Identity Theft

“And then?” I said.

She lifted her shoulders, as if the rest didn't need to be spelled out. “Why, and then Mr. Hansen will be able to live forever.”

“Ah,” I said.

“Come along,” said Cassandra. “Let's go see the other side.” We left that room, closing its door behind us, and entered the one next door. This room was a mirror image of the previous one, which I guess was appropriate. Standing erect in the middle of the room, supported by a metal armature, was Hansen's new body, dressed in a fashionable blue suit; its eyes were closed. Also in the room was a male NewYou technician, who was biological.

I walked around, looking at the artificial body from all angles. The replacement Hansen still had a bald spot, although its diameter had been reduced by half. And, interestingly, Hansen had opted for a sort of permanent designer-stubble look; the biological him was clean-shaven at the moment.

Suddenly the simulacrum's eyes opened. “Wow,” said a voice that was the same as the one I'd heard from the man next door. “That's incredible.”

“How do you feel, Mr. Hansen?” asked the male technician.

“Fine,” he said. “Just fine.”

“Good,” the technician said. “There'll be some settling-in adjustments, of course. Let's just check to make sure all your parts are working…”

“And there it is,” said Cassandra, to me. “Simple as that.” She led me out of the room, back into the corridor.

“Fascinating,” I said. I pointed at the left-hand door. “When do you take care of the original?”

“That's already been done. We do it in the chair.”

I stared at the closed door, and I like to think I suppressed my shudder enough so that Cassandra was unaware of it. “All right,” I said. “I guess I've seen enough.”

Cassandra looked disappointed. “Are you sure don't want to look around some more?”

“Why?” I said. “Is there anything else worth seeing?”

“Oh, I don't know,” said Cassandra. “It's a big place. Everything on this floor, everything downstairs… everything in the basement.”

I blinked. “You've got a basement?” Almost no Martian buildings had basements; the permafrost layer was very hard to dig through.

“Yes,” she said. “Oh, yes.” She paused, then looked away. “Of course, no one ever goes down there; it's just storage.”

“I'll have a look,” I said.

And that's where I found him.

He was lying behind some large storage crates, face down, a sticky pool of machine oil surrounding his head. Next to him was a fusion-powered jackhammer, the kind many of the fossil hunters had for removing surface rocks. And next to the jackhammer was a piece of good old-fashioned paper. On it, in block letters, was written, “I'm so sorry, Cassie. It's just not the same.”

It's hard to commit suicide, I guess, when you're a transfer. Slitting your wrists does nothing significant.

Poison doesn't work, and neither does drowning.

But Joshua-never-anything-else-at-all-anymore Wilkins had apparently found a way. From the looks of it, he'd leaned back against the rough cement wall, and, with his strong artificial arms, had held up the jackhammer, placing its bit against the center of his forehead. And then he'd held down on the jackhammer's twin triggers, letting the unit run until it had managed to pierce through his titanium skull and scramble the soft material of his artificial brain. When his brain died, his thumbs let up on the triggers, and he dropped the jackhammer, then tumbled over himself. His head had twisted sideways when it hit the concrete floor. Everything below his eyebrows was intact; it was clearly the same face Cassandra

Wilkins had shown me.

I headed up the stairs and found Cassandra, who was chatting in her animated style with another customer.

“Cassandra,” I said, pulling her aside. “Cassandra, I'm very sorry, but…”

She looked at me, her green eyes wide. “What?”

“I've found your husband. And he's dead.”

She opened her pretty mouth, closed it, then opened it again. She looked like she might fall over, even with gyroscopes stabilizing her. I put an arm around her shoulders, but she didn't seem comfortable with it, so I let her go. “My… God,” she said at last. “Are you… are you positive?”

“Sure looks like him,” I said.

“My God,” she said again. “What… what happened?”

No nice way to say it. “Looks like he killed himself.”

A couple of Cassandra's coworkers had come over, wondering what all the commotion was about.

“What's wrong?” asked one of them — the same Miss Takahashi I'd seen earlier.

“Oh, Reiko,” said Cassandra. “Joshua is dead!”

Customers were noticing what was going on, too. A burly flesh-and-blood man, with arms as thick around as most men's leg's, came across the room; he seemed to be the boss here. Reiko Takahashi had already drawn Cassandra into her arms — or vice-versa; I'd been looking away when it had happened — and was stroking Cassandra's artificial hair. I let the boss do what he could to calm the crowd, while I used my commlink to call Mac and inform him of Joshua Wilkins's suicide.

Detective Dougal McCrae of New Klondike's finest arrived about twenty minutes later, accompanied by two uniforms. “How's it look, Alex?” Mac asked.

“Not as messy as some of the biological suicides I've seen,” I said. “But it's still not a pretty sight.”

“Show me.”

I led Mac downstairs. He read the note without picking it up.

The burly man soon came down, too, followed by Cassandra Wilkins, who was holding her artificial hand to her artificial mouth.

“Hello, again, Mrs. Wilkins,” said Mac, moving to interpose his body between her and the prone form on the floor. “I'm terribly sorry, but I'll need you to make an official identification.”

I lifted my eyebrows at the irony of requiring the next of kin to actually look at the body to be sure of who it was, but that's what we'd gone back to with transfers. Privacy laws prevented any sort of ID chip or tracking device being put into artificial bodies. In fact, that was one of the many incentives to transfer; you no longer left fingerprints or a trail of identifying DNA everywhere you went.

Cassandra nodded bravely; she was willing to accede to Mac's request. He stepped aside, a living curtain, revealing the artificial body with the gaping head wound. She looked down at it. I'd expected her to quickly avert her eyes, but she didn't; she just kept staring.

Finally, Mac said, very gently, “Is that your husband, Mrs. Wilkins?”

She nodded slowly. Her voice was soft. “Yes. Oh, my poor, poor Joshua…”

Mac stepped over to talk to the two uniforms, and I joined them. “What do you do with a dead transfer?” I asked. “Seems pointless to call in the medical examiner.”

By way of answer, Mac motioned to the burly man. The man touched his own chest and raised his eyebrows in the classic, “Who, me?” expression. Mac nodded again. The man looked left and right, like he was crossing some imaginary road, and then came over. “Yeah?”

“You seem to be the senior employee here,” said Mac. “Am I right?”

The man nodded. “Horatio Fernandez. Joshua was the boss, but, yeah, I guess I'm in charge until head office sends somebody new out from Earth.”

“Well,” said Mac, “you're probably better equipped than we are to figure out the exact cause of death.”

Fernandez gestured theatrically at the synthetic corpse, as if it were — well not bleedingly obvious, but certainly apparent.

Mac nodded. “It's just a bit too pat,” he said, his voice lowered conspiratorially. “Implement at hand, suicide note.” He lifted his shaggy orange eyebrows. “I just want to be sure.”

Cassandra had drifted over without Mac noticing, although of course I had. She was listening in.

“Yeah,” said Fernandez. “Sure. We can disassemble him, check for anything else that might be amiss.”