Disturbia

The League's public profile had been getting too high, anyway. The others had much to thank him for. Strictly speaking, there were no League members now, only business men. He had returned the League to its roots, made it truly invisible again. Streamlined its organisation. Modernised its procedures. Now it was on the path to true power.

There had been a major change in attitude. Under the old regime, Sebastian would probably have had Xavier Stevens executed for compiling a blackmail dossier on him. Vince had congratulated the assassin on his initiative, and promoted him. Xavier was now loyal for life.

He never saw Pam any more. She went out of her way to avoid him, never even rang his old home number. It was as though she had sensed a sea-change in his character. He missed her. She and Louie, and the life to which they belonged, were part of the trade. He had not seen Betty again, either. Hey, everyone had to make sacrifices. You couldn't have a new life while still hanging onto the old. It was time to put away the past and look to the future. For him, for the city. The political arena beckoned.

The sleek black Mercedes was waiting at the cemetery gates. Caton-James was his driver now. Not terribly happy about it either, as he wasn't allowed to smoke in the car. He saw Vince appear at the entrance and brought the vehicle to a smart stop, hopping out to open the rear door.

Poor Sebastian, thought Vince as he slipped into the Mercedes. I got to be him, but he didn't get to be me. Prometheus could only pass the light one way. A flaw in the paradox.

Tonight he was taking a young lady to an Offenbach concert, then onto di

Apart from one niggling a

Epilogue

TAKEN FROM the foreword of City of Night and Day by Vincent Reynolds.

London has changed. Now it is a city built on sand, shifting and eliding into a thousand different lifestyles – ghost-images transmitted through interference. Its residents are finally free to plot a course through the maze of glass and steel and flesh, to locate the coordinates of their dream lives and exist within them. And like waters ru

London 's architecture has been freed of religious significance, its pagan influences purged, its Mycenean alignments to moon and stars forgotten, Solomon, Boudicea, Blake and Hawksmoor no longer forces to be reckoned with. Now it is styled on sterile American lines, freed from the weight of the past.

London is no longer a city of formalities. Its institutions are falling, its stock exchange no longer a closed shop, its companies no longer tradition-bound, its employees loyal to none but themselves, its intentions no longer honourable. The agreements that existed within a handshake, like the silk top hats of the city, have vanished. The tailored suits were too restricting, too earthbound; flight requires freedom.

Once I referred to London as a slumbering giant, but now the giants are gone and there are only people; people with the ability to redefine the power of this mighty city. Change, of course, is not absolute. Some old ways remain. Two thousand years of dreams live on in the shadows around us. It will take a clever man indeed to unite those ancient dreamscapes with our hopes for the future. To return Prometheus and Dionysus, Solomon and Boadicea, to return the pagan glory of the planets to our streets, to reforge our links with day and night, summer and winter, to bring back the sunlight of Helios and the moonglow of Diana into London lives. The dead hand of Christianity ultimately led us into darkness. Perhaps someone will be ruthless enough to lead us back out of it, and into the light.

Christopher Fowler

Christopher Fowler is the director of The Creative Partnership, a film promotion company based in Soho, and is the author of the novels Roofworld, Rune, Red Bride, Darkest Day, Spanky, Psychoville, Disturbia and Soho Black and of the short story collections City Jitters, The Bureau of Lost Souls, Sharper Knives, Flesh Wounds and Personal Demons.