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When they were alone except for the Runa chaircarriers, Supaari assisted Marc out of the chair and led him, head down under his hood and dripping oversized Jana'ata draperies like a child playing dress-up, into the building and across a central open area with scented fountains. Holding up his robes, keeping his hands concealed under the long oversleeves, Marc found himself ascending a ramp to a second-level gallery. He was so intent on not tripping over his garment and keeping his alien anatomy under wraps that he hardly glanced at anything around him until they reached a small curtained room, like a box at the opera. Supaari stepped in first and found his position before drawing the front curtains close together. Then he motioned Marc in and closed off the back curtain, leaving the box in semidarkness, indicating with a gesture that it was safe for the foreigner to throw back his hood.
"You shall stand back a little, but watch carefully," Supaari whispered. "It is very beautiful. Like your 'landscapes. »
Marc was charmed by this compliment but very worried that they were taking some terrible risk. Before he could say anything, the ceremony began, and since they were already in as deep as he imagined they could get, he decided to trust Supaari's judgment and God's plan.
Moving slightly so he could see through the small gap in the curtain, Marc looked down into a little room of quiet perfection, the gray dressed-stone walls nearly mortarless and shining like polished granite, the floor paved with flags of something veined and figured like pink marble. There was a large, low, black stone bowl, filled with some colorless liquid, and around this knelt six plain-robed Jana'ata. At the knees of each was an array of pottery cups, containing pigment, and behind each, a small brazier in which some kind of incense had been set burning. The scent reached Marc just as the chanting began and although he had been told that these were artists, it all recalled for him the mood and awe of worship.
Then, in time with the telling of some epic poem, leaning toward the bowl in a balletic movement of body and arm, the adepts each dipped their styluslike talons into the pigment pots and touched the surface of the black bowl's contents. For an exquisite moment, colors appeared: blending, spreading, dispersing in a radiant mandala. Again and again, the artists, chanting and dipping and swaying in time, touched the liquid surface with magic and color, the shimmering patterns changing with every hypnotic verse, the incense growing more powerful…
Later, Marc would have no memory of leaving the box or of climbing into the chair again. The swaying rhythmic movement of the carriers merged in his mind with the poetry he had heard, and the ride back to the harbor compound of Supaari VaGayjur was a mixture of half-dreamt visions and floating moments of reality. Slumped against Supaari and staring with dilated eyes inside his fabric cocoon, Marc noted at one point with vague and distant interest that they were going past a public square of some kind. He saw through a space in the curtains three Runa publicly put to death, their throats slit as they knelt with their backs to the Jana'ata executioners, who stood behind them and drew their heavy claws across their victims' throats as cleanly and humanely as kosher butchers.
This scene registered at some level, but Marc could not be