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Raton falls down on his knees, with his hands still on his throat. His snake eye and his brown eye look up at the man, and Silencio feels they look from different distances, seeing different things.
Then Raton makes a small, soft sound in his throat and falls over backward, still on his knees, so that he lies on his back with his knees spread wide and his legs twisted back, and Silencio watches Raton's gray pants go dark between his legs.
Silencio looks at the man. Who is looking at him.
Silencio looks at the black knife, how it rests in the man's hand. He feels that the knife holds the man. That the knife may decide to move.
Then the man moves the knife. Its point is almost square, like the real point has been snapped off. It only moves a little. Silencio understands this means he must move.
He steps sideways, so the man can see him.
The point moves again. Silencio understands.
Closer.
7. SHAREHOUSE
LEAVE a house empty in Malibu, Tessa told Chevette, and you get the kind of people come down from the hills and barbecue dogs in your fireplace.
Hard to get rid of, those kind of people, and locks wouldn't keep them out. That was why the people who used to live here, before the Spill, were willing to rent them out to students.
Tessa was Australian, a media sciences student at USC and the reason Chevette was out here now, couching it.
Well, that and the fact that she, Chevette, didn't have a job or any money, now she'd split with Carson.
Tessa said Carson was a piece of work.
And look where it had all gotten her, Chevette thought, pumping her way up the trainer's illusion of a Swiss mountain road and trying to ignore the reek of moldy laundry from the other side of the drywall partition. Someone had left a wet load in the machine, probably last Tuesday, before the fire, and now it was rotting in there.
Which was too bad, because that made it hard to get into riding the trainer. You could configure it for a dozen different bikes, and as many terrains, and Chevette liked this one, an old-fashioned steel-frame ten-speed you could take up this mountain road, wildflowers blurring in your peripheral vision. Her other favorite was a balloon-tired cruiser you rode along a beach, which was good for Malibu because you couldn't ride along the beach, not unless you wanted to climb over rusty razor wire and ignore the biohazard warnings every hundred feet.
But that gym-sock mildew reek kept catching in the back of her sinuses, nothing alpine meadow about it at all, telling her she was broke and out of work and staying in a sharehouse in Malibu.
The house was right on the beach, with the wire about thirty feet out from the deck. Nobody knew exactly what it was that had spilled, because the government wasn't telling. Something off a freighter, some people said, and some said it was a bulklifter that had come down in a storm. The government was using nanobots to clean it up though; everybody agreed on that, and that was why they said you shouldn't walk out there.
Chevette had found the trainer her second day here, and she'd ride two or three times a day or, like now, late at night. Nobody else seemed to be interested in it or ever to come into this little room off the garage, next to the laundry room, and that was fine with her. Living on the bridge, she'd been used to people being around, but everybody had always had something to do up there. The sharehouse was full of USC media sciences students, and they got on her nerves. They sat around accessing media all day and talking about it, and nothing ever seemed to get done.
She felt sweat run between the headband of the interface visor and her forehead, then down the side of her nose. She was getting a good bum on now; she could feel groups of muscles working in her back, ones that didn't usually get it.
The trainer did a better job on the bike's chartreuse lacquer than on the shift levers, she noticed. They were sort of cartoony, with road surface blurring past beneath them in generic texture map. The clouds would be generic too, if she looked up; just basic fractal stuff.
She was definitely not too happy with being here, or with her life in general at this point. She'd been talking with Tessa about that after di
Tessa wanted to make this documentary. Chevette knew what a documentary was because Carson had worked for a cha
Tessa wanted to take her back up to San Francisco, but Chevette had mixed feelings. The documentary Tessa wanted to make was about interstitial communities, and Tessa said Chevette had lived in one, because Chevette had lived on the bridge. Interstitial meant in between things, and Chevette figured that that made a kind of sense, anyway.
And she did miss it up there, miss the people, but she didn't like thinking about it. Because of how things had gone since she'd come down here, and because she hadn't kept in touch.
Just pump, she told herself, cresting the illusion of a rise. Shift again. Pump harder. The road surface started to look glassy in places, because she was overtaking the simulator's refresh rate.
'Zoom in. Tessa's voice, in miniature.
'Shit, Chevette said. Flipping up the visor.
The camera platform, like a helium-filled cushion of silver Mylar, at eye level in the open doorway. Kid's toy with little caged propellers, controlled from Tessa's bedroom. Ring of light reflected in the lens housing as it extruded, zooming.
The propellers blurred to gray, brought it forward through the door, stopped; blurred to gray again, reversing. Rocked there, till it steadied on the ballast of the underslung camera. God's Little Toy, Tessa called her silver balloon. Disembodied eye. She sent it on slow cruises through the house, mining for image fragments. Everyone who lived here was constantly taping everyone else, except lain, and lain wore a motion-capture suit, even slept in it, and was recording every move he ever made.
The trainer, performance machine that it was, sensed Chevette's loss of focus and sighed, slowing, complex hydraulics begi
'Sorry. Tessa's voice from the tiny speaker. But Chevette knew she wasn't.
'Me too, Chevette said, as the pedals made a final arc, locking for dismount. She swung the bars up and stepped down, batting at the platform, spoiling Tessa's shot.
'Une petite problemette. Concerns you, I think.
'What?
'Come into the kitchen and I'll show you. Tessa reversed one set of props, turning the platform on its axis. Then two forward and it sailed back through the doorway, into the garage. Chevette followed it, pulling a towel from a nail driven into the doorjamb. Closing the door behind her. Should've had it closed when she was riding, but she'd forgotten. God's Little Toy couldn't open doors.
The towel needed washing. A little stiff but it didn't smell bad. She used it to wipe sweat from her pits and chest. She overtook the balloon, ducked under it, entered the kitchen.
Sensed roaches scurrying for cover. Every flat surface, except the floor, was solid with unwashed dishes, empties, pieces of recording equipment. They'd had a party, the day before the fire, and nobody had cleaned up yet.
No light here now but a couple of telltales and the methodical flicker as the security system flipped from one external night-vision camera to the next. 4:32 A.M. showing in the corner of the screen. They kept maybe half the security shut down because people were in and out all day, and there was always someone there.