Страница 6 из 170
The Master of Rampling Gate by A
A
This story is the only piece of short fiction Rice has published in her career. It first appeared in Redbook Magazine in 1984, and demonstrates all the characteristics of her best work, and the best of vampire fiction.
In some houses, the walls bleed. There is a miasma of doom. Those who spend the night in such a house (only ever on a bet) flee screaming or are found dead the next morning. One wonders how such flashy and obstreperous houses avoid getting themselves burned to the ground by a mob of local citizens. But here is an entirely different sort of house. This house is beautiful, serene. Here everyone is smiling. So take off your coat and have a drink. Sit by the fire. Stay a while.
Rampling Gate: It was so real to us in those old pictures, rising like a fairytale castle out of its own dark wood. A wilderness of gables and chimneys between those two immense towers, grey stone walls mantled in ivy, mullioned windows reflecting the drifting clouds.
But why had Father never gone there? Why had he never taken us? And why on his deathbed, in those grim months after Mother's passing, did he tell my brother, Richard, that Rampling Gate must be torn down stone by stone? Rampling Gate that had always belonged to Ramplings, Rampling Gate which had stood for over four hundred years.
We were in awe of the task that lay before us, and painfully confused. Richard had just finished four years at Oxford. Two whirlwind social seasons in London had proven me something of a shy success. I still preferred scribbling poems and stories in the quiet of my room to dancing the night away, but I'd kept that a good secret, and though we were not spoilt children, we had enjoyed the best of everything our parents could give. But now the carefree years were ended. We had to be careful and wise.
And our hearts ached as, sitting together in Father's book-lined study, we looked at the old pictures of Rampling Gate before the small coal fire. "Destroy it, Richard, as soon as I am gone," Father had said.
"I just don't understand it, Julie," Richard confessed, as he filled the little crystal glass in my hand with sherry. "It's the genuine article, that old place, a real fourteenth-century manor house in excellent repair. A Mrs. Blessington, born and reared in the village of Rampling, has apparently managed it all these years. She was there when Uncle Baxter died, and he was the last Rampling to live under that roof."
"Do you remember," I asked, "the year that Father took all these pictures down and put them away?"
"I shall never forget that." Richard said. "How could I? It was so peculiar, and so unlike Father, too." He sat back, drawing slowly on his pipe. "There had been that bizarre incident in Victoria Station, when he had seen that young man."
"Yes, exactly," I said, snuggling back into the velvet chair and looking into the tiny dancing flames in the grate. "You remember how upset Father was?"
Yet it was a simple incident. In fact nothing really happened at all. We couldn't have been more than six and eight at the time and we had gone to the station with Father to say farewell to friends. Through the window of a train Father saw a young man who startled and upset him. I could remember the face clearly to this day. Remarkably handsome, with a narrow nose and well-drawn eyebrows, and a mop of lustrous brown hair. The large black eyes had regarded Father with the saddest expression as Father had drawn us back and hurried us away.
"And the argument that night, between Father and Mother," Richard said thoughtfully. "I remember that we listened on the landing and we were so afraid."
"And Father said he wasn't content to be master of Rampling Gate anymore; he had come to London and revealed himself. An unspeakable horror, that is what he called it, that he should be so bold."
"Yes, exactly, and when Mother tried to quiet him, when she suggested that he was imagining things, he went into a perfect rage."
"But who could it have been, the master of Rampling Gate, if Father wasn't the master? Uncle Baxter was long dead by then."
"I just don't know what to make of it," Richard murmured. "And there's nothing in Father's papers to explain any of it at all." He examined the most recent of the pictures, a lovely tinted engraving that showed the house perfectly reflected in the azure water of its lake. "But I tell you, the worst part of it, Julie," he said shaking his head, "is that we've never even seen the house ourselves."
I glanced at him and our eyes met in a moment of confusion that quickly passed to something else. I leant forward:
"He did not say we couldn't go there, did he, Richard?" I demanded. "That we couldn't visit the house before it was destroyed."
"No, of course he didn't!" Richard said. The smile broke over his face easily. "After all, don't we owe it to the others, Julie? Uncle Baxter who spent the last of his fortune restoring the house, even this old Mrs. Blessington that has kept it all these years?"
"And what about the village itself?" I added quickly. "What will it mean to these people to see Rampling Gate destroyed? Of course we must go and see the place ourselves."
"Then it's settled. I'll write to Mrs. Blessington immediately. I'll tell her we're coming and that we can not say how long we will stay."
"Oh, Richard, that would be too marvelous!" I couldn't keep from hugging him, though it flustered him and he pulled on his pipe just exactly the way Father would have done. "Make it at least a fortnight," I said. "I want so to know the place, especially if…"
But it was too sad to think of Father's admonition. And much more fun to think of the journey itself. I'd pack my manuscripts, for who knew, maybe in that melancholy and exquisite setting I'd find exactly the inspiration I required. It was almost a wicked exhilaration I felt, breaking the gloom that had hung over us since the day that Father was laid to rest.
"It is the right thing to do, isn't it, Richard?" I asked uncertainly, a little disconcerted by how much I wanted to go. There was some illicit pleasure in it, going to Rampling Gate at last.
"'Unspeakable horror,'" I repeated Father's words with a little grimace. What did it all mean? I thought again of the strange, almost exquisite young man I'd glimpsed in that railway carriage, gazing at us all with that wistful expression on his lean face. He had worn a black greatcoat with a red woollen cravat, and I could remember how pale he had been against that dash of red. Like bone china his complexion had been. Strange to remember it so vividly, even to the tilt of his head, and that long luxuriant brown hair. But he had been a blaze against that window. And I realized now that, in those few remarkable moments, he had created for me an ideal of masculine beauty which I had never questioned since. But Father had been so angry in those moments… I felt an unmistakable pang of guilt.
"Of course it's the right thing, Julie," Richard answered. He at the desk, already writing the letters, and I was at a loss to understand the full measure of my thoughts.
It was late afternoon when the wretched old trap carried us up the gentle slope from the little railway station, and we had at last our first real look at that magnificent house. I think I was holding my breath. The sky had paled to a deep rose hue beyond a bank of softly gilded clouds, and the last rays of the sun struck the uppermost panes of the leaded windows and filled them with solid gold.