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"Not a nightmare, I trust."

"A sound from the night. It was nothing to do with me."

"It is usually quite still here. What kind of sound?"

"It sounded like a scream… a terrible cry."

Morodor only stared at me, unblinking, until I was forced to go on.

"I went to the window and looked out. I… saw a shape I could not clearly identify; I heard the awful sound of bat wings."

"Oh," Morodor said, "that's quite impossible. We have none here, I've seen to that. Bats are boring, really. As with octopi, I'm afraid their ferocious reputation has been unjustly thrust upon them."

"Just what the hell did I see then?"

Morodor's hand lifted, fell, the arch of a great avian wing. "Whatever it was, it brought you up here."

"Then there

was something there!" I said in triumph. "You admit it."

"I admit," said Morodor carefully, "that I wanted to see you. The fact is you are here."

"You and I," I said. "But what of Marissa? I have been looking for her all evening. I must see her."

"Do you think it wise to see her now, to… continue what has begun, knowing what you do about me?"

"But she is nothing like you. You two are the shadow and the light."

Morodor's gaze was unwavering. "Two sides of the coin, my friend. The same coin."

I was fed up with his oblique answers. "Perhaps," I said sharply, "it's just that you don't want me to see her. After all, I'm an outsider. I don't belong at Fuego del Aire. But if that's the case, let me warn you, I won't be balked!"

"That's the spirit!' His hand clenched into a fist. "Forget all about that which you saw from your bedroom window. It has nothing to do with you." His tone was mocking.

"A bird," I said uncertainly. "That's all it was."

"My friend," he said calmly, "there is no bird as large as the one you saw tonight."

And he reached out for the first time. I felt his chill touch as his long fingers gripped my shoulder with a power that made me wither inside. "Come," he commanded. "Over here at the windowledge."

I stood there, dazed with shock as he let go of me and leaped out into the night.

I screamed, reaching out to save him, thinking that, after all, his apparent melancholy signaled a wish to die. Then I saw his great ebon cape ballooning out like a sail, drawn upward by the crosscurrents and, for the first time, I saw what had been hidden beneath its voluminous folds.

I had thought he wore the thing as an affectation, because it was part of the legend. But now I understood. What care had he for legends? He wore the cape for practical reasons.

For now from under it spread a pair of the most extraordinary wings I had ever seen. They were glossy and pitch black, as far away from bat's wings as you could get. For one thing, they were feathered or at least covered in long silky strips that had the appearance of feathers. For another, they were as supple as a hummingbird's and quite as beautiful. And made even more so by the thick, muscular tendons by which they were attached to his back. It was like seeing the most beautifully developed torso: hard muscle tone combined with sleek line. And yet. And yet there was more, in the most literal sense, because more musculature was required in order for those massive wings to support the weight of the rest of the body.

Those wings! Sharply angled and hard, delicate as brushstrokes, they beat at the air like heroic engines. They were a magnificent creation, nothing less than a crowning achievement, an evolutionary pi

But out of the wonder came terror and I thought: Marissa! My God! My God! He means to turn her into this.

El Amor Brujo.

Without a word, I turned and bolted from the room. Taking the steps three at a time, I returned to the second floor and there found Marissa asleep in her own bed.

My heart beating like a triphammer, I brought a light close to her face. But no. An exhalation hissed from my mouth. There was no change. But still I feared Morodor and what he could do to her.

"Marissa!" I whispered urgently. "Marissa! Wake up!" I shook her but she would not waken. Hurling the light aside, I bent and scooped her up in my arms. Turning, I kicked the door wide and hurried down the stairs. Where I thought to go at that moment remains a mystery to me still. All I know was that I had to get Marissa away from that place.





The way to the disused scullery I knew and this was the route I took. Outside, the wind ruffled my hair but Marissa remained asleep.

I carried her through the field of tiger lilies and the woodbine, down the center aisle of the vast rose garden, to the verge of the labyrinth. Without thinking, I took her inside.

It was dark there. Darker than the night with the high ebon walls, textured like stucco, looming up on every side. I stumbled down the narrow pathways, turning now left or right at random until I knew that I was truly lost. But at least Morodor could not find us and I had with me this place's only key.

Panting, my muscles aching, I knelt on the grass and set Marissa down beside me. I looked around. All I could hear was the far-off whistle of the wind as if diminished by time. Even the booming surf was beyond hearing now.

I sat back and wiped my brow, staring down at that golden face, so i

Marissa's eyes opened and I helped her to sit up.

"What has happened?"

"I was awakened by a strange sound," I told her. "I saw your brother outside the castle. I thought at first it was a bird but when I went to find out, I saw him."

She looked at me but said nothing.

I gripped her shoulders. I had begun sweating again. "Marissa," I said hoarsely. "He was flying."

Her eyes brightened and she leaned toward me, kissed me hard on the lips. "Then it's happened! The time is here."

"Time," I echoed her stupidly. "Time for what?"

"For the change," she said as if talking to a slow-witted child.

"Yes," I said. "I suspected as much. That's why I've brought you into the labyrinth. We're safe here."

Her brows furrowed. "Safe? Safe from what?"

"From Morodor," I said desperately. "He can't touch you here. Now he ca

For the first time, I saw fright in her eyes. "I don't understand." She shivered. "Didn't he tell you?"

"Tell me what?" I hung on to her. "I ran out of there as soon as I saw him-"

"Oh no!" she cried. "It's all destroyed now. All destroyed!" She put her face in her hands, weeping bitterly.

"Marissa," I said softly, holding her close. "Please don't cry. I can't bear it. I've saved you. Why are you crying?"

She shook me off and stared wide-eyed at me. Even tear-streaked she was exquisitely beautiful. It did not matter that she was filled with pain. No emotion could alter those features. Not even, it seemed, time itself. Only Morodor, her haunted brother.

"He was supposed to tell you. To prepare you," she said between sobs. "Now it has all gone wrong."

"Marissa," I said, stroking her, "don't you know I love you? I've said it and I meant it. Nothing can change that. As soon as we get out of here, we'll-"

"Tell me, how deep is your love for me?" She was abruptly icily calm.

"How deep can any emotion be? I don't think it can be measured."

"Do not be so certain of that," she whispered, "until you've heard me out." She put her hands up before her body, steepling them as if they were a church's spire. "It is not Morodor who will work the change. It is you."

"Me?"

"And it has already begun."

My head was whirling and I put the flat of my hand against the ground as if to balance myself. "What are you saying?"

"The change comes only when we are in love and that love is returned. When we find a mate. The emotion and its reflection releases some chemical catalyst hidden deep inside our DNA helices which has remained dormant until triggered."