Bone Crossed

He pulled a bucket free of the pile and rolled it across the floor, away from us both, until it hit the oakman's empty cage. He gave me a quick, sullen look over his shoulder. Then, staring at the remaining buckets, he said, "Are you going to make me tell you things?"

"It was rude," I admitted, without really answering. If he knew something that would help me get Chad, Corban, and me out of there in one piece, I'd do anything I needed to. "I don't mind being rude to someone who wants to hurt me, though. Do you know why she wants blood?"

"With blood, freely given, she can kill people with a touch," he said. "It doesn't work if she steals it—though she might do that just for spite." He waved a hand, and a box tipped on its side, spilling packing peanuts on the tabletop. Five or six of them whirled up like a miniature tornado. He lost interest, and they fell to the ground.

"With her touch?" I asked.

"Mortal, witch, fae, or vampire: she can kill any of them. They called her Grandmother Death when she was alive." He looked at me again. I couldn't read the expression on his face. "When she was a vampire, I mean. Even the other vampires were scared of her. That's how he figured out what he could do."

"Blackwood?"

The ghost scooted around to face me, his hand going through the bucket he'd just been playing with. "He told me. Once, just after it had been his turn to drink from her—she was Mistress of his seethe—he killed a vampire with his touch." Lesser vampires fed from the Master or Mistress who ruled the seethe, and were fed from in return. As they grew more powerful, they quit needing to feed from the one who ruled the seethe. "He said he was angry and touched this woman, and she just crumbled into dust. Just like his Mistress could do. But a couple of days later, he couldn't do it. It wasn't his turn to feed from her for a couple more weeks, so he hired a fae-blooded prostitute—I forget what kind she was—and drained her dry. The fae's powers lasted longer for him. He experimented and figured out that the longer he let them live while he fed, the longer he could use what he'd gained from them."

"Can he still do that?" I asked intently. "Kill with a touch?" No wonder no one challenged him for territory.

He shook his head. "No. And she's dead, so he can't borrow her talents anymore. She can still kill if he feeds her blood. But he can't use her now like he used to before that old Indian man died. It's not that she minds the killing, but she doesn't like to do what he wants. Especially exactly what he wants and no more. He uses her for business, and business" — he licked his lips as if trying to remember the exact words Blackwood had used—"business is best conducted with precision." He smiled, his eyes wide and i

"Blackwood had a walker," I said, putting it together. "And he fed from him so he could control her—the lady who was just here."

"Her name is Catherine. I'm John." The boy looked at a bucket, and it moved. "He was nice, Carson Twelve Spoons. He talked to me sometimes and told me stories. He told me that I shouldn't have given myself to James, that I shouldn't be James's toy. That I should let myself go to the Great Spirit. That he would have been able to help me once."

He smiled at me, and this time I caught a hint of malice. "He was a bad Indian. When he was a boy, not much older than me, he killed a man to take his horse and wallet. It made him not able to do the things he should have been able to do. He couldn't tell me what to do."

The malice freed me from the distracting pity I'd been feeling. And I saw what I'd missed the first time I'd looked him in the eye. And I knew the reason that this ghost was different from any I'd seen before.

Ghosts are remnants of people who have died, what's left after the soul goes on. They are mostly collections of memories given form. If they can interact, respond to outside stimuli, they tend to be fragments of the people they had been: obsessive fragments—like the ghosts of dogs who guard their masters' old graves or the ghost I'd once seen who was looking for her puppy.

Immediately after they die, though, sometimes they are different. I've seen it a couple of times at funerals, or in the house of someone who's just passed away. Sometimes the newly dead keep watch over the living, as if to make sure that all is well with them. Those are more than remnants of the people they'd been—I can see the difference. I've always thought those are their souls.

That was what I'd seen in Amber's dead eyes. My stomach clenched. When you die, it should be a release. It wasn't fair, wasn't right, that Blackwood had somehow discovered a way to hold them past death.

"Did Blackwood tell you to kill Chad?" I asked.

His fists clenched. "He has everything. Everything. Books and toys." His voice rose as he spoke. "He has a yellow car. Look at me. Look at me!" He was on his feet. He stared at me with wild eyes, but when he spoke again, he whispered. "He has everything, and I'm dead. Dead. Dead." He disappeared abruptly, but the buckets scattered. One of them flew up and hit the bars of my cage and broke into chunks of tough orange plastic. A shard hit me and cut my arm.

I wasn't sure if that was supposed to be a yes or a no.

Alone, I sat down on the bed and leaned against the cold cement wall. John the Ghost knew more about walkers than I did. I wondered if he'd told the truth: there was a moral code I had to follow to keep my abilities—which now seemed to include some sort of ability to control ghosts. Though, with my indifferent success at it, I suspected it was something that you had to practice to get right.

I tried to figure out how that talent might help me get all of us prisoners out of there safely. I was still fretting when I heard people coming down the stairs: visitors.

I stood up to welcome them.

The visitors were fellow prisoners. And a zombie.

Amber was chattering away about Chad's next softball game as she led Corban, still obviously under thrall to the vampire, and Chad, who was following because there was nothing else for him to do. He had a bruise on the side of his face that he hadn't had when I left him in the dining room.

"Now you get a good night's sleep," she told them. "Jim's going to bed, too, as soon as he gets that fae locked back up where he belongs. We don't want you to be tired when it's time to get up and be doing." She held the door open as if it were something other than a cage—did she think it was a hotel room? Watching the zombie was like watching one of those tapes where they take bits that someone actually said and piece them together to make it sound like they were talking about something else entirely. Sound bites of things Amber would have said came out of the dead woman's mouth with little or no relation to what she was doing.

Corban stumbled in and stopped in the middle of the cage. Chad ran past his mother's animated corpse and stopped, wide-eyed and shaking next to the bed. He was only ten, no matter how much courage he had.

If he survived this, he'd be in therapy for years. Assuming he could find a therapist who'd believe him.

Your mother was a what? Have some Thorazine… Or whatever the newest drug of choice was for the mentally ill.

"Oops," said Amber, manically cheerful. "I almost forgot." She looked around and shook her head sadly.

"Did you do this, Mercy? Char always said that you both suited each other because you were slobs at heart." As she was talking, she gathered up the buckets—though she didn't bother cleaning up the broken one—and stacked most of them where they had been. She took one and put it inside Chad and Corban's cage before removing the used one in the corner. "I'll just take this up and clean it, shall I?"