The Best Horror of the Year – Volume One

My thoughts weren't adding up in any significant way. I was in a haze of drunk and sleepiness-not so far gone that I wouldn't be able to collect Sarah and leave soon, but dull enough that my lines of thought were short.

I stared for a while at the mountaintop. There were no houses, that I could see, higher than Richard's. If the man from the peak lived up there, he must have walked from the other side of the peak, and that looked to me like a hell of a walk.

I coughed, caught a coughing fit, felt a hand on my back.

"Prudence?" I managed, still bent over.

"No, not Prudence."

The voice was a voice I hadn't heard once that night, but I knew whose voice it was.

"Taking in the air?" the man from the peak asked.

I saw a laugh on his face; he was laughing at me.

"Smoke?" I asked. "Whisky?" I held out my drink and my cigarette.

He held up a hand-his fingers were long, his nails were long.

"You don't drink," I said.

He just gri

He said, "I'm an invited guest," and I remembered what I'd overheard earlier that night.

I said, "I watched you come down from the peak. Are there houses up there?"

He looked at the peak, followed its upward rise with his head until he'd found the very tip and said, "No, there are no houses."

I thought maybe he lived in a tent or a trailer home and was just having fun with me, making me ask my questions just so. Normally, when I think someone's doing that, some cute girl who thinks she's coy or some clever boy trying to impress, I walk away without so much as a fuck you and that puts them out, and then they beg me for my attention. Normally, that's what I'd do. But I said, "But do you live on the peak? In a tent? In a trailer? In a mobile home?" I gave that ugly man from the peak all the options I could because I was desperate to hear his answer. For some reason: I was desperate to know.

He said, "I live in the peak."

I didn't know what he meant by "in the peak," but I smiled-I felt that dumb smile spread on my face-I smiled and nodded as if "in the peak" made all the sense in the world.

I asked, "So what is it you're doing in the backyard?"

He gave me a straight answer. An awful answer. And for a moment I could see him exactly as he was; all of a sudden I could see him, see that his clothes-from pant cuff to shirt collar-were drenched in blood and gore. Blood dripped off his shirt sleeves, blood was pooled around his feet, there was blood on the top of his bald head and there was blood all around his mouth. The blood around his mouth was the most horrible, smeared around like finger-paint. Before I became hysterical, I couldn't see the blood anymore. He looked ugly, but his clothes were clean. His pant cuffs flapped in the breeze. His bright white shirt sleeves were rolled up just below his elbows.

I wondered, if he could do that, why he didn't make himself look handsome to me. I think he knew my thought, because he said, "Charisma. You know what I mean."

I laughed. He walked back into the house. I stood shaking my head, enjoying for a moment the great joke. Then a wave of nausea passed through me and I vomited-all spit and whisky-and my head was clear. I rushed into the house-for Sarah, I thought, where is Sarah? The guest room was empty. No one was at the bar. Richard was seated on the piano bench next to the man from the peak, and they were playing "Heart and Soul." The man from the peak playing the chords, Richard plinking out the simple tune with a single finger, laughing like an idiot.

I ran into Prudence out on the patio. She was drunk, but when she looked at me I knew she was still in control: I'd known from the moment she brushed past me at the front door that the big breasts and the flirty girl-voice were all for show, plumage that got Prudence what she wanted. I'd known that she was like me in that way, and admired her for it. So instead of just ignoring her for Sarah I stopped and told her that we were all in a lot of trouble.

"I'd sort of picked up on that," she said, pointing with her thumb toward the backyard. Her calm was wrong, a part of all that was wrong that night. She said, "I was just leaving. My car's blocked though. I was trying to find someone-"

"So go out to my car-it's silver, it's the last one in the driveway. Go out to my car and wait for me. I'm going to get Sarah."

She said, "Sarah? Fuck Sarah. What do you need Sarah for?" I sensed her control was limited, or ru

I tried not to understand too much of what I saw. Since there was no moonlight, no stars, I couldn't make out the exact details anyhow. But the yard was lined with bodies. Many stripped of their clothes, all flat on their back. The bodies, piled like sandbags, formed a wall along the edge of the woods. They were neatly stacked but for a few strays-I saw Michael's body, not five feet from where I stood.

And then I saw Sarah, on her feet, wandering in a daze. I became aware that "Heart and Soul" had stopped. I could hear Sarah's feet brush through the grass.

I couldn't speak-had no impulse to. I ran to Sarah, put my arm around her and guided her toward the side of the house, away from the patio door which was opening, away from Richard, who staggered out into the yard, singing, "Heart and Soul." He fell in love, he sang, "madly."

Prudence was not in the driveway, and I thought fine, if he has her, that'll buy me and Sarah some time, and I'm going to live, and Sarah, too. I pushed Sarah along the driveway, dragged her. I opened the car and put Sarah into the passenger seat, then started the car and backed up to turn around. In the headlights, the car still facing the wrong way, toward the house-I saw Prudence, on her back. Her body must have been just out of sight, just under the front bumper. She jerked, once. I couldn't help watching her breasts: a spray of freckles that vanished into her cleavage.

The mountain road was so rutted, I couldn't go fast, not without taking the chance of breaking an axle.

We were close. Very close to the bottom of the mountain when I heard the bang from the inside of the trunk. I jumped on the accelerator and I could feel a heavy weight shift. Sarah stared calmly ahead, as if we were on a day-trip. There was another bang, and the trunk burst open. I couldn't see anything out the rear-view mirror-just the silver trunk lid. I drove, swerving around boulders, bouncing in and out of pot holes, cursing each time the front end of the car ground into the dirt, until, incredibly, the man from the peak stared at me through the windshield. He clung to the hood on all fours, his arms and legs wide apart, face inches from the glass. He wasn't hiding himself: his teeth were bared and he was filthy with blood, dribbling blood onto the glass, foaming blood from his nostrils.

I felt, suddenly, quite serene. I brought the car to an easy stop. Sarah and I stepped out.

The man from the peak hid himself again. He hopped off the hood with a single, graceful flex of his legs. I heard stones crunch under his shoes as he walked up to Sarah. He looked at me while he put a hand on her right shoulder. And she relaxed completely-I wasn't sure what kept her from collapsing. He grabbed her hair and yanked, forcing her head to the side. She winked at me as if she were about to get a treat she'd been waiting for all day.

Did I make a move to stop him? No. His eyes locked onto mine. And any desire for survival I'd had, any wish for Sarah to live, just slipped away-was leeched from my thoughts. I reached into my breast pocket, slowly removed my cigarette pack, took a cigarette, tamped it against the box, lit it and smoked. I stood, smoked, watched as he tore a chunk of flesh from Sarah's throat with those stupid buck teeth of his and opened his mouth to the jet of blood that burst from her artery. I watched him and he watched me and was he gri