of any such ring in the Mallory will, a very elaborate document of otherwise impeccable specificity.

Envision Edward Mallory in the scholarly office of his palatial Cambridge home. It is late. The great paleontologist, his field-days long behind him and his Presidency resigned, now devotes the winter of his life to matters of theory, and to the subtler outreaches of scientific administration.

Lord Mallory has long since modified the radical Catastrophist doctrines of his youth, gracefully abandoning the discredited notion that the Earth is no more than three hundred thousand years old—radioactive dating having proven otherwise. It is enough, for Mallory, that Catastrophism proved a fortunate road to higher geological truth, leading him to his greatest personal triumph: the discovery, in 1865, of continental drift.

More than the Brontosaurs, more than the ceratopsian eggs of the Gobi Desert, it is this astonishing leap of reckless insight that has assured his immortal fame.

Mallory, who sleeps little, seats himself at a curvilinear Japanese desk of artificial ivory. Past the open curtains, incandescent bulbs gleam beyond the polychrome, abstractly patterned windows of his nearest neighbor. The neighbor's house, like Mallory's own, is a meticulously orchestrated riot of organic forms, roofed with iridescent ceramic dragon-scales—England's dominant style of modern architecture, though the mode itself has its turn-of-the-century origins in the thriving Republic of Catalonia.

Mallory has only recently dismissed a purportedly clandestine meeting of the Society of Light. As the final Hierarch of this dwindling confraternity, tonight he wears the formal robes of office. His woolen chasuble of royal indigo is fringed in scarlet. A floor-length indigo skirt of artificial silk, similarly fringed, is decorated with concentric bands of semiprecious stones. He has set aside a domed crown of beaded gold-plate, with a neck-guard of overlapping gilt scales; this rests now upon a small desk-printer.

He dons his spectacles, loads a pipe, fires it. His secretary, Cleveland, is a most punctilious and orderly man, and has left him two sets of documents, neatly squared atop the desk in folders of brass-clasped manila. One folder lies to his right, the other to his left, and it ca

He chooses the folder to his left. It is an Engine-printed report from an elderly officer of the Meirokusha, a famous confraternity of Japanese scholars which serves, not incidentally, as the foremost Oriental chapter of the Society of Light. The precise text of the report ca

Lord Mallory, though this news is not unexpected, is filled with a sense of loss and bitterness. His temper, fierce at the best of times, has sharpened with old-age; his indignation swells to helpless rage.

An artery fails.

That chain of events does not occur.

He chooses the folder to his right. It is thicker than the one to his left, and this intrigues him. It contains a detailed field report from a Royal Society paleontological expedition to the Pacific coast of Western Canada. Pleased by an awakened nostalgia for his own expedition days, he studies the report closely.

The modern labor of science can scarcely be more different from that of his own day. The British scientists have flown to the mainland from the flourishing metropolis of Victoria, and have motored at their ease into the mountains from a luxurious base in the coastal village of Vancouver. Their leader, if he can be given this title, is a young Cambridge graduate named Morris, whom Mallory remembers as a queer, ringleted fellow, given to wearing velvet capes and elaborate Modernist hats.

The strata under examination are Cambrian, dark shale of a near-lithographic quality. And, it seems, they teem with a variety of intricate forms, the paper-thin and thoroughly crushed remnants of an ancient invertebrate fauna. Mallory, a vertebrate specialist, begins to lose interest; he has seen, he thinks, more trilobites than anyone ever should have to, and in truth he has always found it difficult to conjure up enthusiasm for anything less than two inches in length. Worse yet, the report's prose strikes him as unscientific, marked by a most untoward air of radical enthusiasm.

He turns to the plates.

There is a thing in the first plate that possesses five eyes. It has a long clawed nozzle instead of a mouth.

There is a legless, ray-like thing, all lobes and jelly, with a flat, fanged mouth that does not bite but irises shut.

There is a thing whose legs are fourteen horny, pointed spikes—a thing which has no head, no eyes, no gut, but does have seven tiny pincered mouths, each at the tip of a flexible tentacle.

These things bear no relation to any known creature, from any known period whatever.

A rush of blood and wonder mounts within Mallory's skull. A vortex of implications begins to sort itself within him, mounting step-by-step to a strange and numinous glow, an ecstatic rush toward utter comprehension, ever brighter, ever clearer, ever closer—

His head strikes the table as he slumps forward. He sprawls upon his back at the foot of the chair, limbs numb and airy, still soaring, wrapped within the light of marvel, the light of an awesome knowledge, pushing, pushing at the borders of the real—a knowledge that is dying to be born.