Добавить в цитаты Настройки чтения

Страница 28 из 45



A watch. A camera. A gold ring.

Those things sold better than a bunch of old crap anyway.

Then, finally, Ravus let her begin to put the moves together and spar. Ravus's longer arms put him at a continual advantage, but he didn't need it. He was pitiless, broomstick knocking her to the ground, driving her back against the walls, knocking over his own table when she tried to put it between them. Instinct and years of sports combined with desperation to let her get an occasional blow in.

When her stick struck his thigh, it was great to see the look on his face, rage that changed to surprise and then to pleasure in the space of a moment.

Backing off, they began again, circling each other. Ravus feigned and Val parried, but as she did, the room began to spin. She slumped against the wall.

His stick slammed into her other side. Pain made her gasp.

"What's wrong with you?" he shouted. "Why didn't you block the blow?"

Val forced herself to stand upright, digging her fingernails into her palm and biting the inside of her cheek. She was still dizzy, but she thought she might be able to pretend she wasn't. "I don't know… My head."

Ravus swung the broomstick against the wall, splintering the wood and scratching the stone.

Dropping the remains of his stick, he turned back to her, black eyes hot as steel in a forge. "You should have never asked me to teach you! I can't restrain my blows. You'll be hurt by my hand."

She took an unsteady step back, watching the remains of the stick swim in her vision.

He took a deep, shuddering breath that seemed to calm him. "It might be the magic in the room that unbalanced you. I can often smell it on you, on your skin, in your hair. You're around it too much, perhaps."

Val shook her head and lifted her stick, assuming a starting position. "I'm okay now."

He looked at her, his face intense. "Is it the glamour that is making you weak or is it whatever you're doing out there on the street?"

"It doesn't matter," she said. "I want to fight."

"When I was a child," he said, making no move to change his stance, "my mother taught me how to fight with my hands before she let me use any kind of weapon. She and my brothers and sisters would beat me with brush, would pelt me with snow and ice until I fell into a rage and attacked. Pain was no excuse, nor illness. It was all supposed to feed my fury."

"I'm not making excuses."

"No, no," Ravus said. "That's not what I meant. Sit down. Fury doesn't make you a great sword fighter; it makes you an unstable one. I should have seen that you were sick, but all I saw was a weakness. That is my flaw and I don't want it to be yours."

"I hate not being good at this," Val said as she flopped onto a stool.

"You are good. You hate not being great."

She laughed, but the sound came out sounding fake. She was upset that the world still wouldn't settle back into stillness and even more upset by his anger. "Why do you make potions when you had all that training to be a swordsman?"

He smiled. "After I left my mother's lands, I tried to leave the sword behind. I wanted to make something of my own."

She nodded.



"Although some among the Folk would be scandalized, I learned potion making from a human. She brewed cures, potions, and poultices for other mortals. You would suppose that people don't do that anymore, but in certain places, they do. She was always polite to me, a distant politeness as if she thought she was appeasing an uncertain spirit. I think she knew I wasn't mortal."

"But what about the Never?" Val asked.

"The what?"

She could see that he'd never heard it called that. She wondered if he had any idea what it could do for humans. Val shook her head, like she was trying to shake the words away. "The faerie magic. How did you learn what would make the potions magic?"

"Oh that." He gri

In the tu

She thought about lacrosse practice, drills of reverse-stick passes and sword dodges and change-of-hand dodges. She recalled learning to ball off the shaft of the stick, off the side wall, and catch the ball behind her back or between her legs.

She tried those moves with her half broomstick. Just to see if it could be done. Just to see if there was anything she could learn from it. She bounced a soda can off the makeshift hilt of her stick, then kicked it with the side of her foot, sending it off at her shadow opponents.

Val looked at her face in a window as the rush hit. Her skin was like clay, endlessly malleable. She could change it into whatever she wanted, make her eyes big like an anime character, stretch her skin taunt across cheekbones sharp as knives.

Her forehead rippled, her mouth thi

Val was playing a game she couldn't remember the name of, where you were trapped inside the necromancer's tower, ru

When Val opened her eyes, she saw that she was lying on the sidewalk, her hips and back aching, her cheek patterned with concrete. People passed her in a steady stream. She'd missed practice again.

"What's wrong with that lady?" she heard a child's voice ask.

"She's just tired," a woman answered.

It was true; Val was tired. She closed her eyes and went back to the game. She had to find the monster.

Some afternoons she arrived at the bridge from the night before, glamour riot still licking at her veins, her eyes feeling charred around the edges as though they had been lined with ash, her mouth gone dry with a thirst she could not slake. She tried to hold her hands steady, to keep them from trembling and revealing her weakness. When she missed a blow, she tried to pretend that it was not because she was dizzy or sick.

"Are you unwell?" Ravus asked one morning when she was particularly shaky.

"I'm fine," Val lied. Her veins felt dry. She could feel them pulse along her arms, the black sores on the insides of her elbows hard and hurting.

He perched on the edge of his worktable gesturing toward her face with his practice stick as though it were a wand. Val held up her hand automatically, but if he had been going to strike her she would have been much too late to stop the blow.

"You're observably pale. Your parries are dismal…" He let the sentence remain unfinished.

"I guess I'm a little tired."

"Even your lips are pallid," he said, outlining them in the air with the wooden blade. His gaze was intense, unflinching. She wanted to open her mouth and tell him everything, tell him about stealing the drug, about the glamour it gave them, about all the confused feelings that seemed to be canceling themselves out inside of her, but what she found herself doing was taking a step closer so that he had to stop gesturing and move the stick aside to keep from injuring her with it.