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"See, he says, 'leave it,' but the object 'it' isn't necessary. Only that isn't the sort of mistake that makes sense-most grammatical errors are reflections of errors in speaking. And in everyday vernacular we just don't add u
"And the misspellings?" Parker continued. He paced slowly in front of the projected note and the letters moved across his face and shoulder like black insects. "Look at the sentence 'their is no way to stop him.' 'Their' is a homonym-words that are spelled differently but are pronounced the same. It should be t-h-e-r-e. But most people only make those mistakes when they write quickly-usually when they're on a computer. Their mind sends them the spelling phonetically not visually. The second-highest incident of homonymic mistakes is by people typing on typewriters. But with handwriting they're rare.
"The capitalizations?" He glanced at Hardy. "You only find erroneous uppercasing when there's some logical basis for it-concepts like art or love or hate. Sometimes with occupations or job titles. No, he's just trying to make us think he's stupid. But he isn't."
"The note tells you that?" Lukas asked, staring as if she were seeing an extortion note entirely different from the one Parker was studying.
"You bet," the document examiner responded. He laughed. "His other mistake was not making some mistakes he should have. For instance, he uses a comma in adverbial clauses correctly. A clause begi
If you kill me, he will keep killing.
"But with a clause at the end of the sentence you don't need one."
He will kill again-at four, 8 and Midnight if you don't pay.
"He also used a comma before 'which.'"
I am wanting $20 million dollars in cash, which you will put into a bag…
"That's a standard rule of grammar-a comma before the nonrestrictive 'which' and not before the restrictive 'that'-but generally only professional writers and people who've gone to good schools follow it anymore."
"There oughta be a comma before 'which'?" C. P. grumbled. "Who cares?"
Parker silently responded, We do. Because it's little things like this that lead us to the truth.
Hardy said, "It looks like he tried to spell 'apprehend' and couldn't get it right. What do you make of that?"
"Looks like it," Parker said. "But you know what's under the mark-out there? I sca
"What?"
"Squiggles."
"Squiggles?" Lukas asked.
"A term of art," Parker said wryly. "He didn't write anything. He just wanted us to think he was having trouble spelling the word."
"But why'd he go to all this trouble to make us think he's stupid?" Hardy asked.
"To trick us into looking for either a stupid American or a slightly less stupid foreigner. It's another smokescreen." Parker added, "And to keep us underestimating him. Of course he's smart. Just look at the money drop."
"The drop?" Lukas asked.
C. P. asked, "You mean at Gallows Road? Why's that smart?"
"Well…" Parker glanced up, then from one to the other of the agents. "The helicopters."
"What helicopters?" Hardy asked.
Parker frowned. "Aren't you checking out helicopter charters?"
"No," Lukas said. "Why should we?"
Parker remembered a rule from his days working at the Bureau. Never assume a single thing. "The field where he wanted the money dropped was next to a hospital, right?"
Geller was nodding. "Fairfax Hospital."
"Shit," Lukas spat out. "It has a helipad."
"So?" Hardy asked.
Lukas shook her head, angry with herself. "The unsub picked the place so a surveillance team would get used to incoming choppers. He'd chartered one himself and was going to set down, pick up the money and take off again. Probably fly at treetop level to a getaway car."
"I never thought about that," Hardy said bitterly.
"None of us did," C. P. said.
Cage added, "I've got a buddy at the FAA. I'll have him check it out."
Parker glanced at the clock. "No response from Ke
Lukas made a call. She spoke to someone then hung up.
"Six calls. All cranks. None of them knew anything about the painted bullets so they were bogus. We've got their names and numbers. Nail 'em later for interference with law enforcement activity."
"You think the unsub wasn't from around here?" Hardy asked Parker.
"Right. If there was any chance he thought we could compare his handwriting with public records in the area he would've disguised his writing or used cutout letters. Which he didn't. So he's not from the District, Virginia or Maryland."
The door swung open. It was Timothy, the ru
Parker thought, It's about time.
She took the report and as she read it Cage asked, "Parker, you said he was a sociopath. How do you figure that?"
"Because," Parker said absently, his eyes on Lukas, "who'd do something like this except a sociopath?"
Lukas finished and handed it to Hardy. He asked, "You want me to read it?"
"Go ahead," she answered.
Parker noticed that the young man's sobriety had lifted, maybe because he was, for a moment, part of the team.
The detective cleared his throat. "'White male approximately forty-five years old. Six foot two. One hundred eighty-seven pounds. No distinguishing. No jewelry except a Casio watch-with multiple alarms,'" Hardy looked up. "Get this. Set to go off at four, eight and midnight." Back to the report: "'Wearing unbranded blue jeans, well worn. Polyester windbreaker. JCPe
Parker stared at the letters on the screen in front of them as if the words Hardy was reading described not the unsub but the note itself.
"'Minor trace elements. Brick dust in hair, clay dust under nails. Stomach contents reveal coffee, milk, bread and beef-probably inexpensive grade of steak-consumed within the past eight hours.' That's it." Hardy read another METSHOOT memo, attached to the coroners report. "No leads with the delivery truck-the one that hit him." Hardy glanced at Parker. "It's so frustrating-we've got the perp downstairs and he can't tell us a damn thing."
Parker glanced at another copy of the Major Crimes Bulletin, the one he'd seen earlier. About the firebombing of Gary Moss's house. The austere description of the near deaths of the man's daughters had shaken Parker badly. Seeing that bulletin he'd very nearly turned around and walked out of the lab.
Parker shut off the projector, put the note back on the examining table.
Cage looked at his watch. He pulled on his coat. "Well, we've got forty-five minutes. We better get going."
"What do you mean?" Lukas asked.
The senior agent handed her her windbreaker and Parker his leather jacket. He took it without thinking.
"Out there." He nodded toward the door. "To help Jerry Bakers team check out hotels."
Parker was shaking his head. "No. We have to keep going here." He looked at Hardy. "You're right, Len. The unsub can't tell us anything. But the note still can. It can tell us a lot."
"They need everybody they can get," Cage persisted.
There was silence for a moment.
Parker stood with his head down, opposite Lukas, across the brightly lit examining table, the stark white extortion note between them. He looked up, said evenly, "I don't think we'll be able to find him in time. Not in forty-five minutes. I hate to say it but this is the best use of our resources-to stay here. Keep going with the note."