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Collections

The Bleeding Horse and Other Ghost Stories by Brian J. Showers (Mercier Fiction) is an attractive-looking little hardcover of seven original stories, adapted by the author from the regional tales of Dublin and its environs. Some of the stories are very creepy, and the book has a gorgeous dust jacket by Scott Hampton and lovingly rendered black and white interior illustrations by Duane Spurlock.

Mr. Gaunt and Other Uneasy Encounters by John Langan (Prime) debut showcases only five stories, all novelettes or novellas, with one new novella. Langan's work is influenced by his work in academia and his interest in the literature of both Henry James and M. R. James. I'm especially fond of Langan's novella "Mr. Gaunt," but all his stories are worth reading. His fine story notes are illuminating to readers who want to know "where did you get that idea."

Other Voices by Andrew Humphrey (Elastic Press) is the second collection by this talented writer. This one, introduced by Eric Brown, contains twelve stories, all but one reprints from such venues as The Third Alternative, Crimewave, Midnight Street, and Bare Bone, and at least half of them received honorable mentions in the Year's Best Fantasy and Horror series.

A Thread of Truth by Nina Allen (Eibonvale Press) is an impressive first collection by a writer whose stories I've admired in the magazines Supernatural Tales and Dark Horizons, and in the anthology Strange Tales. Its eight stories are a combination of dark fantasy and dread, mystery, and the occasional barely fantastical. Six appear for the first time in the collection, which came out mid-2007. (first seen in 2008)

Hell Is Murky by John Alfred Taylor (Ash-Tree Press) is a very pleasurable first collection of twenty strange tales published between 1978 and 2007 in venues as varied as The Twilight Zone Magazine, All Hallows, Space and Time, and Asimov's Science Fiction Magazine. Four of the stories are original to the collection.

Rope Trick: Thirteen Strange Tales by Mark P. Henderson (Ash-Tree Press) is the author's first published fiction book. The best of the stories are subtle, mysterious, and well-told ghost and haunted house tales, a few lead the reader into a tantalizing maze that unfortunately trails off. All but three of the stories included are previously unpublished.

Coffin Nails by John Llewellyn Probert (Ash-Tree Press) has several new stories among the eighteen in the book. Probert is excellent at creating tension but for me, some of the endings falter, which is a shame. The author provides an entertaining introduction to the volume and afterwords for each story, explaining its genesis.

Scattered Ashes by Scott Nicholson (Dark Regions Press) collects the best of the author's short stories published between 1998 and 2008, with three originals. Nicholson writes in a variety of tones and voices and this is a good introduction to his short work. One reprint appeared in The Year's Best Fantasy and Horror: Twentieth A

Glyphotech and Other Macabre Processes by Mark Samuels (PS Showcase 4) has eleven stories, and is the author's third collection. It contains some of Samuels's more recent stories, including one I originally published in Inferno and one reprinted in YBFH #19. Two stories appear for the first time. With an introduction by Ramsey Campbell. The striking jacket art is by Jason Van Hollander.

Ghost Realm by Paul Finch (Ash-Tree Press) showcases nine new stories and novellas featuring hauntings from around Great Britain. These stories have something in common with most of Finch's stories: rough, thoroughly unlikable men who are prone to violence (the women are usually victims of their mates' stupidity/insensitivity). Singly, the stories are often very effective, but all together, in a collection, the oppressiveness can be overwhelming.

Worse Than Myself by Adam Golaski (Raw Dog Screaming) is the first collection by someone who up to now, has been better known for his editorship of New Genre Magazine than his short fiction, but this collection of literary supernatural fiction should change that. The reprints were originally published in Supernatural Tales and All Hallows, and in original anthologies from Ash-Tree Press and Tartarus Press. Six of the eleven stories appear for the first time and although a few founder, most are very good. This trade paperback is the perfect opportunity to check out Golaski's work. "The Man from the Peak" is reprinted herein.

The Autopsy and Other Tales by Michael Shea (Centipede Press) is a gorgeous, over-sized, illustrated volume of twenty-one of the author's best stories and novellas, including some of my favorites: the creepy Lovecraftian Fat Face and the novella I, Said the Fly. The book reprints all eight stories from Polyphemus, published by Arkham House in 1988. Laird Barron has written an introduction to Shea's work. Also included is one story published for the first time.

The Ghosts of Kerfol by Deborah Noyes (Candlewick Press) is a tour de force by a writer best-known as the editor of two excellent young adult horror anthologies: The Restless Dead and Gothic! Retelling the Edith Wharton ghost story "Kerfol," about the murder of a French aristocrat in the seventeenth century from the point of view of a servant girl, Noyes then adds four new ghost tales, all of which take place in the unlucky house over the next four centuries.





Just After Sunset by Stephen King (Scribner) is this prolific author's first collection since 2002 and has thirteen stories published between 1977 and 2008, with "N," a very good novelette, appearing for the first time. With an introduction and story notes by the author.

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How to Make Monsters by Gary McMahon (Morrigan Books) has fourteen stories about monsters, most human or produced from human fear or anger. Half of the stories appear for the first time.

Slivers of Bone by Ray Garton (Cemetery Dance) is the long-delayed hefty collection of thirteen stories (including two new novellas) by the author best known for his novel about vampire truck-stop hookers, Live Girls.

Halloween and Other Seasons by Al Sarrantonio (Cemetery Dance Publications) is the author's third collection and contains eighteen stories published between 1979 and 2007.

H. P. Lovecraft: the Fiction (Barnes & Noble), part of the B &N Library of essential writers, is a huge volume collecting all his stories in one volume for the first time. It has sixty-eight stories,.

The Strange Cases of Rudolph Pearson by William Jones (Chaosium) is a clever and entertaining collection of ten interrelated stories of Lovecraftian fiction with the framing device of a manuscript of "cases" left by a professor of Medieval studies at Columbia University. Four of the "cases" were previously published.

Haggopian and Other Stories: Best Mythos Tales, Volume 2 by Brian Lumley (Subterranean) collects twenty-four more of the author's Lovecraftian stories.

The Horror Stories of Robert E. Howard (Del Rey) has sixty-one stories, poems, and story fragments. Introduction by Rusty Burke and illustrations by Greg Staples.

Brimstone Turnpike edited by Kealan Patrick Burke (Cemetery Dance) features five novellas by Thomas F. Monteleone, Scott Nicholson, Mike Oliveri, Harry Sha

Shadows and Other Tales by Tony Richards (Dark Regions Press) is the British author's first U.S. collection and covers the globe with the twenty-one horror stories, two published for the first time. Passport to Purgatory also by Tony Richards (Gray Friar Press) occasionally overlaps with Shadows and Other Tales but most of the fifteen reprints cover different territory.