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"You have all the information my clients possess in this matter. You have Ms. Davis, who was the source of the information in the first place. You have the location, and you have the players involved. Am I to assume that you have everything you need to conclude your investigation for the moment?"

"For the moment."

"Then I believe I'll escort my clients home at this time. As you know, Ms. Garza has recently been ill. Ladies…?" Laskins hadn't even opened his briefcase. Lucia had seen dazzling lawyering before, but this had set a land speed record. She stood up, Jazz close behind her, and followed Laskins out of the interrogation room.

Rawlins didn't say a thing. He said it very loudly.

Outside, the other FBI agents stared, but didn't stop them. McCarthy was waiting nearby, arms folded, leaning against the wall. When he saw Lucia he slowly straightened, hands falling to his sides. There was something in his eyes she couldn't read, except that it was strong, and it was all he could do to look casual under the pressure of it.

"All in one piece?" he asked.

"Still," she confirmed.

Laskins's hand closed on her upper arm in a viselike grip. "Downstairs," he said, and all of the smooth civility had disappeared from his voice. "Move it."

"Hey!"

He'd grabbed hold of Jazz, too. Lucia could have told him that wouldn't go over well, but not even Jazz was willing to start a physical confrontation in front of several rapt FBI witnesses. Laskins herded them to the door, tossed his visitor's badge on the receptionist's desk, and then steered them out into the elevator lobby. McCarthy followed.

Jazz yanked free as soon as the office doors closed. "Boy, you'd better not put your hands on me again, or—"

"Or what?" Laskins snarled. He was scary, for an old man. "Shut up, the lot of you. You're coming with me."

Lucia felt a weary flare of anger. "Or?" she asked. "Because I'd very much like to go home now. Can't your obligatory lecture on responsibility wait until tomorrow?"

"No," he said, and stabbed the elevator button with a forefinger. His jaw muscles were so tense she was surprised he could force words out. "Tomorrow is too late, Ms. Garza. Today may very well be too late. As I said, you're coming with me, and if you resist the order, then I have people who will enforce it."

"People?" Jazz laughed out loud. "Damn, this I gotta see."

The elevator doors opened, and Gregory Ivanovich gave them all a wide, lovely smile. The wolf was back in his eyes. "Do you?" he asked Jazz, and gestured politely for them all to get in the elevator. "Perhaps better if you don't see."

He was holding a gun. Gutsy, Lucia thought, considering that just feet away were six armed FBI agents.

He had the gun focused unwaveringly on Jazz's head. "In the elevator, my dear," he said—not to Jazz, to Lucia. "I would hate to have to create a mess all over the federal agents' lobby to make my point. No!" he said sharply, without shifting his gaze, as McCarthy moved forward. Ben instantly stopped. "You know I mean it. One at a time, into the elevator. My lovely Lucia first."

She moved in and took the opposite corner. She knew of no one with more iron concentration than Gregory; she'd seen him hold a target in the middle of a firefight, waiting for just the right second to pull the trigger. McCarthy seemed to have realized it as well; he came next, hands well away from his body. Laskins followed, standing behind Gregory.

Gregory smiled very slowly at Jazz, and made a tiny little gesture with his empty left hand.

She walked in, eyes still locked on his, full of fury and challenge. He held the stare as he released the Hold button and the doors rumbled shut.

It was a long ride down. Nobody spoke. Jazz never blinked. Neither did Gregory.

"Your name is Jazz, yes? Like the music?"

She kept on staring. He returned the gun to his shoulder holster with the fast, elegant gesture of a stage magician, about one second before the doors opened.

"You're crazy, dorogaya. I like that in a woman."

"You and me," Jazz said grimly, "are going to go a few rounds. You know that, right?"

"I look forward to the opportunity."





Laskins pushed forward, leading the way. McCarthy grabbed Lucia's arm. "Stay here," he whispered. "Go back up, get Rawlins—"

McCarthy was wrong. There was no chance—not even a small one—that if she went back upstairs the FBI could protect her. But that wasn't what made her step out to follow Laskins. It was Gregory Ivanovich, who knew her as well as anyone alive, putting two fingers to the back of Jazz's head and miming pulling a trigger.

She didn't know what Laskins would do, but she knew Gregory. All too well.

Chapter Fourteen

There was a big black limousine in the parking lot across the street and it held all of them comfortably. Or uncomfortably, thanks to the tension in the passenger compartment. It was a long, silent ride, but the landmarks were familiar. Lucia exchanged a quick look with Jazz, who raised her eyebrows and widened her eyes. Lucia shrugged.

The limousine turned down the slope of a parking garage, and parked on the top level, next to the elevators of…their own office building.

"You're kidding," Jazz said flatly.

"You may be assured, Ms. Callender, that I'm deadly serious today," Laskins said. "There's nothing I'm finding remotely amusing."

Gregory Ivanovich hustled them into the elevators and upstairs. The doors had been opened wide into their office suite, and all the lights were on. No one there. At least, Lucia thought, Pansy hadn't been caught up in this mess. That was some comfort.

Laskins opened the doors to the big conference room, with its long, gleaming table and recessed lighting.

It was full of people, who were chatting among themselves in a pleasant buzz of sound. Twelve—no, fourteen of them. Sixteen, counting Laskins, who took a chair at the table, and Gregory, who leaned against a wall, seeming entirely at home. Lucia sca

The buzz died down as everyone's attention focused on the newcomers.

"Let me guess. The Cross Society," Jazz said, just as Lucia was about to. "Wow. Imagine how impressed I am. No, go on. Just imagine."

The stay-at-home mom smiled. She was the only one who did.

"Not the entire society, obviously, merely a few key players," Laskins said, and shut the doors. "Be seated, the three of you."

"Where's James?" Jazz asked.

"James?" Laskins echoed, as if he'd never heard the name before. Lucia felt a twinge of anxiety, and saw it in Jazz, as well.

"James Borden, you asshole. Where is he?" When Jazz got scared, she got belligerent.

"Mr. Borden is on an errand. It's quite an important one, actually. Be seated, Ms. Callender. We don't have a lot of time."

Gregory stepped forward and pulled out a chair. He performed an extravagant comic-opera bow. Lucia tried to send Jazz a message in a last, quick glance, and slid into an empty chair on the other side of the table. McCarthy took the one next to her.

Gregory bowed again, even more comically.

Jazz gritted her teeth and sat.

"What in the hell is this, Laskins?" Lucia asked. For answer, he held up his hand. Gregory stepped forward and put something into it.

A red envelope.

"This," he said, "is a duplicate of what went to Ms. Callender earlier in the day," he said. "It was waiting for her when she arrived back at her temporary home in Ma