Innkeeper's Song

LAL

For one moment—no longer than the instant it takes for me to yank Nyateneri’s head back by the hair, hard, and stare through the shivering dark into that strange, familiar face above me—for that moment I am Lal-Alone again, cold and empty and ready to kill. Not because the woman in bed with me has turned out to be a man, but because the man has deceived me, and I ca

Something is happening in the dovecote overhead: vaguely protesting burbles, fretful noises as though the birds were jumping on and off their perches. What can the drovers, the sailor, the holy couple imagine must be going on in here? What would that sly fat man think if he crept up the stairs, flung open the door and saw us now, this minute, tumbling over each other like a moonlight circus, all naked rope-dancers and slippery beasts? What would I think, if Lukassa’s mouth and throat were not a sweet curtain across my mind, if I were not suddenly, suddenly about to do my own dance, Lal’s dance, up there, high up there in the night-blooming night, up there above the pigeons, Lal’s dance on no rope at all, nothing under me but the love of three strangers, who will not let me fall?

THE FOX

Up there in the rafters, three left, what does he want? Three tricky pigeons, just out of reach, yes, make attics and attics full of pigeons—why such roaring, such waking of poor tired everybody? Fat i

Days and days, all for a few bony little pigeons. Nyateneri, Lal, Lukassa, they go on riding out, riding back, never a thought for someone hiding all the hot day in the fields, shivering all night in a hollow log. No chance even to take man-shape, not with boy Tikat here. Northern Barrens is better than this. Convent is better, except for nasty food.

This one morning. All cloudy, a thin mist, cold gray sweat. I strike off toward the mountains, trotting only, looking for birds, rabbits, maybe a kumbii—big juicy red mole-thing, my size almost. No kumbii, nothing nice, nothing but the smell of a storm coming, and one stupid lizard, falls over its own feet when it sees me. Bad to eat lizards, poison your eyes, make your teeth fall out. I eat half.

My fur hisses. Storm is rolling up from the east, green and black, all squirming with lightning. Frogs growing restless in the little slow creeks—maybe a pretty frog for me? Two frogs, even? I go softly along creek bank, just to see. A dog howls.

No dog I know. Bays again, closer—big, ru

Up the bank and away then, straight through brambles, tickberries, handshake thorns, places where dogs will not go. This dog will. Bushes crash and crackle behind me—a whine for a thorn, another long bell for a poor little fox that never harmed him, and here he comes, here he comes with the first thunder baying on his heels. But I am already among the plowed fields, flying over cart-ruts, jinking this way, that way across terraces, grape arbors—hoho, I run like what I eat, how not, only better. Nobody runs like me.

More thunder, closer than he is, but not loud enough. Under all the rattling and groaning, always his breath, wind in hard lost places. And now the rain. Thunder is nothing, but this rain smashes me down, rolls me in muddy smashed cornstalks—and always, heavier, colder than the rain, his gray breath over me, inside me. On my feet in one breath of my own, never fear, and gone for the deep trees off to the right. Never look back, what for? Rabbits never look back at me. Down beyond those trees an orchard, and beyond orchard the i

But something happens. Nothing happens. In and out of wild trees, orchard flashes past, i

Rabbits don’t look back. People look back. Under a tall tree, I turn and take the man-shape at last—what dog would ever hunt man-shape like a poor fox? This dog. Out of the mist and rain, now I see him, all howling jaws, wet teeth, stupid long ears, coming through the storm like a fire on four feet. Yes, yes, and so much for human mastery. Two bounds, welcome back my own four feet, off again where he wants me to go, straight for the town. No catching me, no escaping him.

The storm blows by us, dog and me, as we run, back toward the bad country where Mildasis live. Mist thins, thunder mumbles itself away over the rooftops, last lightning is lost in noonday sun. I remember a stone culvert, small, small culvert, drains slops from the marketplace, too narrow for a great ugly dog like this dog—howl for me there all day and night, he can. Best speed now, no chance for him to head me away. Sweet me, best speed now.

But the culvert is ru

Empty market, everyone still hiding from the storm. Dirty canvas over all the barrows, awnings sagging with rain. I look left, right, a fruitstall, ten strides and a scramble to a hamper half full of squashy green things. Almost through the scramble, and a hand clenches the back of my neck—hard, hard, hurting, nobody touches me like that, even Nyateneri. I turn in my skin, jaws snapping on nothing. Another hand clamps across my hips, both hands lift me high, holding me stretched out like a dead rabbit. But my teeth are alive, and this time they take a mouthful of wet sleeve and a bony wrist between them, my beautiful teeth. A voice without words speaks my name, and I am so still, nice teeth not closing, not even loosening a thread. I know this voice. I know this voice.

The hands turn me, one lets go. I hang in the air before his face, and I do not move. Nyateneri would not know him. Lal would not know him. He is gray, gray everywhere, all the way through—bones, blood, heart, all gray. Gray as rain, thin as rain, too, clothes so ragged and wet he might as well be wearing rain. They would never know him. But he is who he is all the same, somewhere in one place that is not yet gray, and I wait for him to tell me that I can move.