Innkeeper's Song

Nonsense now, of course, but perhaps not nonsense then, for the boy watching saw the water where her horse stood grow flat and still as a midsummer frog-pond, with the moon floating like a great calm lily pad in that churning river. And presently out of that second moon his love rose up, dead and drowned and standing before the black woman with her hair dripping thickly and her wide blind eyes full of the river’s darkness. The black woman never stopped singing, but she leaned down from the saddle, taking a ring from her forefinger and setting it on that of his dead love. And when she did that, the drowned girl’s eyes came wondering awake, and the boy knew her and called to her. She never heeded, but held up her arms to the black woman, who lifted her up behind her onto the horse. The boy called and called—there is today, in that part of the country, a small brown-and-green bird with his name and a desperate nighttime cry that sounds almost like “Lukassa! Lukassa!”—but all that won him was a single long look from the black woman’s golden eyes before she wheeled her horse toward the far side of the river. The boy tried to follow, but there was no strength in his body, and he fell before he even reached the water. When he could stand again, all that remained for him was a single green spark from the ring on his love’s finger, and the distant voices of two women singing together. He fell a second time then, and lay so until dawn.

But he was not asleep, nor, after some while, weeping, and when the sun began to rise, bringing a little warmth back to his arms and legs, he sat up to wipe his muddy face and consider. If he was a child still, with a child’s taste for hopeless, unbearable sorrow, yet he had also the stubborn cu

Which made it all the more painful for him to steal the blacksmith’s little chestnut mare, the best horse in the village. He left every coin he had been saving for his wedding in her stall, and a note, and walked her softly to the river road. He looked back once, in time to see smoke rising from the chimney under which the village’s two priests lived in furious harmony. They always rose early, to have more time for quarreling, and their fire was always the first lighted. It was the last sight that boy on the stolen horse—his name was Tikat, by the way—ever had of his home.

THE STABLE BOY

I was the first to see them—perhaps the very first in this country. Marinesha would have been first, but she ran off into the woods while I was still trying to apologize. I never knew the right way to be with Marinesha. Perhaps there was none. I wonder if I would ever have learned.

Of course, I had no business on the road at that hour. It was late, past sunset, and time to bed down the horses. In justice to old Karsh, no one will ever be able to say that he treated an animal unkindly. I would leave the finest, most high-strung horse with him at any time, or a blind, useless, beloved dog, but not a child. My name, as far as I know, is Rosseth, which in our tongue means something not quite worthless, something thrown in to sweeten a bad bargain. Karsh named me.

Marinesha, now. Marinesha means scent of the morning, and I had followed that scent through both our chores all day, teasing and plaguing her—I admit it—until somehow she had half-agreed to meet me after milking by the bee tree. There are no bees there now—they all swarmed long ago—but Marinesha still calls it that. I found this as maddeningly touching as the way her hair goes back from her forehead.

Well, then. I swear I had no more than stroked that hair, not even uttered my first fumbling lie (in honesty, I had never expected her to come—she had never kept her word before) when she was gone again, skittering away through the trees like a moth, leaving nothing but her tears in my hands. I was angry at first, and then alarmed: there would be no way of slipping back to the i

They came around the bend beyond the little spring where no one drinks, three women riding close together. One black, one brown like Marinesha (though not nearly as pretty) and one so pale that to call her “white” has no meaning. Lilies, corpses, ghosts—if these are white, then there must be another word for that woman’s skin. It seemed to me, gaping in the road, that her color was the color of something inside her, some bright, fierce life thumping and burning away with no thought at all for her body, no care or pity for it at all. Her horse was afraid of her.

The black one was a little way in the lead. She drew rein in front of me and sat silent for a moment, considering me out of long, wide eyes. If you could make gold out of smoke, you would have something like the color of those eyes. For my part, I stood like a fool, unable even to close my slack jaws. I know now how different it is elsewhere, but in the country of my birth women do not ride out unescorted, however many they be. And Lal—I learned her full name later, though never how to say it properly—Lal was the first black woman I had ever seen. Black men, yes, often, as traveling merchants and now and than a poet, rhyming for bread in the marketplace, but never a woman. I believed, with most, that there were none.

“Sunlight on your road,” I managed to greet her at last, voice had changed some years before, but you could never have told it then.

“And on yours,” the black woman answered. I say it in shame and honesty that my mouth fell open again to hear her speak my language. I would have been less astonished if she had barked or flapped her arms and screamed like a hawk. She said, “Boy, is there such a thing as an i

“An i

“There would be a place? For us?” She pointed at her companions and then herself, still talking carefully to an idiot.

“Yes,” I said, “oh, yes, certainly. Plenty of rooms, business is a little slow just now”—Karsh would have killed me—“plenty of empty stalls, hot mash.” Then I saw the brown woman’s saddlebag ripple and lurch and twitch open at one corner, exactly like my poor idiot mouth, and I said hot mash again, several times.

The sharp, gri