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“He walked all over the house like he owned it, looking around in places he shouldn’t.”

“He take anything?”

“No, I don’t think so.”

“But you’re not sure,” Maguire said.

“He might have, yes. But I don’t know.”

“You told him you didn’t know where Mrs. DiCilia was. Then what’d he say?”

“He threatened to do something to me.” Marta hesitated. “So I told him, California.”

“That was okay,” Maguire said. “He’s been listening to phone calls, he could’ve figured it out that’s where she’d go. That’s okay.” He sipped his coffee and sat back, showing Marta he was at ease, not worried about it. “What I’d like to do, if I could, is talk to your brother.”

“My brother?”

“From what I understand- See, she told me everything you told her. How he’s quit, doesn’t work for them anymore, all that. But I was wondering, maybe he could tell me a few things about Roland, the people he works for. Like Vivian Arzola. You know Vivian?”

Marta shook her head. “No, only the name.”

“Or maybe your brother could tell me something about Roland that might help us. You never know.”

“I could talk to him,” Marta said.

“Could you call him? See if he’ll meet me somewhere?”

“I think he may have gone to Cuba. Or he’s going, I don’t know.”

“So maybe we don’t have much time. You want to call him now? No, you can’t do that, call from here.” Maguire waited, letting Marta come up with the idea.

“I could go somewhere and call him. The drugstore by the causeway.”

“Hey, would you do that?”

“Only the man’s coming to fix the bed. He was suppose to come yesterday.”

“Nuts.” Maguire waited, thoughtful. When he’d given it enough thought, he said, “Why don’t I stay in case the guy comes?” He paused, begi

Karen had walked from the patio into the house that night, was gone only a few minutes, and returned with a gun wrapped in tissue paper and forty-five new one hundred dollar bills.

He assumed she had put the gun back, somewhere in the bedroom- (He had thought of it lying with her in the broken-down bed. In one of the nightstands? In the dresser? Or behind the wall of mirrors in the closet?)

And assuming there were more new one hundred dollar bills hidden somewhere- (Lying in the bed he had thought of the money, too; first begi

Maguire stood in the bedroom, alone in the house, Marta gone to phone her brother.



He had not told himself he was going to take the money; because at this point he could say, What money? You don’t even know it’s here. No decision to steal had been made. What he was doing-he told himself-was taking advantage of an opportunity. Seeing where he stood. Surveying the situation. So that if, in the end, he did have to grab something and run as an act of survival, for traveling expenses, it would be something portable and not the Louis XVI bergère or the Peach-blow vases he’d have to wrap in newspapers and pack in a crate.

Where would she keep a lot of money?

In a safe.

But there was no safe in the bedroom or in the closet. In the top dresser drawer he found a box of jewelry, unlocked, with some fine-looking pieces he assumed were real; though he’d never made a study of jewelry.

Next to the jewel box was the Beretta, still wrapped in tissue paper, loaded, a cartridge in the chamber. He rewrapped the gun, put it back in the drawer and told himself, okay, he knew where it was if he needed it, if he ever had to come ru

But he was thinking mostly of 45 one hundred dollar bills, Series 1975, with consecutive serial numbers. Clean money, he assumed: thirty of the bills accepted at the post office without question when he’d bought the money orders. New but almost five years old, dating back to… Frank DiCilia. And thought of stories of how the wise guys always kept a lot of cash hidden away but handy, a stake, in case they ever had to run, their idea of traveling money. Sure, there had been a guy in Detroit, the feds had gone in with a search warrant, looking for something else, and found a couple hundred grand in the basement, hidden under the guy’s workbench. Andre Patterson had said, Hey, ‘magine hitting a man’s house finding something like that? Pick out one of those old Eyetalian guys supposed to be retired. Andre couldn’t even talk Cochise into it.

But the man dead, and happening to come across his stake, that was something else.

Except it could be anywhere in the house. Assuming it was here.

Maguire tried the door leading into the next room. Locked. He went into the hall and tried the outside door to the room. Locked. And thought, What’s going on? Jewelry in an unlocked bedroom; the next room, the mystery room, locked. He remembered something, went back into the bedroom to the dresser, poked around in the top drawer again and found a half dozen keys, most of them to suitcases, one for a door lock.

He tried it, felt it slide in and turn, and stepped into what had been Frank DiCilia’s office at home. He saw the desk, the typewriter, the file cabinet-

He saw the photographs on the wall.

Photos of Karen. Enlarged photos or photostats, blowups of snapshots taped to the wall, blowups of newspaper photos in bold black and white.

He wasn’t sure if they were all of Karen and then saw, that yes, there were shots of Karen alone, when she was much younger and not as good-looking as she was now, but with the same serious, secretive look. Karen in hats, Karen in dark glasses. Karen in summer dresses, bathing suits, wide-brimmed hats and dark glasses. Like a much younger Karen playing dress-up. There was one of a heavier Karen, which he realized, after a moment, wasn’t Karen. It was someone else. A woman in a black wide-brimmed hat and dark glasses, black dress, and a fur stole. Dark glasses, though the picture had been taken inside, he was sure. There were several other shots of the woman he had not noticed before, mixed in with Karen’s photos, blownup grainy photos like the one of Karen in the sunhat and bikini taken on the seawall. Karen’s photos and those of the other woman were mixed together on the wall so that when he looked at the entire display he could believe they were all of the same person. Karen.

What was going on?

Maguire turned to the file cabinet. The key was lying on top. Then he looked at the wall of photos again.

If you did something like that, he thought, put up about a dozen pictures of yourself and a few of somebody who didn’t look like you but did in a way, the expression, the dark glasses-trying for a certain look maybe? Going back to earlier pictures and finding the look there? An attitude? Why would you do it?

He opened the file cabinet-it was unlocked-began fingering through folders, papers. He came to a manila envelope, a big one, tightly packed, opened the fasteners, looked in and said, out loud, “My oh my.” He took the envelope to the desk that was covered with newspaper pages, clippings, negative photostats-Karen in reverse; but didn’t stop to look at them. Six packets of new one-hundred-dollar bills slid from the envelope. Five thousand dollars in each of five packets, five hundred in the sixth one. Twenty-five thousand five hundred dollars, 1975 Series bills, the same as the ones Karen had given him-right out of the sixth packet.

He thought of something. That the room had been locked because of the photos, not the money. He was sure of it.

He thought of something else. It was decision time. There it was, twenty-five grand, the most money he had ever seen at one time. Take it and run.

Or leave it.

Or lock it in the trunk of the Mercedes, which wouldn’t be taking it because it was her car. The rationale: protecting it from Roland. But having it ready to grab.

Shit, if he was going to take it, take it.