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"Her guitar," the woman repeated, and perhaps having forgotten that her daughter played brought her eyes down, made her round face red and brought the man over to comfort her, a man blank like men in advertisements, his coat impeccable and in the breast pocket a three-folded maroon handkerchief. "I have noth ing," she wailed, "she didn't even leave me a note when she left." And her voice had shed its sexy roughness, become high and helpless; it was Jill again, begging, Hold me, help me, I'm all shit inside, everything is crashing in.
Harry turned from the sight. The chief, leading him out the side door, said, "Rich bitch, if she'd given the girl half a reason to stay home she'd be alive today. I see things like this every week. All our bad checks are being cashed. Keep your nose clean, Angstrom, and take care ofyour own." A coach's paternal punch on the arm, and Harry was sent back into the world.
"Pop, how about a quick one?"
"Not today, Harry, not today. We have a surprise for you at home. Mim's coming."
"You sure?" The vigil for Mim is months old; she keeps sending postcards, always with a picture of a new hotel on them.
"Yep. She called your mother this morning from New York City, I talked to your mother this noon. I should have told you but you've had so much on your mind I thought, Might as well save it. Things come in bunches, that's the mysterious truth. We get numb and the Lord lets us have it, that's how His mercy works. You lose your wife, you lose your house, you lose your job. Mim comes in the same day your mother couldn't sleep a wink for nightmares, I bet she's been downstairs all day trying to tidy up if it kills her, you wonder what's next." But he has just said it: Mom's death is next. The number 16A bus joggles, sways, smells of exhaust. The Mt. Judge way, there are fewer Negroes than toward West Brewer. Rabbit sits on the aisle; Pop, by the window, suddenly hawks and spits. The spittle runs in a weak blur down the dirty glass. "Goddammit, but that burns me," he explains, and Rabbit sees they have passed a church, the big gray Presbyterian at Weiser and Park: on its steps cluster some women in overcoats, two young men with backwards collars, nuns and schoolchildren carrying signs and unlit candles protesting the war. This is Moratorium Day. "I don't have much use for Tricky Dick and never have," Pop is explaining, "but the poor devil, he's trying to do the decent thing over there, get us out so the roof doesn't fall in until after we leave, and these queer preachers so shortsighted they can't see across the pulpit go organizing these parades that all they do is convince the little yellow Reds over there they're wi
"Pop, all they're saying is they want the killing to stop."
"They've got you too, have they? Killing's not the worst thing around. Rather shake the hand of a killer than a traitor."
So much passion, where he now feels none, amuses Harry, makes him feel protected, at home. It has been his salvation, to be home again. The same musty teddy-bear smells from the carpet, the same embrace of hot air when you open the cellar door, the same narrow stairs heading up off the living room with the same loose baluster that lost its dowel and has to be renailed again and again, drying out in the ebb of time; the same white-topped kitchen table with the four sets of worn spots where they used to eat. An appetite for boyish foods has returned: for banana slices on cereal, for sugar doughnuts though they come in boxes with cellophane windows now instead ofin waxpaper bags, for raw carrots and cocoa, at night. He sleeps late, so he has to be wakened for work; in Pe
The one disturbing element, new and defiant of assimilation, is Nelson. Sullen, grieving, strangely large and loutish sprawled on the caneback davenport, his face glazed by some television of remembrance: none of them quite know what to do about him. He is not Harry, he is sadder than Harry ever was, yet he demands the privileges and indulgence of Harry's place. In the worn shadows of the poorly lit half-house on Jackson Road, the Angstroms keep being startled by Nelson's ungrateful presence, keep losing him. "Where's Nellie?" "Where did the kid get to?" "Is the child upstairs or down?" are questions the other three often put to one another. Nelson stays in his temporary room – Mim's old room -for hours of listening to rock-pop-folk turned down to a murmur. He skips meals without explaining or apologizing, and is making a scrapbook of news items the Brewer papers have carried about their fire. Rabbit discovered this scrapbook yesterday, snooping in the boy's room. Around the clippings the boy had drawn with various colors of ballpoint flowers, peace signs, Tao crosses, musical notes, psychedelic rainbows, those open-ended swirling doodles associated with insanity before they became commercial. Also there are two Polaroid snaps of the ruin; Billy took them Monday with a new camera his father had given him. The photos, brownish and curling, show a half-burned house, the burned half dark like a shadow but active in shape, eating the unburned half, the garage studs bent like matchsticks in an ashtray. Looking at the photographs, Rabbit smells ash. The smell is real and not remembered. In Nelson's closet he finds the source, a charred guitar. So that is why it wasn't in the garage when he looked for it, to give to Jill's mother. She is back in Co
He and his father see, walking up Jackson Road, a strange car parked in front of number 303, a white Toronado with orangeon-blue New York plates. His father's lope accelerates; "There's Mim!" he calls, and it is. She is upstairs and comes to the head of the stairs as they enter beneath the fanlight of stained glass; she descends and stands with them in the murky little foyer. It is Mim. It isn't. It has been years since Rabbit has seen her. "Hi," Mim says, and kisses her father dryly, on the cheek. They were never, even when the children were little, much of a family for kissing. She would kiss her brother the same way, dismissingly, but he holds her, wanting to feel the hundreds of men who have held her before, this his sister whose diapers he changed, who used to hold his thumb when they'd go for Sunday walks along the quarry, who once burst out oh I love you sledding with him, the ru