L.A. Requiem

"Oh, no. My husband and I live right here by the stairs. Karen lives right above us. When she didn't come back for the machaca, I was so worried. Her father loves my machaca. She always brings him a bowl. I just been up there again, and she still isn't back."

I glanced at Joe. "You see Karen much, Mrs. Acuna? You two chat about things?"

"Oh, yes. She's such a sweet girl. I've known her family since before she was born."

"She say anything to you about maybe getting back together with her ex-husband?"

Pike glanced over.

"No. Oh, no, she doesn't say anything like that. She calls him' the creep.' He's still back in that place." That place. New York.

Still looking at Pike, I shook my head. Pike turned to the window.

"What about other boyfriends?"

"She sees young men. Not a lot, you know, but she's very pretty."

"Okay. Thanks, Mrs. Acuna. I'll probably drop around later on. If Karen happens to come home, would you ask her to phone her father? "

"I'll call him myself."

I ended the call, then looked over at Pike. "You know she's probably with her friends. Probably went to Vegas, or maybe spent all night swing dancing and she's crashing at some guy's."

"Could be. But Frank's worried, and he needs someone to help carry the load."

"You really were close with these people."

Pike went back to staring out the window. Getting him to talk is like pulling your own teeth with pliers.

The information operator told me that there were two Jungle Juice outlets, the original in West Hollywood on Melrose, the second on Barham in Universal City. West Hollywood was closer, so we went there first. Detective work de

The first Jungle Juice was ma

The Santa Anas continued to pick up as we drove north to the second Jungle Juice. Palm trees, tall and vulnerable like the necks of giant dinosaurs, took the worst of it. The wind stripped the dead fronds that bunched beneath the crowns and tossed them into streets and yards and onto cars.

It was a few minutes before noon when we reached the second Jungle Juice, just south of Universal Studios. It was set in a narrow strip mall that ran along Barham at the base of the mountains, and was crowded with Sunday shoppers and tourists trying to find the Universal City Walk, even with the wind.

Pike and I stood in line until we reached the counter and showed them the picture of Karen. The girl behind the register, all of eighteen with a clean bright smile and chocolate tan, recognized Karen at once. "Oh, sure, she comes in all the time. She always gets a smoothie after her run."

Pike said, "Was she in yesterday?"

The girl didn't know, and called over a tall African-American kid named Ro

"Did she come in yesterday?"

Now Ro

"I just want to know if she came in yesterday."

The squint turned into a frown, went to Pike, then grew suspicious. "What is this?"

I showed him the license. He squinted at that, too.

"Your name really Elvis?"

Pike stepped past me until his hips pressed against the counter. Ro

Ro

"You know where she runs?"

"Sure. She parks down here and runs up the hill there to the reservoir." He gestured across Barham to the hill. Lake Hollywood Drive meandered up through a residential area to the reservoir.

The girl said, "I'm pretty sure I saw her drive past yesterday. Well, it was a little red car. I didn't see her or anything. Just the car."

Ro

We thanked them, then went out to the parking lot.

I said, "Well, that's something. She shows up for the run, but she doesn't go in for the smoothie, which is her habit."

Pike walked to the street, then looked back at the parking lot. It was small, and empty of red Mazdas.

He said, "She runs, but maybe she remembers something and doesn't have time to get the smoothie, or she meets someone and they decide to do something else."

"Yeah. Like go to his place for a different kind of smoothie."

Pike looked at me.

"Sorry."

He stared up the hill. "You're probably right. If she runs to the reservoir, she probably follows Lake Hollywood up. Let's drive it."

We followed Lake Hollywood Drive past upscale houses that were built in the thirties and forties, then remodeled heavily in the seventies and eighties into everything from homey ranch-styles to contemporary aeries to postmodern nightmares. Like most older Los Angeles neighborhoods (until the land boom went bust), the homes held the energy of change, as if what was here today might evolve into something else tomorrow. Often, that something else was worse, but just as often it was better. There is great audacity in the willingness to change, more than a little optimism, and a serious dose of courage. It was the courage that I admired most, even though the results often made me cringe. After all, the people who come to Los Angeles are looking for change. Everyone else just stays home.

The road switchbacked up the hillside, meandering past houses and mature oaks that shuddered and swayed with the wind. The streets were littered with leaves and branches and old Gelson's Market bags. We crested the ridge, then drove down to the reservoir. It was choppy and muddy from the.wind. We saw no red Mazdas, and no one who looked like Karen Garcia, but we didn't expect to. The hill was there, so you climbed it, and so far I wasn't too worried about things. Karen was probably just waking up at wherever she'd spent the night, and pretty soon she'd go home or collect her messages, and call her father to calm down the old man. The burden of being an only child.

We were halfway down the mountain and thinking about what to do next when a homeless guy with a backpack and bedroll strolled out of a side street and started down the mountain. He was in his mid-thirties, and burned dark by the sun.

I said, "Pull over."

When Pike slowed, the man stopped and considered us. His eyes were red, and you could smell the body odor even with the wind. He said, "I am a master carpenter looking for work, but no job is too small. I will work for cash, or books." He managed a little pride when he said it, but he probably wasn't a master carpenter and he probably wasn't looking for work.

Pike held out Karen's photograph. "Have you seen this woman?"

"No. I am sorry." Every word like that. Without contractions.

"She jogged through the neighborhood yesterday morning. Blue top. Gray shorts."

He leaned forward and examined the picture more closely. "Black ponytail."

Pike said, "Could be."

"She was ru