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The bridge smelled of tobacco, but there was nobody there. She felt cheated. She looked in all the cabins on that deck, even the one where Orrick had killed the first soldier, but there was nobody in any of them.
She went down to the next deck.
Nothing. She looked out through the blinds covering the windows on the forward lounge and saw somebody at the bows; the light from the bridge was just enough to make the man out. She scratched her head, went back out into the corridor and stood by the companionways leading up and down but heard nothing. She went back down to the main deck level and out on to the external deck under the overhang. She could still see the man. He seemed to be leaning at the very prow of the ship, his feet in the cello splinters, looking out into the night to where the dimmed lights of the distant Nakodo shimmered on the water.
She took the beret out of the epaulette, pushed the hair not held by the strip of yukata up underneath the beret, and walked quietly up the deck towards the man. She glanced up once at the bridge as she went, seeing nothing but emptiness and lights.
He didn't even hear her until she was less than five metres away. He turned, saw her, turned away again, gazing out over the water, and only then looked back, face puzzled.
She was on him while the expression of puzzlement was starting to turn into suspicion and he was reaching for his rifle. She already had hers; it cracked up and into his chin, throwing his head back and whacking it off the bulwark. He clattered to the deck like a broken doll.
He was not one of those who'd raped her and she didn't have the heart to kill him just like that, so she dragged him to the starboard anchor's chain locker, stripped him of weaponry, chucked him in, gently closed the hatch and dogged it. Carting all this hardware around was exhausting her, so she tipped all his armament and one of the Colts overboard. The splashes sounded very small and far away. She crept away again, back to the main body of the ship.
Then she found the others.
They were playing cards, below deck level, under an opened skylight set in the deck just in front of the leading edge of the superstructure. Smoke drifted out of the aperture; tobacco and hash. She took a peek over the lip and saw a table, cans of San Miguel, a thick joint, and hands of cards and hands of men.
It had been a long time since she'd smoked any dope. She lay there, shoulder against the raised metal lip round the skylight, remembering, then quietly took a grenade out of its velcro fastening, clutched the handle, removed the pin, let go the handle, sub-vocalised 'wun-ih erephantu, two-ri erephantu, tri erephantu, fori erephantu, favi erephantu', and was still chuckling to herself as she reached up and dropped the grenade through the skylight.
She heard it hit, heard a few intakes of breath, but didn't hear it bounce before the deck beneath her slammed up, the skylight flipped back on a cloud of bright mist and smashed, and a noise like planets colliding boxed her ears like an angry school bully.
She lay waiting. Her ears were singing again, ringing with their own tired noise. She unholstered the Colt, heaved herself up, looked into the cabin beneath through the smoke, and couldn't see very much. She levered herself up further, stuck her head and gun, then her head and gun and upper torso in through the gap, took a look round, and decided they were all dead or very close to it. She let a little more of the smoke clear, listening as best she could, watching the bridge and the sides of the superstructure at main deck level.
Then she swung in through the skylight, on to the table. It had been blown almost in two; strips of brown laminate sticking up like obstreperous licks of hair. She had to swing her feet to make sure she landed close to the bulkhead so that what was left of the table would take her weight. She dropped down, through the stinging smoke. Her loosely booted feet grated on grenade shards and scattered playing cards. One of the men moved and groaned. She wanted to use the knife but somehow couldn't, so put the gun to his head and fired. She did the same with the other three, though only one other showed any signs of life. Blood was making the floor sticky, glueing the cards to the deck.
Incredibly, the joint was still alight and almost intact, burning a brown mark in a shrapnel-punctured plastic seat. She knocked the end of the tip off it where a little black bit of plastic hung, and took a toke. It still tasted bad so she ground it out under one heel. It sizzled.
She sauntered from the cabin, amazed nobody had come, and only then started to think that perhaps they were all dead.
Still she didn't believe it, and searched the entire ship. She found their SAMs and their plastique charges, in the chartroom off the bridge, looked again at Sucre, swathed in black and white, spike like a cupid's arrow in his unmoving chest, found the bloodstains on the bed in the cabin she'd been in briefly with Orrick (but could not find the body of the man Orrick had killed), found the three dead radio operators and the dead radio equipment (she tried to make it work, but couldn't even get the jamming signal; empty fuse cradles mocked her), looked again into the TV lounge where they'd raped her, and braved the shadowy depths of the main saloon, where the bodies still lay heaped and spread and she couldn't bear to turn on the light for fear of seeing one of them. She felt for the heavy machine-gun, needing both hands, and lifted a metal box full of ammunition. She left the gun lying in the corridor outside, then retraced her steps to the engineering workshop where the first one to die had spread his blood through his head over half the deck under the gleaming, businesslike benches.
An hour after she'd freed herself she was back on the bridge after a tour of the bows, where the soldier she'd poleaxed was making a fuss in the chain locker. She'd turned the bridge lights to red on her first visit, and strode through the blood-coloured gloom to the winch/anchor console. She tapped one finger against her lips as she inspected the controls, then reached out and flicked a switch. The starboard anchor dropped to the lake and splashed. Its chain rattled massively after it, links whipping through the chain locker where the soldier was.
The rasp of falling chain drowned the man's scream, though it must have been short anyway. If she'd waited till dawn, she thought, she'd have seen him exit through the eye of the anchor port in a red spray, but she shivered at the thought of his blood spreading over the surface of the lake. The anchor chain's thunder sounded through the ship, making the deck beneath her tremble. Unbraked, the chain kept on spilling out under its own weight. There was a boom as it stopped; she couldn't tell whether it parted or held. She rubbed one of her breasts absently, grimacing slightly when she touched one of the places where they'd burned her, and reflected that revenge could taste remarkably bland when you'd stopped feeling.
Hisako Onoda came to the conclusion there was almost certainly nobody left to kill on the Nadia. She decided to go and see Mr Dandridge, who deserved a visit like nobody else did.
It was all still hopeless, she knew, but this was better than doing nothing.
The crumpled black Gemini Orrick had knifed lay draped over one end of the pontoon. She looked at one of its bulky silenced engines, worked out how to take it off and dragged it over to where the Nadia's own inflatable lay moored. She stuck the military engine's prop in the water, pushed the starter. The engine trembled, rumbled; even idling, the prop tried to push itself under the pontoon. She switched the outboard off, unbolted the Evinrude from the sternplate of the Nadia's Gemini and let it slip into the black waters. She replaced it with the big military engine, working by the light from the ship above, and sweating with the effort, arms aching. The pontoon was on the near side of the ship to the other two vessels. She had the walkie-talkie switched on, and was vaguely surprised it had stayed silent; it seemed nobody had heard or seen anything on the other two ships. As she worked she waited for gunfire, or the radio to rattle off some incomprehensible Spanish at her, but — in that perverse sense — waited in vain.