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He seemed to wake up from a dream. “Come on,” I said, and led him back to his hut. “Meditate now.” And I left him. I don’t know if he is alive or dead.

Time slows in the jungle without TV. The Khmer are used to it-they can put their bodies in almost any position, then stare at nothing for hours on end. They are conditioned to obeying orders, though, and since Gamon is paying, he is the one they look to. But Gamon meditates sometimes for twelve hours at a stretch. I’m quite impressed. Before they shot Baker, I used to check on Gamon in his hut to see if he really was practicing vipassana. I think he was; his body has that combination of suppleness, emptiness, and immobility that is a good clue to what he is doing with his mind. My theory, for what it’s worth, is that this man uses meditation as another might use morphine. Something happened to him when he ordained; he realized there was a way out, that the mind was infinite in its possibilities, so why choose constant pain? It didn’t do much for his grasp of the here and now, though, a criticism that is often leveled against our form of Buddhism. It was never designed to build caring communities or create social welfare programs; it was brought to us in times quite as desperate as our own, when there seemed nothing left to our species but a downward spiral into barbarism. Plus ca change. I ought to visit Smith and Tanakan in their cells, of course, but so far I have not had the courage. Sometimes, despite myself, I spend hours staring at the elephants.

Knowing the business plan gives a sinister aspect to these animals. One ca

I know that I have to go see Gamon in his hut again sooner or later but I have no idea what to do or say. The whole of his sister’s careful pla

Smith is in a bad way. It is a shame to see that big, attractive farang body in a corner of its cell, curled up in a fetal position. His depression may be terminal, and I wonder if it would not be more humane for me to leave him alone. I press my head against the bars, watching. I see movement in his eyelids and the occasional twitch of a hand or leg. “Khun Smith,” I say, “it’s me, Detective Jitpleecheep.” He blinks and looks up at what must be a single intense shaft of light.

My face disorients him still further. He ca

“I didn’t do this,” I say. A jerk of his chin points out that I am free and he is not. “Damrong,” I explain. The name triggers a shudder. “It is hard for a farang to understand, perhaps impossible.” I scratch my head exactly because it has struck me just how difficult it must be for a Westerner to comprehend, even a man who has spent time in the East. “She left instructions.” He shakes his head. “She was not afraid of death, in a way had been looking forward to it all her life. Then came the money, you see, Smith, the money.”

He glares in a vulnerable kind of way: defiance that expects defeat. What is it about Asians that makes us feel apologetic toward the West, as if we always knew in our heart of hearts the catastrophe toward which it was headed? Perhaps we should have done more to prevent it? I, at least, feel compelled to try to explain. “Death,” I say. “Tom, have you ever thought what it might mean? Never mind religion -I’m talking basic observation. Tom, what she knew is what nine-tenths of humanity also knows: Death trumps money. I’m not talking machines for killing people-that’s just Neolithic butchery. I’m talking about Death as an idea, Death as a weapon of the mind, Death as a reality only adults can confront. You were never going to win, Tom. You lost the war the moment you gave her that first lustful stare. While you were thinking about hiring her body, she had a much bigger plan, more holistic.” I pause, trying to find the words. I’m not sure if I really mean what I say next, but it seems inevitable that I say it: “Tom, are there any adults at all where you come from?”

I have failed to get through to him, of course. Now he’s certain I’m just an unhinged half-caste, a kind of Oriental gargoyle sent by some barbaric power to torment him. I give up, feeling bad.

Khun Tanakan has heard our conversation and come to his window in the cell next door.

“How much?” he hisses. “Just tell me how much you want.” Even in such a short sentence, his exalted level in our culture, his familiarity with the highest echelons, his sophistication, and his i

“It is not up to me,” I say.

“Vikorn? Is Vikorn behind this?”

“No,” I say. “It’s the girl herself.”

“What are you talking about? The girl’s dead.”

“Only in a ma

“What are you talking about?”

“Yes, with you I can use that word. Strange, isn’t it? You are so much harder, so much tougher than your accomplice Smith, and yet with you that word comes to mind. She was, after all, your total and complete opposite-dare I suggest your other half? You in the penthouse, she in the gutter. She twisted a knife in your heart by telling you all about Smith, the handsome, phallic farang whose cock was so much bigger than yours. She was an expert at injecting acid into your veins just when you thought you were wi