A Song Of Stone

It was selfish of me to have intruded as much as I have. Sleep on, gentle ladies. Forgive me for taking this small amount of enjoyment from the aftermath of yours. I'll make my exit, leave you in peace and perhaps find a bed somewhere above.

I tread with due care back round the bed, again watching where I place my feet, again ducking under the line the candlelight takes from glowing wick to our lieutenant's lidded eyes.

A floorboard creaks beneath me, where none ever sounded before. Of course, I realise; I am near the rug covering the hole the shell left. The lieutenant stirs, sleepily. I take a long step off the offending board and it makes an abrupt cracking noise as it springs back into place. I hear a sudden noise behind on the bed, and start to turn, startled, off balance, staggering and putting my foot out towards the edge of the rug, thinking it must be centred over the hole.

But something in the castle lets me down. As I look back, and see your head begin to rise and the lieutenant turning quickly round, twisting the bedclothes around with her like some spun cocoon her eyes starting to open, her hand going out towards the cabinet at the side of the bed my foot meets the hole beneath the rug, imperfectly plugged. My leg disappears beneath, plunging me down; my other foot slides on the wooden floor as I begin to drop. My arms fly out, my hands trying to clutch at

The gun, forgotten in my burn frozen grip, erupts with sound. Loosed like a taloned bird to grasp the sanctuary of the mantelpiece's marble perch, my hand, fingers spasming, jerks closed instead on the pistol's trigger. The shot cracks, stupefyingly loud in the room, and a harsh spear of flame flashes from the muzzle, obliterating the soft glow of candies and log embers, blinding me. My leg catches in the hole;_ I twist as I fall, head hitting the metal rail at the hearth's edge; the gun is still firing, possessed of its own leaping life, its lunatic bark filling my hand and my ears. Marble cracks, splinters scatter, screams and ricochets echo somewhere within the maelstrom of noise. I roll on my back, dazed, while the gun continues to jolt and leap in my hand. Even as I fall to the floor, leg pi

Then I see the lieutenant, nude and kneeling wide legged on the bed, a pistol held in both her hands and pointing straight at me. I open my mouth, to explain. Behind beyond her limber, pinkly splayed body I see you, crouched, doubled over, shaking, clutching at one arm.

Is that blood there on the sheets? Did I?

The lieutenant fires. before I can speak, before I am able to explain, or question, or protest. Something smacks into the side of my head like a hammer driven spike, spi

Then all light drains away entirely as I fall back once more, hitting the boards in fading silence.

Darkness. No more shots. Stillness.

I seem not to be able to hear anything directly, and yet somehow I become aware of things. I am conscious of crying, of shouts, of soothing sounds, of heavy slamming things and terrible roars and stamping, thudding noises. The existence, the presence of these sounds is reported to me somehow, but only as concepts, as abstract entities. I ca

I want to open my eyes but ca

“ here!” a voice says, distinct.

Hands close around me, lift me roughly up. My leg is extricated from the hole in the floor. Then I am thrown down again, landing on something soft. I think.

I am on my back. No, my front.

I can hear confused noises now. Boards creak, doors slam, feet come clubbing; clothing noises, slippings, slidings; distant ru

That is you crying, I believe. Comforting words from the lieutenant. I am still trying to speak because there must be things to be said. I think my eyes are open, though not because I believe I can see anything. I think I can see. I would certainly like to. Aware of many people. The room seems very red, as though observed through a mist of blood. You on the bed, huddled, being held; tended. Plaster on the floor, blood dark upon the bed. The lieutenant, sitting on the bed, pulling on a boot. Hissing light, some old gas powered thing. There is a rug beneath me, soft soaking. Voice I recognise; a servant's, shouting, imploring, a room away, then hurried discussion, orders given and more shouts, the servant's voice protesting, quieting, going, disappearing. The storm is still coming though; its roar is loud against the castle's hollow walls.

I am wondering who screamed. Was it you, my dear, or her? Or me, perhaps? For some reason it seems important just now, this knowledge of who it was who screamed, but I know only that somebody did. I can remember that scream, recall its sound, play it back inside my head even over the roar of the storm, but from that memory it could have been any one of the three of us. Perhaps it was all of us at once. No.

“ ot here!” a voice says. But whose?

An aftermath dark roar consumes me. Now is the storm come. The thing I hear last is, “Not here, not here. Not “

Chapter 17

Castle, I was born in you. Now again you see me like a helpless child carried through your devastated C halls. By the same litter that displaced our shell I am conveyed past the soldiery, their temporary conquests and our servants, all standing gawking. The debris I walked amongst and the sleeping forms I passed, alone animate, solely erect and balanced, scornful of their noisy lethargy only minutes ago, now drunkenly witness my expulsion, swept out impotent and disarmed. A candle apiece, that congregation watches me, like some a

The lieutenant spreads her arms as she strides past, forcing on her jacket. She quiets the crowd, telling them to go back to their beds, squeezing past me and my bearers, adjusting her collar as we tip downstairs. Blood rush to head. No, no, an accident. Help will be found. Know where there's a medic, found the other day. The lady wounded too but slightly. Both look worse than they are. To bed; get yourselves to bed. Sleep on. All will be well.

Do I see another face, calm, pale but composed at the stairhead as we go clattering down (white fingers on torn, dark wood, the other arm swaddled in bandages, cradled to your milky breast)? I think I do, but then the steps, in flights, turn the sight and take it from me.

The hall, level again. I see an armoured figure standing near the door, a black opera coat around its shoulders. I make to touch its hem as we pass by, arm going out in supplication, mouth working in the attempt to produce words. My arm flops down, brushing the floor, knuckles hitting the door step, cracking over it as we step outside and into the courtyard. The door is slammed on further enquiry. I hear boots ru