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I had no right to feel so terribly disappointed, but I did. He didn’t respond, and without waiting for him or his assistant to show me out, I retraced my steps to the door. I did pause to take a quick glance to the back of the house, thinking of the staircase I had sneaked up all those years ago. Then I left, sure that I had made my second and final visit to the mansion.

Two days later Peter Carrington’s picture was on the cover of Celeb, a national weekly gossip rag. It showed him coming out of the police station twenty-two years ago, after being questioned about the disappearance of eighteen-year-old Susan Althorp, who had vanished following the formal di

The magazine had a field day rehashing details of the search for Susan and, since her father had been an ambassador, comparing the case to the kidnapping of the Lindbergh baby.

The article included a summary of the circumstances surrounding the death of Peter Carrington’s pregnant wife, Grace, four years ago. Grace Carrington, known for drinking heavily, had given a birthday party for Carrington’s stepbrother, Richard Walker. Carrington had arrived home after a twenty-three-hour flight from Australia, observed her condition, grabbed the glass out of her hand, dumped the contents on the carpet, and angrily demanded, “Can’t you have a little mercy on the child you’re carrying?” Then, claiming exhaustion, he went up to bed. In the morning, the housekeeper found the body of Grace Carrington, still dressed in a satin evening suit, at the bottom of the swimming pool. An autopsy showed that she was three times over the limit of being legally drunk. The article concluded, “Carrington claimed he went to sleep immediately and did not awaken until the police responded to the 911 call. MAYBE. We’re conducting an opinion poll. Go to our Web site and let us know what you think.”

A week later, at the library, I received a call from Vincent Slater, who reminded me that I had met him when I had an appointment with Peter Carrington.

“Mr. Carrington,” he said, “has decided to permit the use of his home for your fund-raiser. He suggests that you coordinate the details of the event with me.”

2

Vincent Slater put down the phone and leaned back, ignoring the faint squeak of his desk chair, a sound that had begun to a

The problem was that Peter’s stepmother, Elaine, who lived in a house on the grounds, thought nothing of coming up to his office and entering without knocking. At that moment, she had done exactly that again.

She did not waste time on a greeting. “Vincent, I’m glad I caught you. Is there any way you can persuade Peter to give up the idea of having that charity reception here? One would think that after all the terrible publicity last week in that trashy Celeb magazine, rehashing Susan’s disappearance and Grace’s death, he would know enough to attract as little attention as possible.”

Vincent stood up, a courtesy he wished he could forego when Elaine barged in on him. Now, even though he was intensely irritated by the intrusion, he could not resist noticing begrudgingly how exquisitely attractive she was. At sixty-six, Elaine Walker Carrington, with her ash-blond hair, sapphire blue eyes, classic features, and willowy body, could still turn heads. She moved with the grace of the fashion model she had once been, even as, uninvited, she settled herself in the antique armchair on the other side of Vincent’s desk.

She was wearing a black suit that Slater guessed was an Armani, whom he knew to be her favorite designer. Her jewelry consisted of diamond earrings, a narrow strand of pearls, and the wide diamond wedding ring that she still wore even though her husband, Peter’s father, had been dead for nearly twenty years. Her faithfulness to his memory, Vincent well knew, had everything to do with the terms of her prenuptial agreement, which allowed her to live here for the rest of her life, unless she remarried, and ensured her a million-dollar-a-year stipend. And, of course, she liked to be referred to as Mrs. Carrington, with all the attendant privileges.



Which does not give her the right to walk in here and act as if I hadn’t considered very carefully the pluses and minuses of having a public event in this house, Vincent thought. “Elaine, Peter and I have discussed this thoroughly,” he began, his tone revealing his irritation. “Of course the publicity is terrible and embarrassing, which is why Peter has to make some move to show he’s not in hiding. That is precisely the perception which must be changed.”

“Do you really think that having strangers milling around in this house will change the perception most people have of Peter?” Elaine asked, her tone laced with sarcasm.

“Elaine, I suggest you stay out of this,” Slater snapped. “May I remind you that the family company went public two years ago, and there is a negative side to having to answer to stockholders. Even though Peter is by far the largest stockholder, the fact remains that there’s a growing opinion that he should step down as chairman and CEO. Being ‘a person of interest’ in the disappearance of one woman and the death of another is hardly a good image to have as the head of an international company. Peter may not talk about it, but I know he’s deeply concerned. That’s why, from now on, he’s got to be seen as active in community affairs and, even if he hates it, his very generous philanthropies have got to be publicized.”

“Really?” Elaine got up as she spoke. “Vincent, you’re a fool. Mark my words, this won’t work. What you’re doing is exposing Peter, not protecting him. Socially, Peter comes across as a zero. He may be a genius at business, but as you certainly know, he isn’t comfortable with small talk. Away from the office he’s much happier with a book in his hand and the door of the library closed than at some cocktail party or di

“Thursday, December sixth. Kay Lansing, the woman who’s ru

“Is there any limit to how many tickets can be sold?”

“Two hundred.”

“I’ll be sure to buy one of them. So will Richard. I’m on my way to the gallery. He’s having a reception for one of his new artists.” With a dismissive wave of her hand, she pulled open the French doors and walked out.

Slater watched her go, his mouth drawn in a thin, tight line. Richard Walker was Elaine’s son by her first marriage. She’s paying for that reception, he thought. Carrington money has been supporting that loser son of hers since he was twenty years old. He remembered how it drove Grace crazy that Elaine assumed she could walk into the main house anytime she wanted. The one thing Peter was smart enough to do was to not let Elaine move back in here after Grace died.

Not for the first time, Vincent Slater wondered whether there was more to Peter Carrington’s tolerance of his stepmother than met the eye.