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A doctor in Soria hit Juan Anllo, Nacional II, over the head with a bottle in an argument during a bullfight at which Nacional II, a spectator, was defending the conduct of the fighter in the ring who was dealing with a difficult animal. The police arrested the bullfighter but not the assailant and Nacional II lay in jail all night with the red dust of Soria on his clothes and in his hair, dying with his skull fractured and a blood clot on his brain while the people of the jail treated him as a drunk, trying various expedients to rouse him from his unconsciousness. He never roused. That rid bullfighting of one of the really brave men who were matadors during this decadence.
A year before another had died, one who looked as though he were going to be one of the greatest of all. He was Manuel Garcia, Maera. He was a boy with Juan Belmonte in the barrio of Triana in Sevilla and when Belmonte, who worked as a day laborer, had no one to protect him, to send him to a bullfight school and furnish him with money to learn to fight by practicing with the calves, wanted to practice with the cape he and Maera and sometimes Varelito, another local boy, would swim across the river, their capes and a lantern on a log, and, dripping and naked, climb the fence into the corral to where the fighting bulls were kept at Tablada to rouse one of the great full-grown fighting bulls from his sleep. While Maera held the lantern Belmonte passed the bull with the cape. When Belmonte became a matador, Maera, tall, dark, thin-hipped, gaunt-eyed, his face blue black even after a close shave, arrogant, slouching, and sombre, went with him as a banderillero. He was a great banderillero and in the years with Belmonte, fighting ninety to a hundred times in a season, working with all sorts of bulls, he came to know bulls as well as any one, even Joselito. Belmonte never placed the banderillas since he could not run. Joselito nearly always placed banderillas in the bulls he killed and in their competition Belmonte used Maera as an antidote to Joselito. Maera could banderillear as well as Joselito and Belmonte kept him dressed in the worst-fitting, most awkward suits a bullfighter could wear so that he would seem more of a peon; to hold down his personality, and make it seem that he, Belmonte, had a banderillero, a mere peon, who could compete as a banderillero with the great matador, Joselito. In the last year Belmonte fought Maera asked him for an increase of wages. He was getting two hundred and fifty pesetas a fight and he asked for three hundred. Belmonte, although he was then making ten thousand a fight, refused the increase. "All right, I'll be a matador and I'll show you up," Maera said. "You'll be ridiculous," Belmonte told him. "No," said Maera, "you'll be ridiculous when I'm through."
At first as a matador, Maera had many of the faults and ma
In two years he corrected all his faults with the cape, he got to manage the muleta beautifully; he was always one of the finest, most emotional and finished banderilleros that ever nailed a pair; and he became one of the best and most satisfying matadors I have ever watched. He was so brave that he shamed those stylists who were not and bullfighting was so important and so wonderful to him that, in his last year, his presence in the ring raised the whole thing from the least effort, get-rich-quick, wait-for-the-mechanical bull basis it had fallen to, and, while he was in the ring, it again had dignity and passion. If Maera was in the plaza it was a good bullfight for at least two bulls and as often as he intervened in the fighting of the other four. When the bulls did not come to him he did not point out the fact to the crowd asking for their indulgence and sympathy, he went to the bulls, arrogant, dominating and disregarding danger. He gave emotion always and, finally, as he steadily improved his style, he was an artist. But all the last year he fought you could see he was going to die. He had galloping consumption and he expected to die before the year was out. In the meantime he was very occupied. He was gored badly twice but he paid no attention to it. I saw him fight on a Sunday with a five-inch wound in his armpit that he received on a Thursday. I saw the wound, saw it dressed before and after the fight and he paid no attention to it. It hurt as a torn wound made by a splintered horn hurts after two days but he paid no attention to the pain. He acted as though it were not there. He did not favor it or avoid lifting the arm; he ignored it. He was a long way beyond pain. I never saw a man to whom time seemed so short as it did to him that season.
The next time I saw him he had been gored in the neck in Barcelona. The wound was closed with eight stitches and he was fighting, his neck bandaged, the day after. His neck was stiff and he was furious. He was furious at the stiffness he could do nothing about and the fact that he had to wear a bandage that showed above his collar.
A young matador who must watch the observance of all etiquette, to command a respect he may not always inspire, never eats with his cuadrilla. He eats apart, thus keeping the gulf between master and servant that he ca
He had trouble with his wrists. They are the part of the body that are of most vital use to a good bullfighter. As the trigger finger of a rifleman is sensitive and educated to the tiniest degrees of squeezing to approach and release the discharge of his piece, so it is with his wrists that a bullfighter controls and makes the delicacy of art with the cape and muleta. All the sculpturing that he does with the muleta is done with the wrist and it is with the wrist that he sinks the banderillas, and with the wrist, stiff this time, the chamois-wrapped, lead-weighted pommel of the sword held in the palm of the hand, that he kills. Maera, killing one time, driving in as the bull charged and leaning hard, shoulder forward, after the sword, struck the point of the sword on one of the vertebrae, inside the opening between the shoulder blades. He was driving and the bull was driving and the sword buckled nearly double and then shot up into the air. As it buckled it dislocated his wrist. He picked the sword up in his left hand and carried it over to the barrera and with his left hand pulled out a new sword from the leather sheath his sword handler offered him.
"And the wrist?" the sword handler asked.
"F — k the wrist," Maera said.
He went toward the bull, squared him with two passes with the muleta, putting it in front of his damp muzzle and quickly withdrawing it as the bull's fore feet rose to follow it and then fell into the right position for killing, holding both the sword and muleta in his left hand, he lifted the sword to his right hand, profiled, and went in. Again he hit bone, insisted, and the sword buckled, shot into the air and fell. This time he didn't go for a new sword. He picked up the sword with his right hand and as he lifted it I could see the sweat on his face from the pain. He chopped the bull into position with the red cloth, profiled, sighted along the blade and went in. He went in as though he would drive through a stone wall, his weight, his height and all onto the sword and it hit bone, doubled, not so far this time because his wrist gave quicker, buckled, and fell. He lifted the sword with his right hand and the wrist would not hold it and it dropped. He lifted the wrist and banged it against his doubled left fist, then picked up the sword in his left hand, placed it in his right and as he held it you could see the sweat come down his face. The second matador tried to get him to go to the infirmary and he shook himself away and cursed them all.