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Matt nodded.
The Si
Matt slid inside him, came left hard, hit him just beyond the rear quarter panel, and he felt the traction going as the car floated left. Before he could stop himself, he overcorrected, and the car launched at 140 miles per.
Where you go
You’re not going to run anywhere. There was no place to run.
He was floating, his tires lost contact with the surface of the earth, the moon was bleeding, the sea was boiling, the car was rolling, all on this day.
ACKNOWLEDGMENTS
This one began the second I saw the Speedway at night, loaded with fans, frenzy, and happiness. I thought: What they need is a good gunfight! I recommend a trip to Bristol whether it’s a racing weekend or not, for that view of the hugeness of the structure in the gree
The confluence of daughter and setting suggested a plot, though it took a while to get it all straightened out. In the early going, the story was going to revolve around an attempt to fix a race and would have required penetrating NASCAR culture to a far greater extent. Ten minutes into a race convinced me that “fixing” was impossible, so I diverted to something more gun-centric and fireworks-intensive. Had a hell of a good time doing it, too.
Thanks to the usual suspects and some newcomers as well. Thanks to Amy for inspiring it, thanks to NASCAR for being so much fun to write about, thanks to the millions who attend NASCAR events, for their good humor, enthusiasm, charisma, and consumption of beer in epic quantities. Thanks to Gary Goldberg, who became a sort of majordomo of the book, and figured out, among so many things, how much $8 million in small bills would weigh. Thanks to John Bainbridge for proofreading, to Le
Thanks to Kimber, DPMS, and Black Hills for inspiring all the hardware. Thanks to Dodge for the Charger, a piece of work and a half. Most of all, thanks to you for entertaining my efforts.
ABOUT THE AUTHOR
STEPHEN HUNTER is the author of thirteen novels. He is the chief film critic of the Washington Post and won the 2003 Pulitzer Prize for Criticism. He is also the author of one nonfiction book and two collections of film criticism. He lives in Baltimore, Maryland.