Mean Streets

"Are we expecting trouble?" said Liza, as I stood still, considering the open door. “Always," Dead Boy said cheerfully. "It's only the threat of danger and sudden destruction that makes me feel alive."

"Then by all means, you go in first and soak up the punishment," I said generously.

"Right!" said Dead Boy, brightening immediately. He kicked the door wide open and stalked forward into the impenetrable darkness beyond. His voice drifted back to us: "Come on! Give me your best shot, you bastards! I can take it!"

Liza looked at me. "Is he always like this?"

"Pretty much," I said. "This is why most people won't work with him. Personally, I've always found him very useful for hiding behind when the bullets start flying. Shall we go?"

Liza looked at the open doorway, and the darkness beyond, her face completely free of any expression. "I don't want to do this, John. I just know something really bad will happen in there; but I need to know the truth. I need to remember what I've forgotten, whether I want to or not."

She stepped determinedly forward, her small hands clenched into fists at her sides, and I moved quickly to follow her through the doorway. My shoulder brushed against hers, and I could feel the tension in her rock-hard muscles. I thought it was something simple: fear or anticipation. I should have known better.

The darkness disappeared the moment the door closed behind us, and a bright, almost painful glare illuminated the room we'd walked into. Solid steel walls surrounded us, a good forty foot a side, and even the floor and the ceiling were made from the same brightly gleaming metal. Our own distorted images stared back at us from the shining walls. Dead Boy stood in the middle of the room, glaring pugnaciously around him, ready to hit anything that moved or even looked at him fu

"I don't understand," said Liza. "This room is a hell of a lot bigger than the shop front suggested."

"In the Nightside, the interior of a building is often much bigger than its exterior," I said. "It's the only way we can fit everything in."

There was no obvious source for the sharp, stark light that filled the steel room. The air was dry and lifeless, and the only sounds were the ones we made ourselves. I moved over to the nearest wall, and studied it carefully without touching it. Up close, the metal was covered with faint tracings, endless lines in endless intricate patterns, like… painted-on circuitry. The patterns moved slowly, changing subtly under the pressure of my gaze, twisting and turning as they transformed themselves into whole new permutations. As though the wall was thinking, or dreaming. I gestured for Dead Boy and Liza to join me, and pointed out the patterns. Dead Boy just shrugged. Liza looked at me.

"Does this mean something to you?"

"Not… as such," I said. "Could be some future form of hieroglyphics. Could be some form of adaptive circuitry. But it's definitely not from around here. This is future tech, machine code from a future time line… There are rumours that Silicon Heaven is really just one big machine, holding everything within."

"And we've just walked right into it," said Dead Boy. "Great. Anyone got a can opener?"

He leaned in close to study the wall tracings, and prodded them with a long pale finger. Blue-gray lines leapt from the wall onto his finger and swarmed all over it. Dead Boy automatically pulled his finger back, and the circuitry lines stretched away from the wall, clinging to his dead flesh with stubborn strength. They crawled all over his hand and shot up his arm, growing and multiplying all the time, twisting and curling and leaping into the air. Dead Boy grabbed a big handful of the stuff, wrenched it away, and then popped it into his mouth. Dead Boy has always been one for the direct approach. He chewed thoughtfully, evaluating the flavour. The blue-gray lines slipped back down his arm and leapt back onto the wall, becoming still and inert again.

"Interesting," said Dead Boy, chewing and swallowing. "Could use a little salt, though."

I offered him some, but he laughed, and declined.

Liza made a sudden pained noise, and her knees started to buckle. I grabbed her by one arm to steady her, but I don't think she even knew I was there. Her face was pale and sweaty, and her mouth was trembling. Her eyes weren't tracking; her gaze was fixed on something only she could see. She looked like she'd just seen her own death, up close and bloody. I held her up, gripping both her arms firmly, and said her name loudly, right into her face. Her eyes snapped back into focus, and she got her feet back under her again. I let go of her arms, but she just stood where she was, looking at me miserably.

"Something bad is going to happen," she said, in a small, hopeless voice. "Something really bad…"

A dozen robots rose silently up out of the metal floor, almost seeming to form themselves out of the gleaming steel. More robots stepped out of the four walls, and dropped down from the ceiling. It seemed Silicon Heaven had a security force after all. The robots surrounded us on every side, silent and implacable, blocky mechanical constructs with only the most basic humanoid form. Liza shrank back against me. Dead Boy and I moved quickly to put her between us.

For a long moment the robots stood utterly still, as though taking the measure of us, or perhaps checking our appearance against their records. They were roughly human in shape, but there was nothing of human aesthetics about them. They were purely functional, created to serve a purpose and nothing more. Bits and pieces put together with no covering, their every working open to the eye. There were crystals and ceramics and other things moving around inside them, while strange lights came and went. Sharp-edged components stuck out all over them, along with all kinds of weapons, everything from sharp blades and circular saws to energy weapons and blunt grasping hands. They had no faces, no eyes, but all of them were orientated on the three of us. They knew where we were.

Many things about them made no sense at all, to human eyes and human perspectives. Because human science had no part in their making.

They all moved forward at the same moment, suddenly and without warning, metal feet hammering on the metal floor. They did not move in a human way, their arms and legs bending and stretching in u

I've always prided myself on my ability to talk my way out of most unpleasant situations, but they weren't going to listen. Dead Boy stepped forward, grabbed the nearest robot with brisk directness, picked it up and threw it at the next nearest robot. They both had to have weighed hundreds of pounds, but that was nothing to the strength in Dead Boy's unliving muscles. The sheer impact slammed both robots to the steel floor, denting it perceptibly, the sound almost unbearably loud. But though both robots fell in a heap, they untangled themselves almost immediately and rose to their feet again, undamaged.

Dead Boy punched a robot in what should have been its head, and the whole assembly broke off and flew away. The robot kept coming anyway. Another robot grabbed Dead Boy's shoulder from behind with its crude steel hand, the fingers closing like a mantrap. The purple greatcoat stretched and tore, but Dead Boy felt no pain. He tried to pull free, and snarled when he found he couldn't. He had to wrench himself free with brute strength, ruining his coat, and while he was distracted by that, another robot punched him in the back of the head.