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He put the katana in first, making sure its cutting edge was facing away. He followed it, folding his knees against his chest and sliding the door closed. He waited, listening, Kel-Tec ready.
Hideo had noticed that the security shutter was unlocked, so he instructed Goro to raise it. The lights were on within. He pushed on the door and it swung open.
"Mister O'Day?" he called again. "Are you in there?"
No answer.
Kenji slipped past him and entered the store. He took two steps and stopped. He glanced back with a surprised and concerned expression, then hurried forward. The two other yakuza followed. Hideo hesitantly brought up the rear, sensing that something bad waited ahead.
He was right. One quick look at Mr. O'Day, a flash of the hilt of a dagger distorting his mouth and the bloody point of its wavy blade jutting from the back of his neck, was all he could take. He turned away and struggled to hold down his breakfast of natto, nori, and miso soup.
He succeeded, then managed to say, "The katana—does anyone see the katana?"
As they began looking, Hideo noticed people passing on the street. No one glanced in, but sooner or later someone would.
"Hurry!"
Goro and Ryo rolled the body away from the rear door. Kenji stepped through and turned on the lights.
"Takita-san! Come see!"
Hideo gingerly stepped over the corpse and peeked in the room. He gasped at the dozens of gleaming blades racked on the walls. He knew little about katana, but sensed this was a magnificent collection.
Unfortunately each blade appeared to be in perfect condition. And there on the floor lay the rug he had seen O'Day carrying from Gerrish's apartment building—empty.
He glanced again at the front of the store. Madison Avenue was becoming busier and busier. Only a matter of time before someone stopped in for a look.
The katana was not here. O'Day had killed Gerrish to get it, and now someone had killed O'Day. This blade was leaving a trail of corpses in its blood-soaked wake. How was he going to find this latest killer?
Wait. Hadn't he seen a security camera on one of the walls? He stepped back in to the front area and yes—a camera mounted near the ceiling. A chair sat conveniently in place below it. He climbed upon it to get an idea of where the wire might go. He tugged on it and—
It came free.
Only a gentle tug to pop it out of the wall. Hideo found himself looking at the clean-cut end of a coaxial cable, devoid of any co
No! A prop!
In a fit of rage he tore the fake cam from the wall and hurled it across the store, spewing curses as it flew.
Hideo hated O'Day then. He deserved to be dead. He had left Hideo with no record of what had transpired here.
He jumped to the floor and hurried to the front door where he sca
Then he turned to Goro. "Turn out the lights inside and lower the shutter." To Kenji: "Call the car."
As he waited he reviewed his options but saw no way to rescue this. He must find one. Must. His own honor as well as Yoshio's depended on it. He could not return to Tokyo and report failure to Sasaki-san.
Hearing the security shutter clang shut and the store go silent, Jack eased open the sliding door and unfolded himself from the cabinet. Good thing he wasn't claustrophobic.
He reholstered his Kel-Tec and fitted the pieces of the Glock into his pockets. Even though it was ruined, he couldn't very well leave it behind. He looked around to see what had caused the crash and the cursing. In the dim light seeping around the edges of the shutter he noticed the security cam lying smashed on the floor. When he stepped closer and saw the deadend cable, he understood.
O'Day… scamming to the end… everybody, including Jack.
Okay. Alive and in possession of the katana. All he had left to do was get out of here and return the sword to its rightful owner. No, wait—that would be the museum in Hiroshima. Then again, the rightful owner would be the family of the man who had owned it last—probably vaporized in the A-bomb blast.
A torturous provenance. He'd go with the Hirohito he knew.
He began a search for something to wrap around the sword. In the back room he found a dusty throw rug that did the trick. But first he used it to wipe the kris's handle, and anything else he had touched.
He slipped up to the front door and peeked through a quarter-inch gap between the wall and the shutter track just in time to see the boss man and his three yakuza pals getting into a black Lincoln Town Car.
Jack waited until it had moved off, then adjusted his cap and shades for maximum coverage before lifting the shutter just enough to allow him through. He straightened and let it drop again. A quick look around showed nobody particularly interested in him. It also showed the Lincoln waiting to make a left onto 29th Street.
He stood watching it, wondering who the hell they were.
The light changed and the car started to turn, but stopped halfway. For a second Jack thought one of them had spotted him, then realized it had stopped because it couldn't go any farther. Twenty-ninth was backed up.
As he watched it inch around the corner, he realized a pedestrian could run circles around them. Hell, an arthritic snail could leave them in the dust.
If traffic stayed jammed, maybe… just maybe he could follow them to whatever they were calling home.
He gave them a lead of half a block or better, then followed. Cautiously. They were crossing the lower end of Murray Hill and he didn't see many places to hide. Whenever the car stopped—and that was often—he did the same and found a doorway or used an unloading van as a screen.
When they finally reached Fifth Avenue, Jack saw the problem: mini gridlock. On the far side of Fifth, the street opened up, but the avenue itself was backed up. Could be an accident, or construction, or simply the daily perversities and vicissitudes of Manhattan traffic. Didn't matter. Once their car crossed Fifth, they'd be gone.
But wonder of wonders, the left-turn blinker came on. Hope sparked. This might work out after all.
Staying out of sight on Fifth was easy—more lanes of traffic, more pedestrians. The Town Car stayed in the center fire lane as it made its downtown crawl, which told Jack that it wasn't intending to turn for a while.
After more than twenty slow blocks, they came to Washington Square Park. The car seemed aimed to pass through the famous arch when it flowed right onto Waverly Place. The car stopped before a massive, granite-fronted townhouse where the four got out and hurried up the front steps through a columned portico. They entered as if they owned the place.
He had a feeling they didn't, but maybe their employer did. He wondered who that might be. Some sort of Japanese crime organization? How else to explain the yakuza? Seemed that someone in that deep-pocketed organization—had to have elbow-deep pockets to afford a place like the one on Waverly—was a katana collector as well, and had somehow learned that Gerrish had stolen the Gaijin Masamune.
Jack was sure Abe could learn who owned it. He'd ask him to find out.
Just for curiosity's sake.
Because Jack had no intention of seeing any of that crew again. He'd contact Naka Slater ASAP, hand over the sword, collect his fee, and then it would be arigato, sayonara, and good riddance to the cursed thing.