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“You wouldn’t like to be locked up in the coal-cellar,” said the other, still a little gruffly.
“Of course, I should prefer to be locked up in the wine-cellar,” admitted Murrel. “A new version of your parable of Labour. The vain and idle revelling above, while the dull persistent sound of popping corks told them that I was still below, toiling, labouring, never at rest. . . . But really, old man, there was a lot in what you said about yourself and your grimy haunts, and I thought I’d have a squint at them.”
To Mr. Almeric Wister and others it might have seemed tactless to talk to the poorer man about his grimy environment. But Murrel was not tactless; and he was not wrong when he said he knew something about men. He knew the morbid sensitiveness of the most masculine sort of men. He knew his friend’s almost maniacal dread of snobbery; and knew better than to say anything about the successes of the salon. To talk about Braintree as a slave in a coal-cellar was to steady his self-respect.
“Mostly dye-works and that sort of thing, aren’t they?” asked Murrel, gazing at the forest of factory-chimneys, that began to show through the haze of the horizon.
“By-products of coal of various kinds,” replied his friend, “used for chemical colours, dyes and enamels, and all sorts of things. It seems to me, in capitalist society, the by-product is getting bigger than the big product. They say your friend Seawood’s millions come much more from the coal-tar products than from the coal– I’ve heard that something of the sort was used for the red coat of the soldier.”
“And what about the red tie of the Socialist?” asked Murrel reproachfully. “Jack, I ca
“Nobody knows where anything comes from nowadays, Douglas,” said Braintree quietly. “That’s what’s called publicity and popular journalism in a capitalist state. My tie may be made by capitalists; so may yours be made by ca
“Woven out of the whiskers of missionaries,” replied Murrel. “A pleasant thought. And I suppose your work is going on the stump for all these workers.”
“Their conditions are infamous,” said Braintree, “especially the poor chaps working on some of the dyes and paints and things, which are simple damned poisons and pestilences. They’ve scarcely got any unions worth talking about and their hours are much too long.”
“It’s long hours that knock a man out most,” agreed Murrel. “Nobody gets enough leisure or fun in this world, do they, Bill?”
Braintree was perhaps secretly a little flattered by his friend always calling him Jack; but he was wholly unable to understand why, in an excess of intimacy, he should address him as Bill. He was about to ask a question, when a grunt out of the darkness in front of him suddenly reminded him of somebody whose very existence he was bound to admit he had completely forgotten. It would appear that William was the Christian name of the driver of the omnibus; and that Douglas Murrel was in the habit of addressing him by it. The answering grunt of the person called Bill was sufficient to indicate that he entirely agreed that the hours of proletarian employment were much too long.
“Well, you’re all right, Bill,” said Murrel. “You’re one of the lucky ones, especially to-night. Old Charley comes on at the Dragon, don’t he?”
“Why, yes,” said the driver in slow and luxuriantly scornful tones. “’E comes on at the Dragon, but . . .” Leaving the matter there, rather as if coming on at the Dragon were something which even the limited faculties of old Charley might be expected to manage, but that beyond that there was very little ground for consolation.
“He comes on at the Dragon and we come off at the Dragon,” continued Murrel, “so you can come and have one on me. Show you bear no malice for Golliwog. But I swear I only told you to back him for a place.”
“Never mind, Sir. Never you mind about that,” observed the benevolent Bill, in a glow of Christian forgiveness. “Never mind having a bit on; and if you lose your bit– why, there you are.”
“You are indeed,” said Murrel. “And here we are at the Dragon; I suppose somebody’s got to go in and fetch old Charley out.”
With the worthy object of thus accelerating the service of public vehicles, Murrel appeared suddenly to fall off the top of the omnibus. He fell on his feet, however, having in fact descended by turning a sort of cartwheel in the air on the pivot of a single foothold. He then shouldered his way into the lighted and noisy bar of the Green Dragon, with so resolute a movement that the other two men naturally followed him. The omnibus driver, whose full name was William Pond, followed indeed with no pretence of reluctance. The democratic John Braintree followed with a faint reluctance and some affectation of carelessness. He was neither a prohibitionist nor a prig; and would have drunk beer at any wayside i
So far as the eddying hubbub had any centre, there seemed to be something like a social circle round one small man who was right up against the counter; and that not so much because he was a talker as because he seemed to be a topic. Everybody was making jokes about him, as if he were the weather or the War Office or any recognised theme for the satiric artist. Much of it was direct, as in the form “Goin’ to get married soon, George?” or “What you done with all your money, George?” Other remarks were in the third person, as “Old George ’e’s been going out with the girls too much,” or “I reckon old George got lost in London,” and so on. It was noticeable that this concentrated fire of satire was entirely genial and friendly. It was still more notable that old George himself seemed to feel no sort of a