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“I want you, Susie,” he said.
“Please,” I said. “Don’t,” I said. Sometimes I combined them. “Please don’t” or “Don’t please.” It was like insisting that a key works when it doesn’t or yelling “I’ve got it, I’ve got it, I’ve got it” as a softball goes sailing over you into the stands.
“Please don’t.”
But he grew tired of hearing me plead. He reached into the pocket of my parka and balled up the hat my mother had made me, smashing it into my mouth. The only sound I made after that was the weak tinkling of bells.
As he kissed his wet lips down my face and neck and then began to shove his hands up under my shirt, I wept. I began to leave my body; I began to inhabit the air and the silence. I wept and struggled so I would not feel. He ripped open my pants, not having found the invisible zipper my mother had artfully sewn into their side.
“Big white panties,” he said.
I felt huge and bloated. I felt like a sea in which he stood and pissed and shat. I felt the corners of my body were turning in on themselves and out, like in cat’s cradle, which I played with Lindsey just to make her happy. He started working himself over me.
“Susie! Susie!” I heard my mother calling. “Di
He was inside me. He was grunting.
“We’re having string beans and lamb.”
I was the mortar, he was the pestle.
“Your brother has a new finger painting, and I made apple crumb cake.”
Mr. Harvey made me lie still underneath him and listen to the beating of his heart and the beating of mine. How mine skipped like a rabbit, and how his thudded, a hammer against cloth. We lay there with our bodies touching, and, as I shook, a powerful knowledge took hold. He had done this thing to me and I had lived. That was all. I was still breathing. I heard his heart. I smelled his breath. The dark earth surrounding us smelled like what it was, moist dirt where worms and animals lived their daily lives. I could have yelled for hours.
I knew he was going to kill me. I did not realize then that I was an animal already dying.
“Why don’t you get up?” Mr. Harvey said as he rolled to the side and then crouched over me.
His voice was gentle, encouraging, a lover’s voice on a late morning. A suggestion, not a command.
I could not move. I could not get up.
When I would not – was it only that, only that I would not follow his suggestion? – he leaned to the side and felt, over his head, across the ledge where his razor and shaving cream sat. He brought back a knife. Unsheathed, it smiled at me, curving up in a grin.
He took the hat from my mouth.
“Tell me you love me,” he said.
Gently, I did.
The end came anyway.
Two
When I first entered heaven I thought everyone saw what I saw. That in everyone’s heaven there were soccer goalposts in the distance and lumbering women throwing shot put and javelin. That all the buildings were like suburban northeast high schools built in the 1960s. Large, squat buildings spread out on dismally landscaped sandy lots, with overhangs and open spaces to make them feel modern. My favorite part was how the colored blocks were turquoise and orange, just like the blocks in Fairfax High. Sometimes, on Earth, I had made my father drive me by Fairfax High so I could imagine myself there.
Following the seventh, eighth, and ninth grades of middle school, high school would have been a fresh start. When I got to Fairfax High I would insist on being called Suza
These were my dreams on Earth.
After a few days in heaven, I realized that the javelin-throwers and the shot-putters and the boys who played basketball on the cracked blacktop were all in their own version of heaven. Theirs just fit with mine – didn’t duplicate it precisely, but had a lot of the same things going on inside.
I met Holly, who became my roommate, on the third day. She was sitting on the swing set. (I didn’t question that a high school had swing sets: that’s what made it heaven. And no flat-benched swings – only bucket seats made out of hard black rubber that cradled you and that you could bounce in a bit before swinging.) Holly sat reading a book in a weird alphabet that I associated with the pork-fried rice my father brought home from Hop Fat Kitchen, a place Buckley loved the name of, loved so much he yelled “Hop Fat!” at the top of his lungs. Now I know Vietnamese, and I know that Vietnamese is not what Herman Jade, who owned Hop Fat, was, and that Herman Jade was not Herman Jade’s real name but one he adopted when he came to the U.S. from China. Holly taught me all this.
“Hi,” I said. “My name is Susie.”
Later she would tell me she picked her name from a movie, Breakfast at Tiffany’s. But that day it rolled right off her tongue.
“I’m Holly,” she said. Because she wanted no trace of an accent in her heaven, she had none.
I stared at her black hair. It was shiny like the promises in magazines. “How long have you been here?” I asked.
“Three days.”
“Me too.”
I sat down on the swing next to her and twisted my body around and around to tie up the chains. Then I let go and spun until I stopped.
“Do you like it here?” she asked.
“No.”
“Me either.”
So it began.
We had been given, in our heavens, our simplest dreams. There were no teachers in the school. We never had to go inside except for art class for me and jazz band for Holly. The boys did not pinch our backsides or tell us we smelled; our textbooks were Seventeen and Glamour and Vogue.
And our heavens expanded as our relationship grew. We wanted many of the same things.
Fra
In Fra
Fra
I looked into her small blue eyes surrounded by laugh lines and told her the truth. “We’re bored.”
Holly was busy trying to reach her tongue out far enough to see if it had turned green.
“What do you want?” Fra
“I don’t know,” I said.
“All you have to do is desire it, and if you desire it enough and understand why – really know – it will come.”
It seemed so simple and it was. That’s how Holly and I got our duplex.