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On the walls are large coloured caricatures of Basil Hay drawn by himself at Eton, an early nineteenth-century engraving of Lord Basingstoke’s home; two unfinished drawings by Ernest Vaughan of the Rape of the Sabines and a wool picture of two dogs and a cat.
Lord Basingstoke, contrary to all expectation, is neither drinking, gaming, nor struggling with his riding boots; he is engaged on writing a Collections Paper for his tutor.
Lord Basingstoke’s paper in a pleasant, childish handwriting.
“BRADLAUGH v. GOSSETT. THIS FAMOUS TEST CASE FINALLY ESTABLISHED THE DECISION THAT MARSHAL LAW IS UNKNOWN IN ENGLAND.”
He crosses out “marshal” and puts “martial”; then sits biting his pen sadly.
“Adam, how lovely; I had no idea you were in Oxford.”
They talk for a little while.
“RICHARD, CAN YOU DINE WITH ME TONIGHT. YOU MUST. I’M HAVING A FAREWELL BLIND.” Richard looks sadly at his Collections Paper and shakes his head.
“My dear, I simply can’t. I’ve got to get this finished by tonight. I’m probably going to be sent down as it is.”
Adam returns to his taxi.
MR. SAYLE’S ROOMS IN MERTON.
Flowers, Medici prints and Nonesuch Press editions. Mr. Sayle is playing “L’Après midi d’un Faun” on the gramophone to an American aunt. He ca
MR. HENRY QUEST’S ROOMS IN
THE UGLIER PART OF MAGDALEN.
The furniture provided by the College has been little changed except for the addition of some rather repulsive cushions. There are photographs of Imogen, Lady Rosemary and Mr. Macassor’s son wi
Adam enters and invites him to di
“I’M SORRY, ADAM, THERE’S A MEETING OF THE CHATHAM HERE TONIGHT. I SHOULD HAVE LOVED TO, OTHERWISE. Stay and have a cigarette, won’t you? Do you know Mr. Trehearne and Mr. Bickerton-Gibbs?”
Adam ca
Henry Quest excuses his intrusion to Messrs. Trehearne and Bickerton-Gibbs.
MR. EGERTON-VERSCHOYLE’S ROOMS
IN PECKWATER.
Mr. Egerton-Verschoyle has been entertaining to luncheon. Adam stirs him with his foot; he turns over and says:
“There’s another in the cupboard—corkscrew’s behind the thing, you know…” and trails off into incoherence.
MR. FURNESS’S ROOMS
IN THE NEXT STAIRCASE.
They are empty and dark. Mr. Furness has been sent down.
MR. SWITHIN LANG’S ROOMS
IN BEAUMONT STREET.
Furnished in white and green. Water colours by Mr. Lang of Wembley, Mentone and Thatch. Some valuable china and a large number of magazines. A coloured and ornamented decanter of Cointreau on the chimneypiece and some gold-beaded glasses. The remains of a tea party are scattered about the room, and the air is heavy with cigarette smoke.
Swithin, all in grey, is reading the Tatler.
Enter Adam; effusive greetings.
“Adam, do look at this photograph of Sybil Anderson. Isn’t it too fu
Adam has seen it.
They sit and talk for some time.
“Swithin, you must come and dine with me tonight—please.”
“Adam, I can’t. Gabriel’s giving a party in Balliol. Won’t you be there? Oh no, of course, you don’t know him, do you? He came up last term—such a dear, and so rich. I’m giving some people di
Adam shakes his head. “I’m afraid I shan’t be here,” and goes out.
AN HOUR LATER.
Still alone, Adam is walking down the High Street. It has stopped raining and the lights shine on the wet road. His hand in his pocket fingers the bottle of poison.
There appears again the vision of the African village and the lamenting wives.
St. Mary’s clock strikes seven.
Suddenly Adam’s step quickens as he is struck by an idea.
MR. ERNEST VAUGHAN’S ROOMS.
They stand in the front quadrangle of one of the uglier and less renowned colleges midway between the lavatories and the chapel. The window blind has become stuck halfway up the window so that by day they are shrouded in a twilight as though of the Nether world, and by night Ernest’s light blazes across the quad, revealing interiors of unsurpassed debauchery. Swithin once said that, like Ernest, Ernest’s rooms were a pillar of cloud by day and a pillar of fire by night. The walls are devoid of pictures except for a half-finished drawing of Sir Beelzebub calling for his rum, which, pi
“Who is this Bach? I have not so much as heard of the man. E. V.” runs across the bedroom door in an unsteady band of red chalk, “UT EXULTAT IN COITU ELEPHAS, SIC RICARDUS,” surmounting an able drawing of the benign Basingstoke.
A large composition of the Birth of Queen Victoria can be traced over the fireplace. There are broken bottles and dirty glasses and uncorrected galley proofs on the table; on the corner of the chimneypiece a beautiful decanter, the broken stopper of which has been replaced by a cork. Ernest is sitting in the broken wicker chair mending the feathers of some darts with unexpected dexterity. He is a short, sturdy young man, with fierce little eyes and a well-formed forehead. His tweeds, stained with drink and paint, have once been well-made, and still preserve a certain distinction. Women undergraduates, on the rare occasions of his appearance at lectures, not infrequently fall in love with him.
“Bolshevist.” It is a reasonable mistake, but a mistake. Until his expulsion for overdue subscriptions, Ernest was a prominent member of the Ca
Adam goes through the gateway into Ernest’s College where two or three youths are standing about staring vacantly at the notice-boards. As Adam goes by, they turn round and scowl at him.
“Another of Vaughan’s friends.”
Their eyes follow him across the quad, to Ernest’s rooms.
Ernest is somewhat surprised at Adam’s visit, who, indeed, has never shown any very warm affection for him. However, he pours out whisky.
HALF AN HOUR LATER.
It has begun to rain again. Di
“IT’S NO GOOD TAKING ME TO ANY CLUB, DOURE, I’VE BEEN BLACK-BALLED FOR THE LOT.”
“I should imagine that would have happened—even in Oxford.”
AN HOUR LATER. AT THE CROWN.
Adam and Ernest are just finishing di
The dining room at the Crown bears little resemblance to Adam’s epicurean dream. The walls, pathetically frescoed with views of Oxford, resound with the clattering of dirty plates. Swithin’s di