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"Are you work on something down there?" Max asked.

His father's gaze swept across him, but his eyes were deliberately blank.

"Later I shall unfold to you," he said, and Max watched him while he removed a silver key from the pocket of his waistcoat, and turned it in the lock to the basement door. It had never been used before and until that moment, Max had not even known a key existed.

Max was on edge the rest of the afternoon, kept looking at the basement door, unsettled by his father's promise:

Later I shall unfold to you. There was of course no opportunity to talk to Rudy about it over di

"Boys," he said, turning to the basement, unlocking the bolt. "Go downstairs. Wait for me. Touch nothing."

Rudy threw a horrified, whey-faced look at Max. Rudy couldn't bear the basement, its low ceiling and its smell, the lacy veils of cobwebs in the corners. If Rudy was ever given a chore there, he always begged Max to go with him. Max opened his mouth to question their father, but he was already slipping away, out of the room, disappearing down the hall to his study.

Max looked at Rudy. Rudy was shaking his head in wordless denial.

"It will be all right," Max promised. "I will take care of you."

Rudy carried the lantern, and let Max go ahead of him down the stairs. The reddish-bronze light of the lamp threw shadows that leaned and jumped, a surging darkness that lapped at the walls of the stairwell. Max descended to the basement floor and took a slow, uncertain look around. To the left of the stairs was a worktable. On top of it was a pile of something, covered in a piece of grimy white tarp-stacks of bricks maybe, or heaps of folded laundry, it was hard to tell in the gloom without going closer. Max crept in slow, shuffling steps until he had crossed most of the way to the table, and then he stopped, suddenly knowing what the sheet covered.

"We need to go, Max," Rudy peeped, right behind him. Max hadn't known he was there, had thought he was still standing on the steps. "We need to go right now." And Max knew he didn't mean just get out of the basement, but get out of the house, run from the place where they had lived ten years and not come back.

But it was too late to pretend they were Huck and Jim and light out for the territories. Their father's feet fell heavily on the dusty wood planks behind them. Max glanced up the stairs at him. He was carrying his doctor's bag.

"I can only deduce," their father began, "from your ransack of my private study, you have finally develop interest in the secret work to which I sacrifice so much. I have in my time kill six of the Undead by my own hand, the last the diseased bitch in the picture I keep hid in my office-I believe you have both see it." Rudy cast a panicked look at Max, who only shook his head,

be silent. Their father went on: "I have train others in the art of destroying the vampire, including your mother's unfortunate first husband, Jonathan Harker, Gott bless him, and so I can be held indirectly responsible for the slaughter of perhaps fifty of their filthy, infected kind. And it is now, I see, time my own boys learn how it is done. How to be sure. So you may know how to strike at those who would strike at you."

"I don't want to know," Rudy said.

"He didn't see picture," Max said at the same time.

Their father appeared not to hear either of them. He moved past them to the worktable, and the canvas covered shape upon it. He lifted one corner of the tarp and looked beneath it, made a humming sound of approval, and pulled the covering away.

Mrs. Kutchner was naked, and hideously withered, her cheeks sunken, her mouth gaping open. Her stomach was caved impossibly in beneath her ribs, as if everything in it had been sucked out by the pressure of a vacuum. Her back was bruised a deep bluish violet by the blood that had settled there. Rudy moaned and hid his face against Max's side.

Their father set his doctor's bag beside her body, and opened it.





"She isn't, of course, Undead. Merely dead. True vampires are uncommon, and it would not be practicable, or advisable, for me to find one for you to rehearse on. But she will suit for purposes of demonstration." From within his bag he removed the bundle of stakes wrapped in velvet.

"What is she doing here?" Max asked. "They bury her tomorrow."

"But today I am to make autopsy, for purposes of my private research. Mr. Kutchner understand, is happy to cooperate, if it mean one day no other woman die in such a way." He had a stake in one hand, a mallet in the other.

Rudy began to cry.

Max felt he was coming unmoored from himself. His body stepped forward, without him in it; another part of him remained beside Rudy, an arm around his brother's heaving shoulders. Rudy was saying,

Please I want to go upstairs. Max watched himself walk, flat-footed, to his father, who was staring at him with an expression that mingled curiosity with a certain quiet appreciation.

He handed Max the mallet and that brought him back. He was in his own body again, conscious of the weight of the hammer, tugging his wrist downward. His father gripped Max's other hand and lifted it, drawing it towards Mrs. Kutchner's meager breasts. He pressed Max's fingertips to a spot between two ribs and Max looked into the dead woman's face. Her mouth open as to speak.

Are you doctorin' me, Max Van Helsing?

"Here," his father said, folding one of the stakes into his hand. "You drive it in here. To the hilt. In an actual case, the first blow will be follow by wailing, profanity, a frantic struggle to escape. The accursed never go easily. Bear down. Do not desist from your work until you have impale her and she has give up her struggle against you. It will be over soon enough."

Max raised the mallet. He stared into her face and wished he could say he was sorry, that he didn't want to do it. When he slammed the mallet down, with an echoing bang, he heard a high, piercing scream and almost screamed himself, believing for an instant it was her, still somehow alive; then realized it was Rudy. Max was powerfully built, with his deep water buffalo chest and Scandinavian farmer's shoulders. With the first blow he had driven the stake over two-thirds of the way in. He only needed to bring the mallet down once more. The blood that squelched up around the wood was cold and had a sticky, viscous consistency.

Max swayed, his head light. His father took his arm.

"Goot," Abraham whispered into his ear, his arms around him, squeezing him so tightly his ribs creaked. Max felt a little thrill of pleasure-an automatic reaction to the intense, unmistakable affection of his father's embrace-and was sickened by it. "To do offense to the house of the human spirit, even after its tenant depart, is no easy thing, I know."

His father went on holding him. Max stared at Mrs. Kutchner's gaping mouth, the delicate row of her upper teeth, and found himself remembering the girl in the calotype print, the ball of garlic jammed in her mouth.

"Where were her fangs?" Max said.

"Hm? Whose? What?" his father said.

"In the photograph of the one you kill," Max said, turning his head and looking into his father's face. "She didn't have fangs."

His father stared at him, his eyes blank, uncomprehending. Then he said, "They disappear after the vampire die.