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Craig Eiffel Bosc, Master Thespian.

Time for a bad review.

Bosc stayed in the bar for another hour and a half and emerged alone, walking a little more slowly and tripping once. When the guy resumed driving west on Ventura, he'd slowed to ten miles under the limit and was doing that dividing line nudge that made it clear he was under the influence.

A 502 stop would offer the opportunity for a face-to-face with Bosc, but pulling the turkey over for a deuce was the last thing Milo wanted. Being off duty, the most he could pull off would be a citizen's arrest. That meant holding on to Bosc while calling a patrol car, then having the blues take over and losing any hope of private time with Mr. Smiles.

So he continued tailing the Saab and hoped Bosc wouldn't attract law enforcement attention or run someone over.

Another short ride- two blocks to a strip mall near Coldwater, where Bosc went shopping for groceries at a Ralphs, deposited two paper bags in the Saab's trunk, made a five-minute stop at a mailbox rentals place, and returned to the car with a stack of envelopes under his arm.

Mail drop, same setup as the West Hollywood POB where he'd registered as Playa del Sol. The tail resumed, with Milo two lengths behind as Bosc turned right on Coldwater, traveled north past Moorpark and Riverside, then east on Huston.

Quiet street, apartments and small houses. That made it a tough follow-along, even with the quarry oblivious and slightly intoxicated. Milo waited at the corner of Coldwater and Huston and kept his eye on the Saab. The blue car traveled one block, then another, before hooking left.

Hoping Bosc didn't live in some security building with a subterranean garage, Milo waited half a minute, wheeled his way up a block and a half, parked, got out and continued on foot toward the spot where he'd estimated the Saab had come to rest.

Luck was with him. The blue car was out in the open, sitting in the driveway of a one-story, white stucco bungalow.

The house had a cement lawn and no fence. A couple of scraggly palms brushing the front façade were the only concessions to green. The driveway was twenty feet of cracked slab, barely long enough for a single vehicle, and it ended at the house's left side. No backyard. The bungalow sat on a fractional lot- a sliver that had escaped tear-down and development- and behind the tiny house, on the rear-neighboring property, loomed a four-story apartment complex.

The glamour of Hollywood.

Milo returned to the Dodge and drove twenty feet past the bungalow. Plenty of parked cars, here, but he managed to find a spot between a van and a pickup that afforded him a clean, diagonal view. Bosc's gym-bar-shopping excursion had taken up most of the afternoon, and the sun was begi

Maybe Bosc was in for the evening, because by 5 P.M. he hadn't shown himself, and lights had gone on in the white bungalow's front rooms. Lacy curtains obscured the details, but the fabric was sheer enough for Milo to make out flashes of movement.

Bosc shifting from room to room. Then, at nine, a window on the right side of the house went cathode-blue. TV.

Quiet night for Master Thespian.

Milo climbed out of the Polaris, stretched the stiffness from his joints, made his way across the street.

He rang the bell, and Bosc didn't even bother to shout out a "Who's there?" just opened it wide.

The actor had changed into khaki shorts and a tight black T-shirt that hugged his actorly physique. One hand gripped a bottle of Coors Light. The other held a cigarette.

Casual, loose, eyes bloodshot and droopy. Until Milo's face registered and Bosc's well-formed mouth dropped open.

The actor didn't react to the roust like an actor would- like any kind of civilian would. His legs spread slightly and he planted his feet, the beer bottle jabbed at Milo's chin and the cigarette's glowing tip headed for Milo's eyes.

Split-second reaction. Tight, little martial arts ballet.



Milo was mildly surprised, but he'd come ready for anything and retracted his head. The vicious kick he aimed at Bosc's groin landed true, as did the chop to the back of Bosc's neck, and the guy went down, putting an end to any debate.

By the time Bosc had stopped writhing on the floor and the green had gone out of his complexion, his hands were cuffed behind him and he was panting and struggling to choke out words and Milo was kicking the door shut. He lifted Bosc by the scruff and dumped him on the black leather couch that took up most of the living room. The rest of the decor was a white beanbag chair, a huge digital TV, expensive stereo toys, and a chrome-framed poster of a wound red Lamborghini Countach.

Bosc sprawled on the sofa, moaning. His eyes rolled back and he retched and Milo stepped back from the expected projectile puke. But Bosc just dry heaved a couple of times, got his eyes back on track, looked up at Milo.

And smiled.

And laughed.

"Something fu

Bosc's lips moved a bit, and he struggled to talk through the grin. Sweat globules as big as jelly beans beaded up his forehead and rolled down his sculpted nose. He flicked one away with his tongue. Laughed again. Spit at Milo's feet. Coughed and said, "Oh yeah. You're in big trouble."

CHAPTER 35

I sped up Highway 33, sucking in the grass-sweet air of Ojai. Thinking about Bert Harrison living here for decades, light-years from L.A. For all that, the old man had been unable to avoid the worst the city had to offer.

As I approached the bank of shops that included O'Neill & Chapin, I eased up on the gas pedal. The stationery shop was still shuttered and a CLOSED sign was propped in the window of the Celestial Café. Midway through town, I turned onto the road that led up to Bert's property, drove a hundred feet from his driveway, and parked behind a copse of eucalyptus.

Bert's old station wagon was parked out in front, which told me nothing. Perhaps he'd left for his overseas trip and had been driven to the airport. Or his departure was imminent, and I'd enter to find him packing.

Third choice: He'd lied about the journey, wanting to discourage me from returning.

I admired Bert, wasn't eager to examine the possibilities. Returning to the Seville, I swung back onto the highway. Ready to tap the source, directly.

The entry to Mecca Ranch was latched but unlocked. I freed the arm, drove through, closed the gate behind me, and motored up under the gaze of circling hawks- maybe the same birds I'd seen the first time.

The corral floated into view, glazed by afternoon sun. Marge Schwi

"Well, hello there, Dr. Delaware."

I returned the greeting, smiling and keeping my voice light. The first time I'd met her, Milo hadn't introduced me by name or profession. Suddenly I felt good about the trip.

She pulled a blue bandana from her jeans pocket, wiped both hands, offered the right one for a firm, hard shake. "What brings you up here?"

"Follow-up."

She pocketed the bandana and gri

"No, ma'am, just a few questions." I was looking into the sun and turned my head. Marge's face was well shaded, but she squinted, and her eyes receded into a mesh of wrinkles. The denim shirt was tailored tight. Her breasts were small and high. That same combination of girlish body and old woman's face.