CATCHING FIRE

“Shall we watch the recap of the reapings?” says Effie, dabbing at the corners of her mouth with a white linen napkin.

Peeta goes off to retrieve his notebook on the remaining living victors, and we gather in the compartment with the television to see who our competition will be in the arena. We are all in place as the anthem begins to play and the a

In the history of the Games, there have been seventy-five victors. Fifty-nine are still alive. I recognize many of their faces, either from seeing them as tributes or mentors at previous Games or from our recent viewing of the victors' tapes. Some are so old or wasted by illness, drugs, or drink that I can't place them. As one would expect, the pools of Career tributes from Districts 1, 2, and 4 are the largest. But every district has managed to scrape up at least one female and one male victor.

The reapings go by quickly. Peeta studiously puts stars by the names of the chosen tributes in his notebook. Haymitch watches, his face devoid of emotion, as friends of his step up to take the stage. Effie makes hushed, distressed comments like “Oh, not Cecelia” or “Well, Chaff never could stay out of a fight,” and sighs frequently.

For my part, I try to make some mental record of the other tributes, but like last year, only a few really stick in my head. There's the classically beautiful brother and sister from District 1 who were victors in consecutive years when I was little. Brutus, a volunteer from District 2, who must be at least forty and apparently can't wait to get back in the arena. Fi

I'm called. Then Haymitch. And Peeta volunteers. One of the a

Haymitch leaves the compartment without a word, and Effie, after making a few unco

“Why don't you get some sleep?” he says.

Because I can't handle the nightmares. Not without you, I think. They are sure to be dreadful tonight. But I can hardly ask Peeta to come sleep with me. We've barely touched since that night Gale was whipped. “What are you going to do?” I ask.

“Just review my notes awhile. Get a clear picture of what we're up against. But I'll go over it with you in the morning. Go to bed, Katniss,” he says.

So I go to bed and, sure enough, within a few hours I awake from a nightmare where that old woman from District 4 transforms into a large rodent and gnaws on my face. I know I was screaming, but no one comes. Not Peeta, not even one of the Capitol attendants. I pull on a robe to try to calm the gooseflesh crawling over my body. Staying in my compartment is impossible, so I decide to go find someone to make me tea or hot chocolate or anything. Maybe Haymitch is still up. Surely he isn't asleep.

I order warm milk, the most calming thing I can think of, from an attendant. Hearing voices from the television room, I go in and find Peeta. Beside him on the couch is the box Effie sent of tapes of the old Hunger Games. I recognize the episode in which Brutus became victor.

Peeta rises and flips off the tape when he sees me. “Couldn't sleep?”

“Not for long,” I say. I pull the robe more securely around me as I remember the old woman transforming into the rodent.

“Want to talk about it?” he asks. Sometimes that can help, but I just shake my head, feeling weak that people I haven't even fought yet already haunt me.

When Peeta holds out his arms, I walk straight into them. It's the first time since they a

And why should I? I have said good-bye to Gale. I'll never see him again, that's for certain. Nothing I do now can hurt him. He won't see it or he'll think I am acting for the cameras. That, at least, is one weight off my shoulders.

The arrival of the Capitol attendant with the warm milk is what breaks us apart. He sets a tray with a steaming ceramic jug and two mugs on a table. “I brought an extra cup,” he says.

“Thanks,” I say.

“And I added a touch of honey to the milk. For sweetness. And just a pinch of spice,” he adds. He looks at us like he wants to say more, then gives his head a slight shake and backs out of the room.

“What's with him?” I say.

“I think he feels bad for us,” says Peeta.

“Right,” I say, pouring the milk.

“I mean it. I don't think the people in the Capitol are going to be all that happy about our going back in,” says Peeta. “Or the other victors. They get attached to their champions.”

“I'm guessing they'll get over it once the blood starts flowing,” I say flatly. Really, if there's one thing I don't have time for, it's worrying about how the Quarter Quell will affect the mood in the Capitol. “So, you're watching all the tapes again?”

“Not really. Just sort of skipping around to see people's different fighting techniques,” says Peeta. “Who's next?” I ask.

“You pick,” says Peeta, holding out the box.

The tapes are marked with the year of the Games and the name of the victor. I dig around and suddenly find one in my hand that we have not watched. The year of the Games is fifty. That would make it the second Quarter Quell. And the name of the victor is Haymitch Abernathy.

“We never watched this one,” I say.

Peeta shakes his head. “No. I knew Haymitch didn't want to. The same way we didn't want to relive our own Games. And since we're all on the same team, I didn't think it mattered much.”

“Is the person who won in twenty-five in here?” I ask.

“I don't think so. Whoever it was must be dead by now, and Effie only sent me victors we might have to face.” Peeta weighs Haymitch's tape in his hand. “Why? You think we ought to watch it?”

“It's the only Quell we have. We might pick up something valuable about how they work,” I say. But I feel weird. It seems like some major invasion of Haymitch's privacy. I don't know why it should, since the whole thing was public. But it does. I have to admit I'm also extremely curious. “We don't have to tell Haymitch we saw it.”

“Okay,” Peeta agrees. He puts in the tape and I curl up next to him on the couch with my milk, which is really delicious with the honey and spices, and lose myself in the Fiftieth Hunger Games. After the anthem, they show President Snow drawing the envelope for the second Quarter Quell. He looks younger but just as repellent. He reads from the square of paper in the same onerous voice he used for ours, informing Panem that in honor of the Quarter Quell, there will be twice the number of tributes. The editors smash cut right into the reapings, where name after name after name is called.