Lord of Light

He climbed down from the rafter.

There was a tower, a high tower rising from the northeast comer of the monastery. Within that tower was a chamber. It was said to contain the indwelling presence of the goddess. It was cleaned daily, the linens changed, fresh incense burnt and a votive offering laid just within the door. That door was normally kept locked.

There were, of course, windows. The question as to whether a man could have entered by means of any of these windows must remain academic. Tak proved that an ape could.

Mounting the monastery roof, he proceeded to scale the tower, moving from brick to slippery brick, from projection to irregularity, the heavens growling doglike above him, until finally he clung to the wall just below the outer sill. A steady rain fell upon him. He heard a bird singing within. He saw the edge of a wet, blue scarf hanging over the sill.

He caught hold of the ledge and raised himself until he could peer inside.

Her back was to him. She wore a dark blue sari, and she was seated on a small bench at the opposite end of the room.

He clambered onto the sill and cleared his throat.

She turned quickly. She wore a veil, so that her features were indistinguishable. She regarded him through it, then rose and crossed the chamber.

He was dismayed. Her figure, once lithe, was wide about the waist; her walk, once the swaying of boughs, was a waddle; her complexion was too dark; even through the veil the lines of her nose and jaw were too pronounced.

He bowed his head. "'And so you have drawn near to us, who at your coming have come home," he sang, "'as birds to their nest upon the tree.'"

She stood, still as her statue in the main hall below.

"'Guard us from the she-wolf and the wolf, and guard us from the thief, oh Night, and so be good for us to pass.'"

She reached out slowly and laid her hand upon his head.

"You have my blessing, little one," she said, after a time. "Unfortunately, that is all I can give. I ca

"Tak," he told her.

She touched her brow. "I once knew a Tak," she said, "in a bygone day, a distant place. . ."

"I am that Tak, madam."

She seated herself upon the sill. After a time, he realized that she was weeping, within her veil.

"Don't cry, goddess. Tak is here. Remember Tak, of the Archives? Of the Bright Spear? He stands yet ready to do thy bidding."

"Tak. . ." she said. "Oh, Tak! You, too? I did not know, I never heard. . ."

"Another turning of the wheel, madam, and who knows? Things may yet be better than even once they were."

Her shoulders shook. He reached out, drew back his hand.

She turned and took it.

After an age, she spoke: "Not by the normal course of events shall we be restored or matters settled, Tak of the Bright Spear. We must beat our own path."

"What mean you?" he inquired; then, "Sam?"

She nodded.

"He is the one. He is our hope against Heaven, dear Tak. If he can be recalled, we have a chance to live again."

"This is why you have taken this chance, why you yourself sit within the jaws of the tiger?"

"Why else? When there is no real hope we must mint our own. If the coin be counterfeit it still may be passed."

"Counterfeit? You do not believe he was the Buddha?"

She laughed, briefly. "Sam was the greatest charlatan in the memory of god or man. He was also the worthiest opponent Trimurti ever faced. Don't look so shocked at my saying it. Archivist! You know that he stole the fabric of his doctrine, path and attainment, the whole robe, from prehistorical forbidden sources. It was a weapon, nothing more. His greatest strength was his insincerity. If we could have him back . . ."

"Lady, saint or charlatan, he is returned."

"Do not jest with me, Tak."

"Goddess and Lady, I just left the Lord Yama shutting down the pray-machine, frowning his frown of success."

"The venture was against such mighty odds. . . . Lord Agni once said that no such thing could ever be done."

Tak stood.

"Goddess Ratri," he said, "who, be he god or man, or anything between, knows more of such matters than Yama?"

"I have no answer for that question, Tak, because there is none. But how can you say of a certainty that he has netted us our fish?"

"Because he is Yama."

"Then take my arm, Tak. Escort me again, as once you did. Let us view the sleeping Boddhisatva."

He led her out the door, down the stairs, and into the chambers below.

Light, born not of torches but of the generators of Yama, filled the cavern. The bed, set upon a platform, was closed about on three sides by screens. Most of the machinery was also masked by screens and hangings. The saffron-robed monks who were in attendance moved silently about the great chamber. Yama, master artificer, stood at the bedside.

As they approached, several of the well-disciplined, imperturbable monks uttered brief exclamations. Tak then turned to the woman at his side and drew back a pace, his breath catching in his throat.

She was no longer the dumpy little matron with whom he had spoken. Once again did he stand at the side of Night Immortal, of whom it has been written, "The goddess has filled wide space, to its depths and its heights. Her radiance drives out the dark."

He looked but a moment and covered his eyes. She still had this trace of her distant Aspect about her.

"Goddess. . ." he began.

"To the sleeper," she stated. "He stirs."

They advanced to the bedstead.

Thereafter to be portrayed in murals at the ends of countless corridors, carved upon the walls of Temples and painted onto the ceilings of numerous palaces, came the awakening of he who was variously known as Mahasamatman, Kalkin, Manjusri, Siddhartha, Tathagatha, Binder, Maitreya, the Enlightened One, Buddha and Sam. At his left was the goddess of Night; to his right stood Death; Tak, the ape, was crouched at the foot of the bed, eternal comment upon the coexistence of the animal and the divine.

He wore an ordinary, darkish body of medium height and age; his features were regular and undistinguished; when his eyes opened, they were dark.

"Hail, Lord of Light!" It was Ratri who spoke these words.

The eyes blinked. They did not focus. Nowhere in the chamber was there any movement.

"Hail, Mahasamatman — Buddha!" said Yama.

The eyes stared ahead, unseeing.

"Hello, Sam," said Tak.

The forehead creased slightly, the eyes squinted, fell upon Tak, moved on to the others.

"Where . . . ?" he asked, in a whisper.

"My monastery," answered Ratri.

Without expression, he looked upon her beauty.

Then he shut his eyes and held them tightly closed, wrinkles forming at their corners. A grin of pain made his mouth a bow, his teeth the arrows, clenched.

"Are you truly he whom we have named?" asked Yama.

He did not answer.

"Are you he who fought the army of Heaven to a standstill on the banks of the Vedra?"

The mouth slackened.

"Are you he who loved the goddess of Death?"

The eyes flickered. A faint smile came and went across the lips.

"It is he," said Yama; then, "Who are you, man?"

"I? I am nothing," replied the other. "A leaf caught in a whirlpool, perhaps. A feather in the wind. . ."

"Too bad," said Yama, "for there are leaves and feathers enough in the world for me to have labored so long only to increase their number. I wanted me a man, one who might continue a war interrupted by his absence — a man of power who could oppose with that power the will of gods. I thought you were he."

"I am"—he squinted again"—Sam. I am Sam. Once—long ago . . . I did fight, didn't I? Many times . . ."

"You were Great-Souled Sam, the Buddha. Do you remember?"